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Lina Lapelytė Fills Hamburger Bahnhof with 400,000 Wood Blocks for Communal Building

Lithuanian artist Lina Lapelytė has filled Berlin's Hamburger Bahnhof with 400,000 wooden blocks made of pine and spruce, creating a participatory installation titled “We Make Years Out of Hours.” Commissioned by Chanel, the work invites the public to build and rebuild structures from the 10-centimeter cubes. A series of weekly performances featuring a libretto by writers including Ocean Vuong, Etel Adnan, Forugh Farrokhzad, and Mahmoud Darwish will accompany the installation, which opens on May 1 and runs through January 10, 2027.

Playinghouse Presented the Téte-a-Téte Exhibition at MDW 2026

Playinghouse, an emergent New York art and design platform, presented the group exhibition "téte-a-téte" at two locations during Milan Design Week 2026: Villa Pestarini and Certosa District. Curated by Margherita Dosi Delfini, assistant curator at the Design Museum, the show featured site-responsive works by independent talents including Anna Dawson, Romain Basile Petrot, Caleb Engstrom, Liyang Zhang, Atelier Fomenta, Maha Alavi, and Francesco Rosati. The exhibition emphasized contextualized domestic settings over sterile white cubes, with pieces in eggshell, glass, rubber, and metals that responded to each venue's architectural history.

lina lapelytė fills hamburger bahnhof with 400,000 cubes, inviting visitors to build and sing

Lithuanian artist Lina Lapelytė has filled Berlin's Hamburger Bahnhof museum with 400,000 lightweight foam cubes, creating an interactive installation titled "The Singing Cube." Visitors are invited to stack, carry, and rebuild the cubes while participating in collective singing performances, transforming the museum into a participatory sound and sculpture environment. The installation evolves over time through the collaborative actions of participants, blending architecture, music, and social interaction.

Tour the Museum-Quality Art Exhibition Inside the Megayacht Carinthia VII

The luxury megayacht Carinthia VII, owned by the Austrian billionaire Heidi Goëss-Horten and designed by Tim Heywood, has been transformed into a floating museum this summer. Curated by Florencia Cherñajovsky, the yacht features approximately forty museum-quality works from her family's collection of around 500 artworks, including pieces by Tracey Emin, Wolfgang Tillmans, Rosemarie Trockel, Lutz Bacher, Petrit Halilaj, Louise Nevelson, Carol Rama, Sarah Lucas, and Brazilian women artists like Ana Maria Maiolino. The exhibition spans photography, painting, drawing, and sculpture, arranged to create dialogues between artists and the yacht's interiors, which include reclaimed 17th-century parquet floors and custom rugs from Cherñajovsky's brand Lalana Rugs.

Marianne Vitale exhibition and performance in Pittsburgh

The Pittsburgh Cultural Trust presents "Marianne Vitale: On Liberty: A Summoning," an exhibition and performance project at SPACE gallery in downtown Pittsburgh, running from May 1 to October 11, 2026. Guest curated by Benjamin Tischer of New Discretions, the project explores the layered social and cultural history of the 818 Liberty Avenue building, a former hub of nightlife, performance, and queer gathering. Vitale's work incorporates sculpture, painting, film, and live activations, using decommissioned locomotive parts and industrial debris to engage with post-industrial America. The exhibition transforms into a functioning club during select Final Fridays, drawing on the site's history as home to venues like Pegasus Lounge, a key LGBTQ+ space during the AIDS crisis.

Exhibition | 'Human Traces: Presence, Absence, and Material Memory' at Axel Vervoordt Gallery, Antwerp, Belgium

A group exhibition titled 'Human Traces: Presence, Absence, and Material Memory' is on view at the Axel Vervoordt Gallery in Antwerp. It features works by four artists—Ida Barbarigo, William Turnbull, El Anatsui, and Bosco Sodi—who explore themes of memory and transformation through material, shifting focus from the human body to its traces.

Boulder Museum of Contemporary Art’s ‘Yes &…’ favors the process over the pretty

The Boulder Museum of Contemporary Art (BMoCA) has opened a new exhibition titled 'Yes &…', inspired by the improvisational comedy rule of accepting and building on ideas. Guest curators Donald Fodness and Tobias Fike selected 18 artists whose work emphasizes process over polish, featuring visible seams, fingerprints, and evidence of human decision-making across painting, sculpture, video, installation, and performance. The exhibition includes interactive elements, such as a sculpture with hand-carved 'ice cubes' intended for viewers to take, and runs through May 3.