Volume Gallery, a Chicago gallery specializing in art and design, is tripling its size and moving to a new location in the West Town neighborhood. The gallery, founded by Claire Warner and Sam Vinz, will open a 3,500-square-foot space on February 13, marking its third location since its 2010 launch. The inaugural exhibition, "The Heresy of Legacy," will feature works by artists and designers including Selva Aparicio, Richard Artschwager, and Joyce Scott.
A new art fair called Arrival made its debut at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors and attracting curators, collectors, and artists from across the country. The fair, which closed June 15, offered an intimate format with world-class art, deep conversation, and a relaxed atmosphere that included swimming between sales, set against the backdrop of cultural attractions like Mass MOCA, the Clark Art Institute, and the Williams College Museum of Art.
The article is a summer exhibition guide for the Hamptons, highlighting seven shows running from August through October 2025. Featured artists include Mary Heilmann at Guild Hall, Frank O’Hara and Larry Rivers at Pollock-Krasner House, Alix Pearlstein at Arts Center at Duck Creek, Sarah Sze at Landcraft Garden Foundation, Joseph Hart at Halsey McKay, and Francesco Clemente at Tripoli Gallery in collaboration with Vito Schnabel Gallery. Each entry provides dates, a brief description, and insider tips for visitors.
The global art landscape is set for a significant transformation in 2025 with the opening of several high-profile museum projects. These range from the long-awaited reopening of New York’s Frick Collection and the Studio Museum in Harlem to ambitious international debuts like the PoMo museum in Norway and the Fenix Museum of Migration Stories in Rotterdam. These projects feature designs by world-renowned architects including Annabelle Selldorf, India Mahdavi, and MAD Architects, often repurposing historic structures with bold contemporary additions.
The National Gallery in London has unveiled its £85 million ($113 million) renovation of the Sainsbury Wing, marking the culmination of the museum's bicentenary celebrations. Led by architect Annabelle Selldorf, the project transformed the postmodernist building into the museum's primary accessible entrance, featuring a more spacious atrium, clear glass walls to invite natural light, and a significant rehang of the permanent collection. The redesign aimed to resolve long-standing issues with visitor flow and accessibility while preserving the building's iconic grand staircase.
Suzanne Valadon, a self-taught French post-impressionist painter known for her brash, unflinching style and commitment to representation, is the subject of a major retrospective at the Centre Pompidou in Paris through May 26. The exhibition, simply titled "Suzanne Valadon," features 200 works and is part of a recent swell of attention that includes six major exhibitions in six years, highlighting her self-portraits, nudes, and depictions of the human body with unidealized realism.
London's National Gallery has reopened its Sainsbury Wing after a three-year, $113 million renovation, timed to the museum's 200th anniversary. Director Gabriele Finaldi, who was knighted this year, oversaw the project, which was designed by architect Annabelle Selldorf and faced criticism from original architect Denise Scott Brown. The revamped wing features a light-filled foyer, 17 galleries with no prescribed route, and a rehang titled “The Wonder of Art.” The museum also acquired a mysterious painting by an unknown artist, The Virgin and Child with Saints Louis and Margaret and Two Angels (1500–10), for $20 million through Sotheby's.
Central Texas museums and arts organizations, including the Blanton Museum of Art, the Visual Arts Center at the University of Texas at Austin, the San Antonio Museum of Art, and The Contemporary at Blue Star, have announced a slate of spring 2026 exhibitions. Highlights include the Georgetown Art Center's four-show season featuring Print Austin (a salon-style invitational for juried-exhibition rejects), Neo Geo: Geometry and Color by Larry Akers and Janet Brooks, Chris Ireland's photo-based Dead Letter Office, and Seeing Double – Two Views of Texas. The Blanton will present Contemporary Project 16: Tammy Nguyen (January 17–September 20), American Modernism from the Charles Butt Collection (March 8–August 2), and Run the Code: Data-Driven Art Decoded, a collaboration with the Thoma Foundation showcasing digital and AI-generated works by artists like Jenny Holzer.
