filter_list Showing 16 results for "Balance" close Clear
search
dashboard All 32 museum exhibitions 16article policy 6article news 2person people 2article culture 2article local 2trending_up market 1gavel restitution 1
date_range Range Today This Week This Month All
Subscribe

In a new home, Photo London gets down to business

Photo London opened its 2025 edition at a new venue, Olympia’s Grand Hall in West Kensington, on 13 May, moving from its previous decade-long home at Somerset House. Despite a hailstorm, the preview day saw lively sales: Paris-B Gallery sold three works for £100,000, including pieces by Yang Yongliang; In Camera sold both a vintage and modern print of Jane Everlyn Atwood's *Auto Portrait (Serpent)*; and Radius Publishing moved 40% of its stock by Thursday lunchtime. The fair runs until 17 May, with prices ranging from £100 to £400,000.

The Can’t-Miss Moments at TEFAF New York 2026

TEFAF New York 2026 opened to packed crowds at the Park Avenue Armory, showcasing a mix of historic and contemporary works. Highlights include Gagosian’s solo booth of Kathleen Ryan’s bejeweled “Bad Fruit” sculptures, Thaddaeus Ropac’s presentation of monumental canvases by Danish painter Eva Helene Pade, and Axel Vervoordt Gallery’s spotlight on overlooked Italian painter Ida Barbarigo. The fair also features collectible design and perennial favorites like Alexander Calder mobiles and Alighiero Boetti tapestries.

The Best Booths at Frieze New York, From Cindy Sherman’s Newest Photos to UFOs

The article reviews the best booths at Frieze New York 2026, held at the Shed in Hudson Yards. It highlights eight standout presentations, including Hauser & Wirth's debut of new Cindy Sherman photographs, Andrew Edlin Gallery's themed booth featuring artists like Paulina Peavy and Melvin Way who explore extraterrestrial themes, and Carlos/Ishikawa's display of Evelyn Taocheng Wang's monumental paintings that engage with Agnes Martin and Georgia O'Keeffe. The author notes that while art fairs prioritize commerce, some galleries successfully balance good art with monetization.

59th Carnegie International tests the limits of connection and inclusion

The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art in Pittsburgh, curated by Ryan Inouye, Danielle A. Jackson, and Liz Park. The exhibition emphasizes community and collaboration, featuring immersive installations by artists such as Shala Miller, Jasleen Kaur, and Georges Adéagbo, whose work incorporates local thrift-store finds like Pittsburgh Steelers merchandise. Offsite programming extends to venues including the Mattress Factory and Children's Museum of Pittsburgh.

Le Louvre choisit son entrée côté colonnade

Le Louvre has selected a joint proposal by Studios Architecture Paris and Selldorf Architects for its new entrance via the Perrault colonnade, part of the 'Louvre Nouvelle Renaissance' plan. The project, announced by Emmanuel Macron on January 28, 2025, aims to create a new eastern access to relieve overcrowding at the Pyramid, with two underground entrances, vegetated moats, new services, and a dedicated space for the Mona Lisa. The selection was announced by Culture Minister Catherine Pégard on May 18, despite controversies over funding, heritage constraints, a theft in the Galerie d'Apollon on October 19, 2025, and the departure of museum president Laurence des Cars.

In Toscana il borgo di Monte San Savino si apre all’arte contemporanea con una mostra itinerante e di genere

The Tuscan hill town of Monte San Savino launched a contemporary art exhibition titled "Art Gender Gap" on International Women's Day, featuring 40 female artists and 53 works across multiple historic venues including the GAS, Chiesa di Santa Chiara, Palazzo Ciocchi di Monte, and the Renaissance Cisternone. Curated by Giuseppe Simone Modeo, Nicoletta Castellaneta, and Domenico de Chirico, the show includes loans from the National Museum of Women in the Arts in Washington (via its Italian committee president Claudia Pensotti Mosca), the Christian Levett collection, and the FAMM Museum in Mougin, France—a museum dedicated exclusively to women artists. Participating artists range from historical figures like Louise Bourgeois, Carol Rama, and Sonia Delaunay to contemporary names such as Kiki Smith, Pipilotti Rist, Marlene Dumas, Tracey Emin, and Mona Hatoum.

Tough Stuff: Women in The American Glass Studio

The Corning Museum of Glass (CMoG) opened "Tough Stuff: Women in the American Glass Studio" on May 16, 2026, as part of its 75th anniversary celebration. This is the first survey exhibition dedicated to women artists who shaped the American Studio Glass Movement from the 1960s onward, featuring over 200 works by artists including Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, and Toots Zynsky. The exhibition draws from CMoG’s permanent collection, the Rakow Research Library, and loans from the artists, and is complemented by an oral history initiative preserving first-person accounts.

