Art News. Vasari Codex

museum exhibitions schedule May 14, 2026 visibility 11 link 32 artists, 2 galleries

Naked jetskiers, giant bells and a celebrity seagull! Venice Biennale’s wildest moments – in pictures

The Guardian presents a photo essay capturing the most eccentric and memorable moments from the 61st Venice Biennale, running until 22 November 2026. Photographer David Levene documents installations including a concrete 'Origami Deer' evacuated from war-torn Pokrovsk, Ukraine, by artist Zhanna Kadyrova; a seagull that became a minor celebrity after nesting outside the Polish pavilion; and the Holy See pavilion's immersive sound installation curated by Hans Ulrich Obrist and Ben Vickers. Other highlights include the Egyptian pavilion's touch-and-smell 'Silence Pavilion' and a Polish pavilion film featuring deaf and hearing singers.

newspaper The Guardian open_in_new Read original

museum exhibitions schedule May 19, 2026 visibility 3 link 5 artists

‘How can nudity be so provocative?’ Florentina Holzinger on rocking Venice with naked jetskiers, human bells and urine divers

Florentina Holzinger, an Austrian dancer and choreographer known for provocative, physically extreme performances, is representing Austria at the Venice Biennale with a new work titled *Seaworld Venice*. The piece features naked performers on a barge in the lagoon, including a woman suspended upside down inside a cast-iron bell hoisted by a crane, a guitarist rocking at a vertiginous height, and a vocalist screaming like Yoko Ono. Holzinger’s previous opera *Sancta* included a climbing wall, nuns on roller skates, and a pregnant pope on a robot arm, and has toured European opera houses for two years.

newspaper The Guardian open_in_new Read original

museum exhibitions schedule May 19, 2026 visibility 5 link 1 artist

Ashfika Rahman's art lands in New York Times Critics' Top 6

Bangladeshi visual artist Ashfika Rahman has been recognized by The New York Times as one of the six must-see shows at the Venice Biennale, with her work "Than Para — No Land Without Us" featured in the collateral exhibition "Still Joy — From Ukraine into the World." The installation, presented by the PinchukArtCentre and curated by Björn Geldhof and Oleksandra Pohrebnyak, incorporates thousands of small temple bells gathered from different spiritual traditions and draws on testimonies from Ukraine as well as the struggles of Indigenous communities in Bangladesh's Hill Tracts.

newspaper The Daily Star open_in_new Read original