Paris is hosting a diverse array of art exhibitions this month, ranging from Jeffery Gibson's first solo show in France at Hauser & Wirth to a retrospective on photographer Denise Bellon. Other highlights include 'Radical Making' at Carpenters Workshop Gallery, featuring designs by Charlotte Perriand and Jean Prouvé alongside contemporary artists; Gareth Mason's ceramic-focused exhibition at the same gallery; Inez & Vinoodh's 'Think Love' series at India Mahdavi's Project Room #21; and a major Art Deco centenary exhibition at the Musée des Arts Décoratifs. The guide also notes ongoing photography shows following Paris Photo 2025.
Spoleto Festival USA and Piccolo Spoleto begin on May 22, and the article highlights a curated selection of visual art exhibitions in Charleston to enjoy alongside the festival's performances. Featured venues include Robert Lange Studios, Corrigan Gallery, Stevenson and Co., Atrium Gallery, Meyer Vogl, Duckworth Gallery, and the Gibbes Museum of Art, which opens "Mary Whyte: Salt of the Earth" and continues "Rodin: All the Truth in Nature." The College of Charleston's Halsey Institute of Contemporary Art, under new director Michael Dickins, presents "Make Room" by In Kyoung Chun and another exhibition through July 25.
The Branch Museum of Design in Richmond has opened 'Imagining Best Products,' an exhibition exploring the architectural and graphic design legacy of the former retailer Best Products. The show, curated by architect Don O’Keefe with Harvard Graduate School of Design students, features original drawings by James Wines, items from a 1979 MoMA exhibition, and building models. It coincides with the demolition of Best Products' old headquarters in Henrico, which is being razed for a new arena-anchored development, though the timing is coincidental.
Marcel Duchamp's 1917 readymade *Fountain* and its radical questioning of art's definition are the focus of a new retrospective at the Museum of Modern Art (MoMA) in New York, curated by Matthew Affron, Michelle Kuo, and Ann Temkin. The exhibition, the first major Duchamp show in the U.S. since 1973, assembles three hundred objects and presents them chronologically, tracing Duchamp's evolution from early paintings to his conceptual breakthroughs. The article highlights how *Fountain* was originally submitted to a no-jury exhibition by the Society of Independent Artists, sparking a debate that ultimately led to its rejection and Duchamp's resignation, a pivotal moment in art history.
Vancouver-based artist Rosamunde Bordo presents *Magic Show*, a multilayered exhibition at Western Front that blends video, glassblowing, and found objects to weave a detective-style narrative around a mysterious woman named Denise. The show, on view until July 25, features works like *Karmic Cleanse* and *Communicating Vessels*, combining esoteric rituals and handcrafted materials to create an immersive, genre-defying storytelling experience.
The Queer Arts Festival (QAF) in Vancouver opens its 16th annual edition from June 6 to 28, featuring a signature visual exhibition titled "Portals" at Centre A: Vancouver International Centre for Contemporary Asian Art from June 21 to August 23. Curated by Mark Takeshi McGregor and Diane Hau Yu Wong, the exhibition showcases six emerging and local artists—Arkah, Evan Matchett-Wong, Sena Cleave, Miles Saraswat, Christian Yves Jones, and Naomi Maya Leung—whose works explore themes of queerness, migration, diaspora, and belonging through photography, sculpture, embroidery, film, and mixed media. The festival also includes concerts, media screenings, and community events, serving as a sanctuary for 2SLGBTQIA+ communities amid rising anti-trans and anti-queer rhetoric.
This article presents a visual survey of works by Camille Pissarro, a key figure in Impressionism, featuring paintings such as "The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise" (1876), "The Pont-Neuf, Afternoon, Sunlight" (1901), and "Self-Portrait" (1873). The images are drawn from major museum collections including the Nelson-Atkins Museum of Art, the Philadelphia Museum of Art, the Musée d'Orsay, and the National Gallery of Art, among others. The article also promotes a members-only experience of a Pissarro exhibition.