New York's Art Week 2026 is underway. A guide to all the fairs to see in the city: Frieze and the others

È in corso l’Art Week di New York del 2026. La guida di tutte le fiere da vedere in città: Frieze e le altre

New York's spring Art Week is underway in mid-May 2026, anchored by two major fairs: Frieze New York (May 13–17) at The Shed, featuring about 70 galleries from over 25 countries, and TEFAF New York (May 15–19) at the Park Avenue Armory, celebrating its tenth edition with 88 galleries. Additional fairs include Independent Art Fair at Pier 36 (May 14–17) with 76 galleries and site-specific installations, and NADA New York at the Starrett-Lehigh Building (May 13–17), promoting emerging artists. The week also involves museums, cultural institutions, and galleries citywide.

Discarded Things Alive Again: The Maeck Sculpture Foundation Grand Opening and Tour

The Maeck Sculpture Foundation opened in Burr Oak, Iowa, with a public tour led by artist Steven Maeck. The park features sculptures made from salvaged industrial materials like steel wheels and grain bins, transformed into balanced, lyrical forms. Maeck, who spent 25 years as an itinerant rug dealer before committing to sculpture full-time, described his work as modern sculpture rather than junkyard art, emphasizing form, rhythm, and spatial relationships over material origins.

Obey racconta la sua mostra a Napoli ad Artbox su Sky Arte

The article covers the latest episode of Artbox on Sky Arte, focusing on the exhibition "OBEY: Power to the peaceful" at Gallerie d'Italia in Naples, running until September 6. Curator Giuseppe Pizzuto, artist Shepard Fairey (OBEY), and Michele Coppola of Intesa Sanpaolo discuss the show, which features over 130 works addressing global imbalances and peace as a political act. The episode also includes a segment on overtourism by Maria Vittoria Baravelli, a book review of "Misia e Basta" by Francesca Frigerio, and a feature on the interdisciplinary exhibition "La Maddalena di Piero di Cosimo" at Palazzo Venezia in Rome, curated by Edith Gabrielli.

In Venice, the Passion of Life and the Ghost of Art

The 2026 Venice Biennale, the world’s oldest art exhibition, has opened with a theme centered on vitality and the celebration of life. The edition is described as both a passionate embrace of energy and a reminder of art’s lingering ghosts, offering a mixed but compelling experience for visitors.

The Musée d’Ixelles at the Crossroads of Different Perspectives

Le Musée d’Ixelles à la croisée de différents regards

The Musée d’Ixelles in Brussels, closed for eight years for expansion and renovation, is nearing completion of its architectural transformation with a reopening scheduled for spring 2027 (March 19). Founded in 1892 in a former slaughterhouse, the museum has grown through successive donations and a continuous acquisition policy, now holding over 15,000 works spanning Belgian art from the 19th century to the contemporary period. Director and curator Claire Leblanc, who has led the institution since 2006, emphasizes a participatory approach that integrates diverse public perspectives, including a project called "Musée comme chez soi" during the closure where locals hosted artworks in their homes.

Hisae Ikenaga ”Anatomies of Use” at KIOSK, Ghent

From April 4, KIOSK in Ghent presents a new solo exhibition by Hisae Ikenaga titled "Anatomies of Use." The Mexican-Japanese artist brings together sculptures, assemblages, and collages that rework industrial materials and everyday objects into hybrid forms, blending ceramic fragments with a visual language that balances functionality and abstraction.

'Balance in Motion' at P21, Seoul, South Korea on 14 May–4 Jul 2026

P21 gallery in Seoul, South Korea, presents 'Balance in Motion,' an exhibition running from May 14 to July 4, 2026. The show takes place at the gallery's Itaewon district space, which features two separate facades (P1 and P2) designed for site-specific works. P21, founded in 2017 by Soo Choi, opened with an inaugural exhibition by Choi Jeong Hwa and continues to promote international contemporary art.

Here is what the 2027 Venice Architecture Biennale curated by Chinese architects Lu Wenyu and Wang Shu will be about

Ecco di cosa parlerà la Biennale Architettura di Venezia 2027 dei curatori cinesi Lu Wenyu e Wang Shu

For the first time in the history of the Venice Architecture Biennale, two Chinese architects—Wang Shu (Pritzker Prize 2012) and Lu Wenyu—have been appointed as curators of the 20th International Architecture Exhibition, scheduled from May 8 to November 21, 2027. The duo, who co-founded Amateur Architecture Studio in 1997 and are partners in life and work, previously participated in the Biennale in 2010 under Kazuyo Sejima (receiving a Special Mention for their project "Decay of a Dome") and in 2016 under Alejandro Aravena. Their edition will follow the 2025 edition curated by Carlo Ratti and will be titled "Fare Architettura" (Doing Architecture), focusing on the coexistence of diversity in real reality.

Meet the Women of the American Studio Glass Movement

An expansive exhibition at the Corning Museum of Glass highlights the women artists who were instrumental in the American Studio Glass Movement of the mid-20th century. The show, curated by Osman Can Yerebakan, brings together works that demonstrate the resilience and creative contributions of these often-overlooked figures.