Five Whirlwind Days in Venice, at (and Beyond) the Biennale

The article recounts a whirlwind three-day visit to the 61st Venice Biennale, focusing on the main exhibition at the Giardini della Biennale curated by the late Koyo Kouoh, titled "In Minor Keys." The author highlights textile works by artists such as Thania Petersen, Billie Zangewa, and Annalee Davis, as well as Beverly Buchanan's "Spirit Jars" and Maria Magdalena Campos-Pons's portrait of Kouoh and Toni Morrison. The trip also includes visits to collateral events, a performance at Jordan Roth's palazzo, and a side trip to Gabriele D'Annunzio's estate on Lake Garda.

Chiara Camoni on Representing Italy at the 61st Venice Biennale

Chiara Camoni, the artist representing Italy at the 61st Venice Biennale, discusses her upcoming pavilion installation titled "Con te con tutto" in an interview with ArtReview. The single installation will fill the entire Italian Pavilion in the Arsenale, combining existing and new works that incorporate ceramic, stone, plant elements, industrial waste, plastics, and found objects. Camoni emphasizes the choral dimension of her practice, involving family, neighbors, friends, schools, and museum groups in the creative process, thereby expanding the concept of authorship. She notes that her project aligns with the Biennale's curatorial theme "In Minor Keys" by Koyo Kouoh, focusing on monumentality defined not by scale but by reiteration and presence.

Contemporary art returns to center stage in Ascoli Piceno for the fifth edition of the Premio Sparti

L’arte contemporanea torna protagonista ad Ascoli Piceno per la quinta edizione del Premio Sparti

The fifth edition of the Premio Sparti, titled "Dove finisce la città" (Where the City Ends), will open on May 23 at the Forte Malatesta in Ascoli Piceno, Italy, running through June 28. Curated by Alex Urso, the exhibition features over twenty international artists exploring artistic practice outside major urban centers, with works also installed at the Frida Museum. The show is divided into three sections—"Essere oltre," "Essere qui," and "Essere altro"—highlighting artists who have chosen peripheral, rural, or marginalized locations as bases for their research, including Francesco Arena, Davide Maria Coltro, Andrea Mastrovito, and emerging talents under 35.

Finally, Culture Minister Giuli visited the Italy Pavilion at the 2026 Venice Biennale and made peace with President Buttafuoco

Finalmente il Ministro della Cultura Giuli ha visitato il Padiglione Italia alla Biennale di Venezia 2026 e ha fatto pace con il Presidente Buttafuoco

Italian Culture Minister Alessandro Giuli finally visited the Italy Pavilion at the 2026 Venice Biennale alongside Biennale President Pietrangelo Buttafuoco, marking their first public appearance together after earlier tensions led Giuli to skip the opening ceremony. During the visit, Buttafuoco proposed that the work of artist Chiara Camoni, whose exhibition "Con te con tutto" is curated by Cecilia Canziani, should find a permanent home after the Biennale ends, sparking discussion about the future of pavilion artworks.

Tra carte, fotografie e concettualismo. Tutto il programma di mostre da vedere alla GAM di Torino nella seconda metà del 2026

The Galleria d'Arte Moderna (GAM) in Turin has launched "Quarta Risonanza," an exhibition program running from May 21 through November 1, 2026. The program comprises four distinct projects: a major survey of works on paper from the museum's collections titled "Un altro Novecento," curated by Fabio Cafagna and Elena Volpato; an intervention by artist Pesce Khete as the program's "Intruso"; a photographic series by Lisetta Carmi exploring eroticism and authority at the Staglieno cemetery, presented in dialogue with sculptures; and a centenary exhibition for conceptual artist Vincenzo Agnetti, "Oggi è un secolo," curated by Chiara Bertola and Virginia Lupo, focusing on his Photo-graffi works from 1979–1981.

Ruggero Baragliu brings the painting of "how much is enough" to Rome

From May 30 to June 30, 2026, Blocco 13 in Rome hosts "Qb," the first Roman solo exhibition of Sardinian artist Ruggero Baragliu (born 1987). Curated by Antonello Cuccu and Chiara Manca, the show presents oils, papers, and bas-reliefs that explore the boundary between painting and sculpture through an essential, layered language. Works include small-format oils on panel such as "Colossus" (2026), the multi-year "Untitled with Checkers" (2019–2024), and the bas-relief "Garbata," which transforms brushstroke into volume. The exhibition is part of Blocco 13's "Guests" section, which has previously hosted artists like Pierluigi Fresia and Alessandro Finocchiaro.

At the GAM in Turin, the Fourth Resonance between drawing, paper and twentieth-century collections

From May 21 to November 1, 2026, the GAM—Galleria Civica d’Arte Moderna e Contemporanea in Turin—launches its new exhibition season titled "Fourth Resonance," a program dedicated to the languages of drawing, sign, and stroke. The season includes multiple exhibitions, notably "Un altro Novecento. Works on Paper from the GAM Collections," curated by Fabio Cafagna and Elena Volpato, which brings together over 600 works on paper spanning the 20th century, from Symbolism to the 1990s. Featured artists include Lucio Fontana, Giorgio Morandi, Filippo de Pisis, Max Beckmann, and many others, with monographic rooms and contemporary interventions woven into the museum's collections.

Maintenance Work Brings Together Artists Examining Care as Process

Maintenance Work: Practices of Care, an exhibition opening at The Good Rice Gallery, brings together artists working across installation, performance, video, and sculpture. Curated by Berenice Berlan and Sowon Kim, the show features works from 18 artists including Abeer Al-Tamimi, Flavia Carolina D’Alessandro, and Jieyi Chen, exploring maintenance not as a finished act but as an ongoing process shaped by care, repetition, and attention. The exhibition runs from 21st to 24th May 2026, with a private view on 21st May.