Fashion and art of Africa conquer Paris: 3 exhibitions in a single museum

Moda e arte dell’Africa conquistano Parigi: 3 mostre in un unico museo

The Musée Quai Branly in Paris is hosting "Africa Fashion," an exhibition originally produced by the Victoria and Albert Museum in London in 2023. Adapted for the Parisian venue, the show draws on the museum's rich historical and photographic collections to explore African fashion from decolonization to the present, featuring clothing, textiles, music videos, and archival photography from across the continent.

La Fondation Beyeler di Basilea inaugura una grande mostra dell’artista francese Pierre Huyghe. Da vedere durante Art Basel

The Fondation Beyeler in Basel is opening a major solo exhibition of French artist Pierre Huyghe, running from May 24 to September 13, 2026. The show transforms Renzo Piano's museum spaces into a sensitive ecosystem inhabited by images, organisms, sounds, dust, algorithms, and presences suspended between the biological and artificial. Key works include "Apnea" (2026), an artificial organ submerged in water that breathes at a human rhythm; "Alchimia" (2026), featuring a worm on a threshold that reacts to air; "Liminals" (2026), a film depicting a faceless anthropomorphic figure in a state of radical uncertainty; "Adversary" (2026), a closed gate co-created by human and machine; and "Camata" (2024), a film set in the Atacama Desert that is continuously re-edited in real time based on sensors and audience presence.

Chi sono i vincitori del XXIX Compasso d’Oro premiati all’ADI Design Museum di Milano

The XXIX edition of the Compasso d'Oro award, founded in 1954 by Gio Ponti and Rinascente, concluded at the ADI Design Museum in Milan. The jury awarded 3 Compassi d'Oro Young, 10 student project recognitions, 38 honorable mentions, and 20 Compasso d'Oro ADI prizes. Winning projects include Array sofa by Snøhetta for MDF Italia, Bilboquet lamp by Philippe Malouin for Flos, D'Antan armchair by Raffaella Mangiarotti for De Padova, and the Salone del Mobile.Milano Annual Report 2024. Career awards were given to nine figures including Giovanni Arvedi, Paola Lenti, and Alberto Meda, while three iconic products—Sedia '64 by AG Fronzoni, Tavolo Eros by Angelo Mangiarotti, and Tavolo con ruote by Gae Aulenti—received career Compassi d'Oro. The exhibition of all nominated projects runs until June 4, 2026.

In the Principality of Monaco, an exhibition where the great painter Poussin dialogues with contemporary art

Nel Principato di Monaco una mostra dove il grande pittore Poussin dialoga con l’arte contemporanea

The Nouveau Musée National de Monaco presents an exhibition titled "Le Sentiment de la Nature," which juxtaposes works by 17th-century French painter Nicolas Poussin and his followers with pieces by about thirty contemporary and 20th-century artists. The show is organized into six thematic sections—storms and nights, forests and gardens, seas and waterfalls, deserts and volcanoes, mountains, and flowers and butterflies—each exploring the ancient concept of "miracula naturae" (wonders of nature). Featured contemporary artists include Nan Goldin, Andreas Gursky, Thomas Demand, Sarah Moon, Mimmo Jodice, Giulio Paolini, Giorgio Andreotta Calò, and Fausto Melotti, with works spanning photography, painting, video, and sculpture. The exhibition runs until May 25, 2026, and is accompanied by a catalog published by Italian publisher Humboldt Books in collaboration with the museum.

Rediscovering the Eternal City of the 1500s in the drawings of Maarten van Heemskerck. The exhibition in Rome

Riscoprire la Città Eterna del ‘500 nei disegni di Maarten van Heemskerck. La mostra a Roma

A major exhibition at Palazzo Poli in Rome, hosted by the Istituto Centrale per la Grafica, showcases a selection of drawings by Dutch artist Maarten van Heemskerck (1498–1574) from his so-called 'little sketchbook,' now held at the Kupferstichkabinett in Berlin. The show, titled 'Maarten van Heemskerck e il fascino di Roma' and running until June 7, presents the artist's meticulous studies of Roman antiquities made during his four-year stay in the city from 1532, offering a rare visual record of Renaissance Rome's ancient collections before and after the 1527 Sack of Rome.

