Kelly Akashi and friends celebrate Altadena's resilience after Los Angeles wildfires

Artist Kelly Akashi created "Field Set," an installation and performance on the site of her former home and studio in Altadena, California, which was destroyed by the Eaton wildfire last year. The project, supported by the nonprofit Los Angeles Nomadic Division (Land), featured salvaged materials, hand-blown glass orbs, wildflower plantings, and a soundscape by artist Phil Peters, drawing around 500 visitors over two days. Akashi integrated remnants from the fire into her recent Lisson Gallery show and has been awarded the Hyundai Terrace Commission for the 2026 Whitney Biennial, where she will present a glass replica of her chimney titled "Monument (Altadena)."

How the British Museum is preparing for the arrival of the Bayeux Tapestry

Comment le British Museum prépare l’arrivée de la tapisserie de Bayeux

The British Museum will display the Bayeux Tapestry from September 10, 2025, to July 11, 2027, in its Sainsbury Exhibitions Gallery, coinciding with the closure of the Musée de la Tapisserie de Bayeux for renovation. The 68.38-meter embroidery will be shown flat for the first time in over two centuries, in a custom-designed case with low lighting and continuous visitor flow. Tickets go on sale July 1, 2026, priced between £25 and £33, with free entry for under-16s. The exhibition includes loans such as the Junius II manuscript from the Bodleian Library and coins from the Chew Valley hoard, plus an outdoor installation by Andy Sturgeon. The UK government has provided an £800 million indemnity guarantee.

‘Like a Malfunctioning Theme Park Ride’: Banality and Body Horror at New York Art Week

New York Art Week featured a range of exhibitions that blended banality with body horror, drawing comparisons to a malfunctioning theme park ride. The article highlights several shows that juxtapose mundane, everyday objects with grotesque, unsettling imagery, creating a disorienting experience for viewers. Artists presented works that explore the fragility and absurdity of the human body, often using visceral materials and jarring installations to provoke discomfort and reflection.

Gedi Sibony “The Invisible Point” at Greene Naftali, New York

Gedi Sibony presents "The Invisible Point" at Greene Naftali in New York, an exhibition featuring sculptures made from remnants and castoffs that aggregate toward the center of the gallery. The artist describes the process as adaptive, driven by intuitive momentum and organized through allegorical structure, with background landscapes depicting interacting beings that emerge from and create their own conditions.

A burned Altadena lot becomes an art exhibit, sourced from remnants and sounds of Eaton fire

Artist Kelly Akashi, whose Altadena home and studio were destroyed in the January 2025 Eaton fire, has transformed the burned lot at 2650 Highview Ave. into a two-day art exhibition titled "Field Set," held May 23–24, 2026. The exhibit features Akashi's sculptural works made from fire remnants and a sound installation by collaborator Phil Peters, who used custom microphones to record the ongoing demolition and rebuilding sounds. Visitors were invited to sit on speakers and feel the low-frequency vibrations, creating an immersive experience that blends art with the physical memory of the disaster.

A Long-Overdue Reckoning With Nazi-Looted Art on exhibit at the Musée d’Orsay, Paris

The Musée d'Orsay in Paris has opened a new permanent gallery titled "À qui appartiennent ces œuvres ?" ("To whom do these works belong?") dedicated to MNR (Musées Nationaux Récupération) artworks—pieces recovered after World War II that have not yet been returned to their rightful owners. The single-room exhibition displays thirteen works from the 225 "artistic orphans" held by the museum, including paintings by Pierre-Auguste Renoir, Edgar Degas, and Alfred Stevens. Curators have suspended several works between glass panels to expose the backs of the canvases, revealing inventory stamps and gallery labels that trace their journey from Jewish homes into the Nazi art machine.

The Contemporary Lore at Shailaja Art Gallery explores Indian art across generations

The Contemporary Lore: Sojourn of Styles and Generations Unfurled, an exhibition at Shailaja Art Gallery in Gurugram, brings together 30 works by 23 artists from across India. Curated by Kiran Mohan, the show features paintings, sculptures, and mixed media by emerging, mid-career, and established artists, including Jai Krishna Agarwal, Prem Singh, Charudatt Pande, Nilisha Phad, Ashok Bhowmick, Asit Patnaik, Bipin Kumar, and Shaji Apukuttan. The exhibition, which previewed at Bikaner House, runs for four weeks at the gallery and aims to present artists as equal partners rather than in a hierarchical art-historical progression.