filter_list Showing 4 results for "Blue" close Clear
search
dashboard All 5 museum exhibitions 4article culture 1
date_range Range Today This Week This Month All
Subscribe

How Betye Saar Set Black Dolls Free

An exhibition at the New York Historical celebrates Betye Saar’s promised gift of her collection of over 100 Black dolls to the institution, coinciding with her upcoming 100th birthday. The show, on view through October 4, features dolls alongside Saar’s paintings, prints, and sculptures, including works like “The Liberation of Aunt Jemima” (1972) and “Indigo Mercy” (1975). Saar began collecting Black dolls in 1949 and has incorporated them into her art since the 1970s, using watercolors during the COVID-19 pandemic to reimagine them in mystical scenes.

A West Coast First: A Retrospective of SFMOMA’s KAWS Exhibit

The San Francisco Museum of Modern Art (SFMOMA) concluded its six-month exhibition "KAWS: FAMILY," the artist's first major museum retrospective on the West Coast. The show featured 30 years of Brian Donnelly's (KAWS) work, from early advertising recreations to monumental sculptures, with a central theme of kinship. It attracted a record influx of young adults and families, helping SFMOMA recover from a 30% drop in annual foot traffic between 2019 and 2024.

"Accumulation of Becoming”, a solo exhibition of new works by Angela Weddle

Un Grito Gallery in San Antonio, Texas, will present "Accumulation of Becoming," a solo exhibition of new works by multidisciplinary artist Angela Weddle. The show opens April 30–May 1, 2026, with a closing reception on May 21, 2026. The exhibition features layered self-portraiture combining drawing and photography, exploring themes of selfhood, grief, and transformation through dense mark-making and the accumulation of imagery.

Contemporary Aboriginal artist holds first exhibition

Eboney Jade Hall, a contemporary Aboriginal artist from the Barkindji and Nyampa peoples, is holding her first exhibition during Reconciliation Week. A fostered child of a fostered child, Hall turned to painting during the Covid lockdown after buying art supplies for her uninterested daughters. She taught herself to develop a symbolic, feeling-based style that explores family, reconnection, and resilience. Her work draws on memories of both Wollongong and Broken Hill, using reds, ochres, and blues to reflect her dual identity. The exhibition marks a personal milestone after years of struggle with alcoholism, domestic violence, and displacement.