Interview with Wallace Chan, the artist who created a bridge between Venice and Shanghai through water

Intervista a Wallace Chan, l’artista che attraverso l’acqua ha creato un ponte tra Venezia e Shanghai

Wallace Chan, the Hong Kong-born artist turning 70, has launched a dual-exhibition project titled "Vessels of Other Worlds" between Venice and Shanghai, curated by James Putnam. In Venice, the show runs concurrently with the Biennale at the Cappella di Santa Maria della Pietà (Vivaldi's church), featuring three titanium sculptures inspired by Catholic holy oils, surrounded by smaller works evoking water droplets. In Shanghai, the same sculptures appear at the Long Museum (West Bund) starting July 18, 2026, on a monumental scale—seven, eight, and ten meters tall—with a kaleidoscopic interior accessible through a door in the central piece. The exhibitions also include sound compositions by Brian Eno and reference Chan's earlier Venice shows (Titans, Totem, Transcendence).

Stanley Donwood on his show with Thom Yorke in Venice: ‘These drawings… they’re not planned’

Stanley Donwood, the artist and longtime collaborator of Radiohead's Thom Yorke, discusses his recent and upcoming projects in an interview. These include the conclusion of 'This Is What You Get', a retrospective at Oxford's Ashmolean Museum; the 'Motion Picture House' installation based on Radiohead's albums Kid A and Amnesiac; and his first exhibition outside the UK with Yorke, titled 'No Go Elevator (not without no keycard)', staged in Venice during the 2026 Biennale. The Venice show, presented with Tin Man Art, features 15 ink-on-paper works combining drawings and text from Yorke's notebooks.

8 Mind-Bending Digital and Art Exhibitions To Visit

LUXUO highlights eight immersive exhibitions that integrate digital technologies, AI, and sensory engagement to redefine contemporary art experiences. Featured venues include DATALAND in Los Angeles, the world's first museum dedicated to AI-generated art, opening in June 2026 with its inaugural show "Machine Dreams: Rainforest"; the Museum of the Future in Dubai, which uses narrative simulations to explore speculative futures; and Moco Museum Amsterdam's "Digital & Immersive Art" by Studio Irma, focusing on interactive light-based installations. Other exhibitions blend projection mapping, 3D environments, and data-driven installations to transform how audiences perceive and interact with art.

New Exhibition Explores Immersive Art Created by Women Artists in the 1960s and 1970s

Leeum Museum of Art in Seoul has opened "Inside Other Spaces: Environments by Women Artists 1956–1976," an exhibition that reconstructs immersive environments created by women artists from Europe, Asia, and the Americas. Originally organized with Munich’s Haus der Kunst, the Seoul presentation expands the project with additional works by Korean and Asian artists, including Jung Kangja’s "Muche-Jeon (Incorporeal Exhibition)." The show features reconstructed works by pioneers such as Lygia Clark, Marta Minujín, Nanda Vigo, and Tsuruko Yamazaki, whose 1956 piece "Red" is the earliest environment included. Visitors are invited to physically enter installations made of mirrors, translucent materials, sound, and light, experiencing art that dissolves boundaries between artwork, architecture, and viewer participation.

150 photos depict 185 years of the US mining industry in world-first historical exhibition

The National Gallery of Art in Washington, D.C., will present "Beneath the Surface," a world-first photographic exhibition dedicated to 185 years of the U.S. mining and natural resource extraction industries. Featuring 150 images from 100 photographers, the show spans from California Gold Rush daguerreotypes to 20th-century industrial documentation, including works by Dorothea Lange and Lewis Wickes Hine. The exhibition will be on view at the National Gallery from May 23 to August 23, 2026, before traveling to the Milwaukee Art Museum and the Amon Carter Museum of American Art.

