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Newcastle Art Gallery’s stunning new exhibitions open up a multiverse

Newcastle Art Gallery has opened three new exhibitions following its February reopening with the blockbuster show 'Iconic Loved Unexpected'. The new presentations include Tiyan Baker's solo show 'Mouth Mnemonica', 'The Mordant Family Gift' featuring 25 works donated by philanthropists Simon and Catriona Mordant, and Brian Robinson's 'Multiverse'. The exhibitions collectively showcase a diverse range of national and international artistry, with works by artists such as Gemma Smith, Tim Silver, Alasdair Macintyre, and Rafael Lozano-Hemmer. Baker's solo exhibition focuses on preserving the Bidayǔh language through multimedia works including autostereograms and video installations.

'Fade' review: Studio Museum Harlem's 'F' series returns

The Studio Museum in Harlem has opened 'Fade,' the sixth installment of its influential 'F' series, featuring 17 emerging Black and Afro-Latinx artists. The exhibition includes works such as London Pierre Williams's large-scale oil painting 'The Stage: He that leaves me blue, a dream (2026)' and Antonio Darden's 'Untitled (Reclining Figure) (2025),' among others. Curated to feel like an unfolding conversation rather than a traditional group show, 'Fade' explores themes of ancestry, spirituality, grief, and transformation, with sculptures, paintings, and installations that hover between memory and dream.

Beyond Mystics, the Northwest Contribution to Modern Art

The article profiles Kenneth Callahan, a key figure in Northwest modern art and former director of the Seattle Art Museum, who found inspiration in the coastal landscapes of the Long Beach Peninsula. It highlights his role alongside Mark Tobey, Guy Anderson, and Morris Graves—collectively known as "The Big Four"—in establishing the value of Northwest art. The piece also announces a current exhibition at the Seattle Art Museum titled "Beyond Mysticism—The Modern Northwest," which features Callahan prominently alongside major American artists such as Franz Kline, Mark Rothko, and Helen Frankenthaler, and runs through August 2.

Jon Cuyson on Representing the Philippines at the 61st Venice Biennale

Jon Cuyson will represent the Philippines at the 61st Venice Biennale in 2026 with an installation titled "Sea of Love / Dagat ng Pag-ibig." The work combines painting, sculpture, sound, and moving image into a spatial environment inspired by the logic of the sea. It features fragmented painting panels, metal hardware, cast resin mussels, and marine debris, alongside a film narrated from the perspective of mussels in Cavite City. Central to the piece is a queer Filipino time-traveling seafarer named Kerel, whose story unfolds across Cuyson's Kerel Trilogy films. The pavilion, located in the Arsenale, is curated by Mara Gladstone.