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museum exhibitions schedule May 25, 2026 visibility 5 link 6 artists, 1 gallery

How Betye Saar Set Black Dolls Free

An exhibition at the New York Historical celebrates Betye Saar’s promised gift of her collection of over 100 Black dolls to the institution, coinciding with her upcoming 100th birthday. The show, on view through October 4, features dolls alongside Saar’s paintings, prints, and sculptures, including works like “The Liberation of Aunt Jemima” (1972) and “Indigo Mercy” (1975). Saar began collecting Black dolls in 1949 and has incorporated them into her art since the 1970s, using watercolors during the COVID-19 pandemic to reimagine them in mystical scenes.

newspaper Hyperallergic open_in_new Read original

museum exhibitions schedule May 25, 2026 visibility 5 link 5 artists, 1 gallery

‘Something Missing?’ Absence is emotional with Sophie Calle’s new show

Sophie Calle's latest exhibition, 'Something Missing?' at the Louisiana Museum of Modern Art in Copenhagen, explores themes of absence, loss, and disappearance through works spanning 1979 to 2023. The show features series such as 'Because' (2018-2023), where embroidered felt sheets hide photographs; a response to Picasso's works swaddled during Covid lockdowns; 'The Blind' (1986), in which people born without sight describe beauty; and 'Voir la mer' (2011), capturing Istanbul residents seeing the sea for the first time. Calle's characteristic wit and emotional depth turn voids into vantage points, inviting viewers to confront what is missing.

newspaper wallpaper.com open_in_new Read original

museum exhibitions schedule May 25, 2026 visibility 3 link 1 artist

Contemporary Aboriginal artist holds first exhibition

Eboney Jade Hall, a contemporary Aboriginal artist from the Barkindji and Nyampa peoples, is holding her first exhibition during Reconciliation Week. A fostered child of a fostered child, Hall turned to painting during the Covid lockdown after buying art supplies for her uninterested daughters. She taught herself to develop a symbolic, feeling-based style that explores family, reconnection, and resilience. Her work draws on memories of both Wollongong and Broken Hill, using reds, ochres, and blues to reflect her dual identity. The exhibition marks a personal milestone after years of struggle with alcoholism, domestic violence, and displacement.

newspaper The Illawarra Flame open_in_new Read original