'The future of art': A first look at the video installation that'll light up LACMA's Wilshire bridge

Artist Diana Thater is creating a new permanent large-scale video installation titled "Oo Fifi, Five Days In Claude Monet’s Garden, Part 3" for the bridge over Wilshire Boulevard at LACMA's David Geffen Galleries. The piece, expected to debut in September, will run nightly from sundown to sunrise and features 6K footage Thater shot in 2025 of Claude Monet's garden in Giverny, France, projected onto a 59-foot-wide wall and part of the bridge ceiling. It will be the largest work of Thater's career and the first permanent outdoor video installation by an artist in a public space.

Ukrainian art resists war

An exhibition titled "Still Joy" opened in Venice during the preview days of the Biennale, organized by the Pinchuk Art Center in Kiev, showcasing Ukrainian art that responds to the ongoing war with Russia. The show features works by artists including Kateryna Aliinyk, Piotr Armianovski, Roman Khimei and Yarema Malashchuk, Zhanna Kadyrova, Alevtina Kakhidze, and Nikita Kadan, addressing themes of resilience, memory, and resistance. The Ukrainian Pavilion at the Biennale also centers on the conflict, with Kadyrova's work referencing the Budapest Memorandum. Many of these artists have chosen to remain in Ukraine despite the dangers, keeping the cultural scene alive.

ICA Watershed reopens for the season with industrial-inspired installations

The Institute of Contemporary Art's Watershed in East Boston has reopened for its 2026 season with the exhibition "Lucy Raven: Rounds," featuring two large-scale installations by New York-based artist Lucy Raven. The show includes "Hardpan," a kinetic light sculpture co-commissioned by the ICA and Barbican Centre, and "Murderers Bar," a 44-minute film documenting the demolition of a concrete dam on the Klamath River in Northern California. Both works explore themes of industrial history, extraction, and environmental transformation, with the Watershed's former factory setting amplifying the industrial resonance.

See exhibition by Erin Jane Nelson, ‘Living and Working,’ at UAB’s AEIVA through Sept. 26

The Abroms-Engel Institute for the Visual Arts (AEIVA) at the University of Alabama at Birmingham presents “Living and Working,” a survey exhibition of artist Erin Jane Nelson, running through September 26. This is Nelson’s largest solo exhibition to date and her first survey, spanning a decade of her practice across photography, textiles, and ceramics. The exhibition will travel to the Knoxville Museum of Art in August 2027, and AEIVA is co-publishing an exhibition catalog with Institute 193. The opening reception is May 21, and free community programming includes summer drop-in tours, a pinhole camera workshop, Science Nights in partnership with the Birmingham Zoo, and a chamber music event.

Tracing the Body Through Dust and Memory

South African artist Igshaan Adams presents 'Unsettling Dust: The Body’s Archive' at the Guggenheim Bilbao, an immersive exhibition that merges weaving, choreography, sculpture, and social history. The show features monumental woven tapestries derived from collaborative dance performances between South African and Greek dancers in Athens, transforming the gallery into a living archive of movement and memory. On view from 5 May to 1 November 2026, it is part of the museum's in situ series.

The Invincible Spirit of Edmonia Lewis

The Peabody Essex Museum in Salem, Massachusetts, has opened "Edmonia Lewis: Said in Stone," the first major retrospective of the 19th-century sculptor Edmonia Lewis, who was of Black and Indigenous (Mississauga-Tuscarora) descent. The exhibition displays 30 of her Neoclassical white marble sculptures alongside archival materials and works by other artists, organized into four thematic rooms that explore antislavery, Indigenous artistic worlds, her studios in Rome, and religion and mythology. Co-organized with the Georgia Museum of Art, the show emphasizes Lewis's dual heritage without conflating the two identities, featuring extensive text and quotes from the artist herself.

