Max Giermann is not looking for recognition with his painting

Max Giermann sucht mit seiner Malerei nicht nach Anerkennung

German comedian and actor Max Giermann has launched his first Berlin art exhibition, titled "Figuring Out," at the Janinebeangallery. The showcase features large-scale acrylic paintings on canvas depicting figures, heads, and body fragments, including a final tribute to Klaus Kinski, whom Giermann famously parodied throughout his comedy career. Although he grew up in a household of art educators and began drawing as a child, this exhibition marks a significant return to painting after a 20-year hiatus.

Phoebe Boswell’s ‘Art on the Underground’ dives into why the majority of Black British adults don’t swim

Artist Phoebe Boswell has unveiled a major public art commission for Art on the Underground, installed across the escalators of Bethnal Green and Notting Hill Gate stations in London. The immersive photographic series features Black subjects moving underwater, captured in a stop-motion style that responds to the physical movement of commuters. The project was inspired by the statistic that 95 per cent of Black British adults do not swim, a reality Boswell links to generational trauma and structural inequality.

Does the Neue Nationalgalerie Have Feelings?

Hat die Neue Nationalgalerie Gefühle?

The Kunsthalle Bremen has opened "Remix. Photographie – Fiktion und Wahrheit," an exhibition drawn from its permanent collection that explores the tension between reality and artifice in photography. The show traces a lineage from Heinrich Zille’s unvarnished turn-of-the-century street scenes to the objective industrial typologies of Bernd and Hilla Becher, eventually moving into the postmodern manipulations of the Düsseldorf School, including works by Thomas Ruff and Thomas Struth.

'All the Lands from Sunrise to Sunset' at Green Art Gallery, Dubai, United Arab Emirates on 18 Apr–1 Jun 2026

Green Art Gallery in Dubai is hosting 'All the Lands from Sunrise to Sunset,' a group exhibition featuring Alla Abdunabi, Fatma Al Ali, Alessandro Balteo-Yazbeck, and Michael Rakowitz. The show explores the persistence of imperial logics and extractive economies through diverse media, including text-based collages, reconstructed artifacts made from food packaging, and archival interventions. By examining acts of naming, erasure, and symbolic circulation, the artists treat empire not as a historical relic but as a mutating contemporary condition.