Il Ritratto di Maffeo Barberini acquistato dallo Stato per 30 milioni è esposto a Roma al Senato a ingresso gratuito

The Italian State has acquired Caravaggio's "Ritratto di Monsignor Maffeo Barberini" for €30 million, concluding a negotiation that lasted over a year. The painting, executed around 1600, will be on free public display from May 28 to June 21, 2026, in the Sala Capitolare of the Biblioteca del Senato in Rome, before its permanent transfer to the Gallerie Nazionali di Arte Antica at Palazzo Barberini. The exhibition also features a selection of documents from the Archivio di Stato di Roma, including judicial records that shed light on Caravaggio's legal troubles.

I Am Not an Anacronista Painter: The Misunderstood Research of Artist Carlo Maria Mariani

“Io non sono Un Pittore Anacronista”. La ricerca fraintesa dell’artista Carlo Maria Mariani

The Fondazione Carlo Maria Mariani issues a corrective statement defending the late artist Carlo Maria Mariani (1931–2021) against persistent misclassification as an "Anacronista" or "Postmodern" painter. The foundation argues that critics and institutions have superficially lumped Mariani into the anachronistic movement of 1970s–80s Italy, ignoring the conceptual and cerebral foundations of his work. Currently, a solo exhibition titled *I Segni dei Tempi* is on view at the Museo e Real Bosco di Capodimonte in Naples until July 14, curated by Andrea Viliani and Antonio Martino. This follows a 2024 show at the Galleria degli Uffizi in Florence and precedes a major retrospective at Palazzo Citterio in Milan in 2026, curated by Eike Schmidt.

Mercedes-Benz Art Collection Debuts in Budapest with ‘Power Lines’ Exhibition

The Mercedes-Benz Art Collection is being shown publicly for the first time in Budapest through the exhibition 'Power Lines,' which opened at the Merlin Theatre on Tuesday and runs until 31 August. The show features works by over 30 internationally recognized contemporary artists, including David Hockney, Robert Longo, Sylvie Fleury, and John M Armleder, alongside Hungarian and regional artists such as Ilona Németh, Katalin Kortmann-Járay, Karina Mendreczky, and Rita Süveges. Curated by Krisztián Török, the exhibition presents the collection through a Central and Eastern European lens, exploring themes of industrialization, migration, energy, modernism, and ecology.

Andy Warhol and Italy: in Milan the exhibition that reveals the unpublished face of the King of Pop Art

Andy Warhol e l’Italia: a Milano la mostra che svela il volto inedito del Re della Pop Art

A new exhibition in Milan, "Andy Warhol. Passaggio in Italia 1975-1987," explores the Pop Art icon's previously under-examined decade-long relationship with Italy. Hosted at La Galleria Crédit Agricole – Refettorio delle Stelline until June 20, the show is not a standard retrospective but a "memoir in images" reconstructing Warhol's creative intersections with Italian culture, gallerists, and cities like Naples and Milan. It features the series "Vesuvius" and "The Last Supper," alongside unpublished photographs, documents, and memorabilia from figures such as Lucio Amelio, Alexander Iolas, and Luciano Anselmino, as well as a section on Warhol's LP covers and the "Ladies and Gentlemen" series.

See Inside the Belarus Free Theatre’s Venice Exhibition on Art Under Authoritarianism

The Belarus Free Theatre has opened an exhibition titled “Official. Unofficial. Belarus.” at La Chiesa di San Giovanni Evangelista di Venezia, marking Belarus's first presence at the Venice Biennale in six years and its first appearance not as a state but as a self-governing cultural body. Curated by Daniella Kaliada, the show features Belarusian artists working across painting, installations, and large-scale sculptures, aiming to make the experience of living under authoritarianism viscerally legible through works that explore surveillance, repression, and bodily experience.

Between memory and myth: inside WITH MY ROOTS Iranian Contemporary Art Biennale

The sixth edition of the Iranian Contemporary Art Biennale, titled WITH MY ROOTS, has opened at Mall Galleries in London, featuring works by Iranian and diaspora artists across painting, photography, sculpture, installation, and video. The exhibition explores themes of identity, displacement, and cultural continuity against a backdrop of ongoing conflict and political uncertainty, with standout pieces by Soheila Golestani, Paria Shahverdi, Sahaar (Sahar-Khosrojerdi), Negin Baghery, Mohammaz Reza Zabihi, and Dina Abdose.

Meet Three of the Artists in the Emmanuel Art Gallery’s 150th Anniversary Exhibition

The Emmanuel Art Gallery on Denver's Auraria Campus is celebrating its 150th anniversary with the exhibition “Come Together: 150 Years of the Emmanuel.” The gallery, originally built as an episcopal chapel in 1876, has served as a synagogue and an artist's studio before becoming a gallery in 1973. The article profiles three local artists featured in the show: Isabella Briganti, a former student worker at the gallery now showing her drawings; Carlos Frésquez, who had his first professional show there in 1976 and has since become an internationally exhibited artist; and Max Kauffman, a Denver-based painter whose work explores folk imagery and the history of the building.

Exhibition by Podlasie Artist Małgorzata Dmitruk Opens at the Ivan Lutskievich Belarusian Museum in Vilnius

An exhibition titled “The Line of Transition” by Polish artist Małgorzata Dmitruk has opened at the Ivan Lutskievich Belarusian Museum in Vilnius. The show features a central multi-meter textile composition addressing events on the Belarusian-Polish border, alongside works such as the embroidered “Lullaby” and the lithograph series “Kombinat” dedicated to printer Dzmitry Malatkou. Dmitruk, a professor at the Warsaw Academy of Fine Arts, draws on her Podlasie heritage and family traditions, using found and inherited fabrics to explore themes of borders, transition, and memory.

‘Don’t let it happen’: German art show warns how democracies die

An art exhibition in Germany titled 'Don't let it happen' is warning audiences about the fragility of democracy and how it can decline. The show uses visual art to illustrate historical and contemporary threats to democratic institutions, drawing parallels between past authoritarian regimes and current political trends.