London exhibition explores untold history of how homelessness was criminalised

A new exhibition titled "Criminal: The Untold History of Homelessness" opens at the Museum of Homelessness in London, exploring the origins of homelessness in the UK and how it has been criminalized. The exhibition challenges the typical focus on the 19th-century Vagrancy Act, instead tracing the "Homelessness Big Bang" to the early 1600s, when land enclosures, economic shifts, and colonial expansion began penalizing unhoused people. Staged in a meadow at Finsbury Park, the show features artists and activists including the anonymous graffiti artist 10 Foot, designer Matt Bonner, and poet Gemma Lees, with works such as 10 Foot's first sculpture "Fairie Newbuild"—a skip-shaped object made from palisade fencing containing a hawthorn tree.

The Universe According to Sang Huoyao—and His Humanoid Robot

At the Museum of Art Pudong (MAP) in Shanghai, artist Sang Huoyao opened his solo exhibition “Brushstrokes of the Universe” with a performance titled *How to Explain Painting to a Living Robot* (2026), in which he walked a humanoid robot from Unitree through the galleries, explaining each painting. The show, curated by Jonas Stampe, features 52 works including silk paintings, aluminum panel installations, and new media pieces, centered on the monumental 46-foot-long silk painting *Birth under the Sky* (2025–26).

Los Angeles’s new Hospital of Emotions pop-up gives artists keys to the asylum

The Hospital of Emotions, a new pop-up exhibition in Los Angeles, has transformed the defunct St Vincent Medical Center into a sprawling art experience. Curator Yaara Sachs, founder of House of Art and Dreams, selected around 70 artists through an open call to take over 80 spaces—including examination rooms and operating chambers—in the building, which is slated for renovation into a behavioral health center. Each artist received $4,000 for their project and up to $10,000 for materials. The exhibition is organized into thematic "departments" dedicated to emotional states such as joy, fear, anger, and sadness, aiming to guide visitors toward catharsis. Featured artists include Kamil Cazpiga (Cosmodernism), Guy "Dioz" Bloom, Pablo Thomas, and Napo, among others.

Detroit’s MOCAD Reopens with a New Vision and a New Kind of Leadership

The Museum of Contemporary Art Detroit (MOCAD) has reopened after an eight-month renovation, marking its 20th anniversary with a new vision centered on artists and community. Co-directors Jova Lynne and Marie Madison-Patton have titled this new chapter "A Practice of Multiplicity," emphasizing the wholeness of artists' lives beyond their work. The renovation includes infrastructural upgrades like an HVAC system, a new Learning Studio, a transformed café for programming, and a facade that opens to the street. Two inaugural surveys highlight Detroit artists Olayami Dabls and Carole Harris, whose practices explore the city's history, culture, and social transformation.

From a waterfall cube to a field of mushrooms: Vivid Sydney 2026 – in pictures

Vivid Sydney 2026 has launched, transforming the city with bold light installations, projections, and digital art. The festival features a 6.5km light walk from Barangaroo to Darling Harbour, along with live music, panel discussions, and pop-up dining. Highlights include works like 'Vaiola' by Sāmoan/Australian artist Angela Tiatia, projected onto the Museum of Contemporary Art. The event runs until 13 June.

Som Supaparinya “Mo num en ts” at Museion, Bolzano

Museion in Bolzano presents "Mo num en ts" (2025), a film by Thai artist Som Supaparinya that combines historical research and fieldwork. The work was produced through the Han Nefkens Foundation – Southeast Asian Video Art Production Grant 2024, dedicated to the memory of artist Dinh Q. Lê.

Interview with Ramuntcho Matta: Brion Gysin: The Last Museum Musée d’Art Moderne de Paris

The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.

Larger than life | Beryl Cook: Pride and Joy, The Box, Plymouth

The article reviews the exhibition "Beryl Cook: Pride and Joy" at The Box in Plymouth, the first major survey of the late British painter Beryl Cook (1926-2008). The show features over 40 years of her work, including iconic scenes of working-class women, drag queens, and LGBTQ+ nightlife, drawn from private and public collections. The author recounts a personal visit, noting the communal joy of viewers sharing memories sparked by Cook's vibrant, voluptuous characters.

