Our pick of the best pavilions at the 61st Venice Biennale

The article highlights standout national pavilions at the 61st Venice Biennale. The Belarus Pavilion features a powerful installation by the Belarus Free Theatre, including a wheat field built by former political prisoners, straw spiders made from prison bars, and a confession booth that runs facial recognition. The Brazil Pavilion presents a joint exhibition by Rosana Paulino and Adriana Varejão, focusing on colonial wounds and trauma through works like Paulino's 'Aracnes' and Varejão's 'Still Life amid Ruin'. The Bosnian Pavilion by Mladen Bundalo invites tactile engagement with themes of diaspora and migration, while the Austrian Pavilion by Florentina Holzinger draws attention with nude performers in water-filled pools.

Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale

The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.

Extraterrestrial Art Created During Space Observatory Residencies on View in Mouans-Sartoux

À Mouans-Sartoux s’expose l’art extra-terrestre créé lors des résidences de l’Observatoire de l’espace

The Espace de l’art concret in Mouans-Sartoux is hosting a landmark exhibition featuring "extraterrestrial" artworks created through the Observatoire de l’espace’s residency program. Since 2006, this cultural laboratory of the French National Centre for Space Studies (CNES) has invited artists like Renaud Auguste-Dormeuil, Stéphane Thidet, and Victoire Thierrée to produce works in zero-gravity environments. These creations are born aboard parabolic flights on the Airbus A310 Zero G or via stratospheric balloons, where physical laws like gravity and atmospheric pressure are suspended.

Nobody Can Handle Me: Brazil Rewrites the Pavilion as Living Memory.

Brazil's 2026 Venice Biennale pavilion, curated by Diane Lima, presents a radical, sensorial exhibition titled 'Comigo ninguém pode' featuring artists Adriana Varejão and Rosana Paulino. The show transforms the modernist pavilion into an active participant, where historical and new works by the two artists create friction and resonance, exploring themes of colonial violence, the Black female body as archive, and spiritual resistance.

Nobody Can Defeat Me: The Brazilian Pavilion in Venice Between Spirituality, History and Nature

NOBODY CAN DEFEAT ME THE BRAZILIAN PAVILION IN VENICE BETWEEN SPIRITUALITY HISTORY AND NATURE

The Fundação Bienal de São Paulo has revealed the curatorial project for the Brazilian Pavilion at the 61st Venice Biennale in 2026. Titled 'Comigo ninguém pode' (Nobody Can Defeat Me), the exhibition is curated by Diane Lima and features a major two-person presentation of artists Rosana Paulino and Adriana Varejão, who will occupy the entire pavilion with an installation-based project designed by Daniela Thomas.