Art on Location 2025 is an initiative that brings contemporary art installations to public spaces across multiple cities, transforming everyday environments into immersive artistic experiences. The program features site-specific works by emerging and established artists, aiming to make art accessible outside traditional gallery settings.
This May, galleries across India are presenting a diverse array of new art exhibitions, ranging from postcolonial installations and forgotten print histories to deeply personal paintings and sculptural storytelling. Highlights include Sri Lankan artist Shanaka Kulathunga's solo show 'Silent Stories' at Bikaner House, exploring memory and displacement; the group exhibition 'In the Telling' at Chemould Prescott Road in Mumbai, focusing on narrative-making and fragmented memory; and 'An Ancient Ballad' at Emami Art in Kolkata, drawing from mythology and folklore. Other notable shows include a retrospective of modernist A. A. Raiba at Thapar Gallery, the politically charged 'The Architecture Of The Void' at Gallery Dotwalk, and Navjot Altaf's 'Waste Archives as Landscape' at CSMVS museum in Mumbai.
A new exhibition titled 'Resonant Histories' has opened at Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) museum, running until 16 February 2026. It is the first show to focus on the relationship between Indian and Arab Modernism, featuring over 40 works lent by the Sharjah-based Barjeel Art Foundation alongside pieces from Mumbai's Jehangir Nicholson Art Foundation (JNAF). The exhibition highlights visual and thematic resonances between artists from both regions, such as Syrian painter Marwan Kassab-Bachi and Indian master Francis Newton Souza, and addresses shared post-colonial struggles through works by artists like Chittaprosad Bhattacharya, Krishen Khanna, Abdul Qader Al Rais, and Naim Ismail. It also explores direct cultural exchanges, for example Egyptian artist Nazek Hamdi's adaptation of Bengali folk-art.
Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), formerly the Prince of Wales Museum, has retrofitted three public buses as mobile mini-museums to bring curated exhibitions into the Indian countryside. The buses travel across Maharashtra and beyond, carrying miniature displays that foreground objects and material culture, encouraging viewers to build narratives from artifacts rather than starting with pre-written histories. The initiative grew out of a 2024 exhibition, "Ancient Sculpture of India, Egypt, Assyria, Greece and Rome," co-curated with the J. Paul Getty Museum, Berlin State Museums, and the British Museum.
Curator Puja Vaish discovered ceramic works by artist Vijoo Sadwelkar in the Jehangir Nicholson Art Foundation's collection, leading her to Haresh Mehta, who preserved original works from the Vitrum studio. This resulted in the exhibition "A Glazed History: Badri Narayan & the Vitrum Studio" at the JNAF Gallery at CSMVS Museum in Mumbai, the first retrospective of the studio that operated from the 1950s to the 1970s. Vitrum, founded by emigre glass expert Simon Lifschutz and his wife Hanna, blended art, craft, and design by having artists create hand-painted ceramic tiles and Venetian glass mosaics for everyday homes.