Rising Voices: Contemporary Art from Asia, Australia and the Pacific opens at the V&A

The Victoria & Albert Museum (V&A) in London has opened 'Rising Voices: Contemporary Art from Asia, Australia and the Pacific', a landmark exhibition drawn from the collection of the Queensland Art Gallery | Gallery of Modern Art (QAGOMA). Featuring over 70 works by more than 40 artists from 25 countries, the show is organized in three thematic sections—Re-Visioning History, Enduring Knowledge, and Evolving Faith—and includes sculpture, photography, painting, ceramics, weaving, and body adornment. Many works are on view outside their home region for the first time. The exhibition runs until 10 January 2027.

A West Coast First: A Retrospective of SFMOMA’s KAWS Exhibit

The San Francisco Museum of Modern Art (SFMOMA) concluded its six-month exhibition "KAWS: FAMILY," the artist's first major museum retrospective on the West Coast. The show featured 30 years of Brian Donnelly's (KAWS) work, from early advertising recreations to monumental sculptures, with a central theme of kinship. It attracted a record influx of young adults and families, helping SFMOMA recover from a 30% drop in annual foot traffic between 2019 and 2024.

Crystal Bridges to Host Events Celebrating Its Expansion

Crystal Bridges Museum of American Art in Bentonville, Arkansas, will host a series of events celebrating the completion of its multiyear expansion, which began in early 2022. The celebration kicks off on May 29 with a conversation featuring founder Alice Walton, chairperson Olivia Walton, and architect Moshe Safdie, moderated by Vanity Fair correspondent Nate Freeman. The 114,000-square-foot expansion brings the museum's total size to 314,000 square feet, adding a café, educational spaces, galleries, studios, and an outdoor plaza. The official public opening on June 6–7 will include dance performances, live music, hands-on art activities, and the debut of two temporary exhibitions: "Keith Haring in 3D" and "Do Ho Suh and Children: Artland."

Sir John Akomfrah’s Venice Biennale Exhibition Comes To Liverpool’s Walker Art Gallery

Sir John Akomfrah's exhibition, originally presented at the Venice Biennale, is now on view at Liverpool's Walker Art Gallery. The show brings together a selection of the artist's acclaimed film and video works that explore themes of memory, migration, and the African diaspora, offering UK audiences a rare chance to see the Biennale presentation in a new context.

How the National Gallery of Art Used Video to Take an Exhibition Beyond Its Walls

The National Gallery of Art's production studio created a multi-platform video strategy around its 2025 traveling retrospective of artist Elizabeth Catlett. The centerpiece was a documentary following contemporary artist LaToya Hobbs as she created a new linocut portrait of Catlett's granddaughter, Naima Mora, using high-resolution time-lapse filmmaking. The project was presented at the Museum Digital Summit 2026 by a team including Sarah Turner, Chad Lawrence, Adam Enatsky, Karla Carnewal Torallas, and Amelia Mylvaganam.

브루클린뮤지엄: 패션디자이너 아이리스 반 페르펜전 'Iris van Herpen: Sculpting the Senses'(5/16-12/6)

The Brooklyn Museum will present the North American debut of "Iris van Herpen: Sculpting the Senses" from May 16 to December 6, 2026. The exhibition features over 140 haute couture creations by Dutch fashion designer Iris van Herpen, displayed alongside contemporary art, design objects, and scientific artifacts. It explores her fusion of traditional craftsmanship with cutting-edge technology, sustainability, and themes from nature and science. The show first opened at the Musée des Arts Décoratifs in Paris in 2023 and has traveled to QAGOMA, ArtScience Museum Singapore, and Kunsthal Rotterdam. The Brooklyn presentation coincides with the museum's annual Brooklyn Artists Ball, where Van Herpen will be honored.