Roberto Lugo has unveiled a monumental 20ft-tall urn titled *Capicú de Cariño (I Heard It Both Ways)* (2026) in Manhattan’s Madison Square Park, as part of his exhibition *Alfarero del Barrio (Village Potter)* commissioned by the Madison Square Park Conservancy. The urn features portraits of prominent Puerto Rican figures including Bad Bunny, Sonia Sotomayor, Lin-Manuel Miranda, Roberto Clemente, and the artist’s own parents, Gilberto and Maribel Lugo. The installation also includes a 15ft-tall orange fire hydrant sculpture, *Para Los Días Caliente (This Is For The Hot Ones)* (2026), and several planters and domino tables, all designed to invite public interaction and community engagement.
The Clark Art Institute in Williamstown, Massachusetts, announced an upcoming exhibition titled “An Exquisite Eye: Introducing the Aso O. Tavitian Collection,” on view from June 13, 2025, through February 21, 2027. The show features approximately 150 works from the Tavitian Collection, a major private collection of European art assembled by the late collector and philanthropist Aso O. Tavitian. Spanning c. 1450–1850, the exhibition includes paintings, sculpture, drawings, and decorative arts by artists such as Jan van Eyck, Jean-Antoine Houdon, and Elizabeth Louise Vigée-Lebrun. The collection, comprising 331 objects, was donated to the Clark and will eventually be housed in a new wing designed by Selldorf Architects, set to open in 2028.
Staff at the National Building Museum share their favorite children's books in celebration of World Book Day, as part of the exhibition 'Building Stories.' Each staff member selects a book that has influenced their imagination or professional work, ranging from century-old illustrated alphabets like C.B. Falls' 'ABC Book' to contemporary picture books such as Christian Robinson's 'Another' and Tony Hillery's 'Harlem Grown.' The selections highlight how storytelling and the built environment intersect, with books like 'Goodnight Moon,' 'Eloise,' and 'The Snowy Day' offering personal and professional insights.
The Denver Art Museum and the Museum Barberini in Potsdam have co-organized "The Honest Eye: Camille Pissarro's Impressionism," an exhibition dedicated to the work of the pioneering Impressionist painter. The show is presented by a wide array of donors including Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, and Craig Ponzio, with additional support from foundations, corporate sponsors, and the Scientific and Cultural Facilities District (SCFD).
The new Princeton University Art Museum opened its doors to the public on Oct. 31, 2025, with a 24-hour open house that drew 21,763 visitors. The event featured dancing, stargazing, artmaking, live performances, film screenings, and a trivia contest, with highlights including Claude Monet's "Water Lilies and Japanese Bridge" and Nick Cave's mosaic. Director James Steward welcomed the crowd, and the museum also hosted previews for students, faculty, staff, and tradespeople, attracting thousands more.
The Denver Art Museum and the Museum Barberini in Potsdam have co-organized a new exhibition titled 'The Honest Eye: Camille Pissarro's Impressionism,' which opens with a member preview on Saturday. The show is supported by a wide range of donors, including Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, Craig Ponzio, and many others, as well as by an indemnity from the Federal Council on the Arts and the Humanities and promotional support from CBS Colorado.
The article serves as an exhibition guide for 'The Honest Eye' show, focusing on Camille Pissarro's life and work after he moved to Éragny-sur-Epte, Normandy, in 1884. It details how Pissarro settled his family there after struggling to afford rent in Pontoise, painting in his garden, fields, and barn-turned-studio. The guide highlights specific paintings like 'The Delafolie Brickyard, Éragny' (1885), 'View from My Window in Cloudy Weather' (1886–88), and 'Vegetable Garden, Overcast Morning, Éragny' (1901), discussing his techniques, subjects, and personal challenges such as chronic eye infections. It also notes his relationships with neighbors like Delafolie and fellow Impressionist Claude Monet, as well as his role in his children's artistic education.
The Allen Memorial Art Museum at Oberlin College has opened "Picturing Paris: Monet and the Modern City," a focused exhibition reuniting three Claude Monet paintings from spring 1867, including the museum's own "The Garden of the Princess" alongside two loans from European museums. The show features over 30 additional works from the Allen's collection by artists such as Renoir, Degas, and Cézanne, and coincides with the arrival of new director Jon Seydl, who returned to Northeast Ohio in July after leadership roles at the Cleveland Museum of Art, Worcester Art Museum, and Krannert Art Museum.
