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Walferdange exhibition ‘BeComing’ explores identity

Ukrainian visual artist Tetiana Popyk is presenting her first major solo exhibition, titled 'BeComing,' at the Gallery CAW in Walferdange. Running from April 17 to May 3, 2026, the show features a diverse range of photography, mixed media, and conceptual photo collages that explore the intersection of femininity, cultural identity, and belief systems. The exhibition includes works from several of her established series, such as 'Majestic Women of the World' and 'Ukrainian Legends,' alongside a new project focused on androgyny that was originally conceived during the pandemic.

Historic Tiffany Window, Once Hidden in Texas Church, Reemerges at Crystal Bridges

Crystal Bridges Museum of American Art has unveiled a monumental Tiffany Studios window, "Mountain Landscape (Root Memorial Window)," which was previously housed in a San Antonio church. The 1917 stained-glass masterpiece, designed by Agnes Northrup, had been roped off for a decade due to insurance liabilities before the church sought a public institution to ensure its preservation and display. Following a meticulous conservation process, the nine-foot-tall window is now a centerpiece of the museum’s Visions of America Galleries.

The Antwerp Six and the Problem of Now

A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.

The Practice of Liberation and Sanctuaries of Becoming.

Michaela Yearwood-Dan has unveiled her first major UK institutional exhibition, 'The Practice of Liberation,' at the Whitworth. The immersive installation integrates fourteen new paintings with ceramic vessels and soundscapes, reimagining traditional religious motifs through a contemporary, secular lens. By deconstructing elements like stained glass and the Stations of the Cross into abstract forms, the artist creates a sanctuary that explores themes of ritual, memory, and personal identity.

Consequences of Being and the Process of Becoming.

Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.

Walk & Talk: ‘Jewelry of the Afrofuture’ at The Walters with Baltimore Jewelry Center

The Walters Art Museum in Baltimore has debuted "Douriean Fletcher: Jewelry of the Afrofuture," a major exhibition dedicated to the self-taught metalsmith known for her costume designs in the film Black Panther. The showcase features large-scale gold and brass pieces alongside a recreation of Fletcher’s original workbench and personal ephemera, such as family photos and her mother’s Bible. The exhibition highlights her journey from working at a social justice nonprofit to becoming an international figure in narrative jewelry.