The Marianne and Edward Gibson Art Museum, a new 12,100-square-foot facility on the Simon Fraser University Burnaby campus in British Columbia, has officially opened to the public. Designed by Siamak Hariri of Hariri Pontarini Architects, the museum features B.C.-sourced mass timber beams, floor-to-ceiling windows, and a layout that integrates with the surrounding forest. Its inaugural exhibition, "Edge Effects," includes works by artists such as Debra Sparrow, Cindy Mochizuki, Patrick Cruz, Lorna Brown, and Jin-me Yoon, and the museum also houses approximately 5,900 works from the Simon Fraser University Art Collection.
The Hunterdon Art Museum in Clinton, New Jersey, will host its Annual Members Show from September 21, 2025, to January 11, 2026, featuring 35 artists working in ceramics, sculpture, glass, wood, fiber, printmaking, painting, photography, and collage. The exhibition was juried by Donna Gustafson, a freelance curator and critic with a PhD in Art History, who selected works from 84 artists and nearly 400 slides, noting themes of nature, identity, community, and politics. An opening reception is scheduled for September 21.
Arts of Life, a Chicago-based organization supporting artists with intellectual and developmental disabilities, celebrates its 25th anniversary with the exhibition “Community on the Make: Arts of Life 2000-2025” at the Design Museum of Chicago. The show features vibrant works by 80 artists from five studios across Chicago and the North Shore, with pieces available for sale at affordable prices. Co-founded by executive director Denise Fisher and the late Veronica Cuculich, the organization provides artists with studio space, professional support, and income through stipends and sales bonuses.
Stockton University’s Art Gallery in Galloway, New Jersey, will present a fall exhibition titled “Diverse Perspectives in Photography: Four Black Guggenheim Fellows in the Philadelphia Region,” running from September 4 to November 8. The show features works by four African American photographers who are Guggenheim Fellows: Donald E. Camp (1995), Ron Tarver (2021), William E. Williams (2003), and Wendel A. White (2003). The exhibition opens with a free reception and panel discussion moderated by Julie L. McGee, associate professor at the University of Delaware, and includes a lecture by Laura Auricchio, vice president of the John Simon Guggenheim Memorial Foundation, on the fellowship’s 100th anniversary.
The Art Gallery of New South Wales (AGNSW) has opened 'Janet Dawson: Far Away, So Close,' the first-ever retrospective for Australian artist Janet Dawson, now aged 90. The exhibition spans over six decades of her career, from her teenage years at the National Gallery of Victoria Art School—where she was the only child student accepted by realist painter H. Septimus Power—through her abstract period in Europe, her defiant practice in conservative 1960s Melbourne, and her later retreat to rural NSW. The show includes major works, photos, and ephemera, arranged chronologically across four rooms, highlighting Dawson's evolution from tonal realism to abstraction and her 1973 Archibald Prize win for a portrait of her husband, theatre director Michael Boddy.
The National Museum of Women in the Arts (NMWA) in Washington, D.C., will present "Women Artists from Antwerp to Amsterdam, 1600–1750" from September 26, 2025, to January 11, 2026. This landmark exhibition features nearly 150 artworks by 40 Dutch and Flemish women artists, including Judith Leyster, Rachel Ruysch, and Clara Peeters, alongside works by unnamed textile makers. Co-curated by Virginia Treanor and Frederica van Dam, the show includes loans from over 50 institutions such as the Rijksmuseum, the Metropolitan Museum of Art, and the Prado Museum. It will travel to the Museum of Fine Arts in Ghent, Belgium, from March to May 2026.
The National Gallery in London has reopened its Sainsbury Wing after a renovation led by architect Annabelle Selldorf, designed to create a more welcoming entrance. The wing, originally designed by Robert Venturi and Denise Scott Brown in 1991, now features a transformed ground floor with double-height spaces, improved lighting, and a new piazza linking to Trafalgar Square. The reopening coincides with the gallery's bicentenary and a major collection rehang titled "C C Land: the Wonder of Art," sponsored by a Hong Kong property developer. Old favorites like the chapel-like space for Piero della Francesca's works are restored, and new commissions, including Richard Long's "Mud Sun," greet visitors.