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10 Shows Around Venice Not to Miss During the Biennale

ARTnews has published a guide to 10 exhibitions in Venice worth seeing during the 2026 Biennale, beyond the central show "In Minor Keys" curated by the late Koyo Kouoh and the national pavilions. Highlights include a major survey of Lee Ufan at the San Marco Art Centre (SMAC Venice), organized by the Dia Art Foundation and curated by Jessica Morgan; "Helter Skelter: Arthur Jafa and Richard Prince" at Fondazione Prada, curated by Nancy Spector; and "Strange Rules" at Palazzo Diedo, conceived by Hans Ulrich Obrist with Mat Dryhurst and Holly Herndon, introducing the concept of "Protocol Art." Other venues include the Gallerie dell'Accademia, Pinault Collection, Berggruen Arts & Culture, Fondazione Sandretto Re Rebaudengo, and a three-night-only performance at Teatro Goldoni.

At the Venice Biennale, the Thrill of Victory, the Agony of Defeat

The article reports on the opening of the 61st Venice Biennale, highlighting the central exhibition "In Minor Keys" conceived by the late Koyo Kouoh, along with national pavilions and collateral events. It notes standout contributions from artists such as Alvaro Barrington, Kaloki Nyamai, Florentina Holzinger, Ei Arakawa-Nash, Li Yi-Fan, and Dries Verhoeven, while describing the American pavilion as lackluster and the overall commercial offerings as uneven. The text also covers performances and exhibitions featuring nudity and body horror, including Tino Sehgal's "The Kiss" and Maja Malou Lyse's video with the collective DIS.

Julius von Bismarck “This is not the storm” at Australian Centre for Contemporary Art, Melbourne

Julius von Bismarck's first Australian solo exhibition, "This is not the storm," opens at the Australian Centre for Contemporary Art (ACCA) in Melbourne on Friday, 17 April. The Berlin-based artist blends art, science, and environmental themes to challenge conventional perceptions of nature as a social construct.

Artists take a satirical look at the financial crisis in a new London show

Three emerging artists—Jenna Bliss, Buck Ellison, and Jasmine Gregory—present a multi-media exhibition titled 'Genuine Fake Premium Economy' at London’s Institute of Contemporary Arts (ICA). The show satirically examines the societal and economic fallout of the 2008 financial crisis, using works that critique capitalism, inheritance, and art-world stereotypes. Gregory repaints Patek Philippe ads to expose class structures, Bliss films a fictional art fair that blurs reality and fiction, and Ellison creates lightboxes for a fictional private bank, manipulating corporate language and philosophy.

Tony Cokes “SM BNGR2” at FELIX GAUDLITZ, Vienna

Tony Cokes' solo exhibition "SM BNGR2" at FELIX GAUDLITZ in Vienna centers on club culture as a space for celebrating life through love, desire, queerness, music, art, aesthetics, and moving bodies. The show de-marginalizes club culture by examining its significance for subcultures, activist movements, and political resistance through the lens of writers and academics.

Summer Previews: The Season’s Most Anticipated Shows

Artforum's editors preview twenty-five anticipated institutional exhibitions opening worldwide between May and August. Highlights include "Fade" at the Studio Museum in Harlem, the latest in its career-making "F show" series featuring seventeen emerging artists of African descent; "Modernity and Opulence: Women of the Wiener Werkstätte" at the Jewish Museum in New York, showcasing over 180 women designers from Austria's famed atelier; "Replica of a Chip: The Weaving Technology of Marilou Schultz" at the Hessel Museum of Art, exploring the intersection of Navajo weaving and microchip history; the 59th Carnegie International at the Carnegie Museum of Art, with 61 artists spread across Pittsburgh venues; and "Mary Ellen Carroll: How to Talk Dirty and Influence People" at the Contemporary Arts Museum Houston.

7 artists to have on your radar at Gallery Weekend Berlin 2026

Gallery Weekend Berlin returns for its 22nd edition from May 1 to 3, 2026, featuring 50 galleries across 66 locations throughout the city. The event showcases both established and emerging artists from over 30 countries, with highlights including Martine Syms's pop-up boutique at Sprüth Magers, Göksu Kunak's performance-based exhibition at Ebensperger, and a new sector called Perspectives featuring James Turrell. Other notable presentations include Wynnie Mynerva's exploration of love and colonialism at Société, Monty Richthofen's city-wide performance at Dittrich & Schlechtriem, and Hanna Stiegeler's intimate screenprinted canvases at Sweetwater.

Stano Filko “Painting” at Layr, Vienna

Stano Filko's exhibition "Painting" at Layr in Vienna challenges the persistent binary opposition between painting and conceptualism. The show presents Filko's work from around 1980, a period when debates over the merits of painting versus conceptual art were at their peak, offering a nuanced perspective that complicates this historical divide.

Ten artists serving life have a story to tell. It’s on the walls of this Center City art gallery.

Ten artists serving life sentences at SCI-Phoenix, a Pennsylvania state prison, have their work on display at Morton Contemporary Art Gallery in Philadelphia in an exhibition titled "The Weight of Time." The show is co-curated by artist Keith Andrews, who has been incarcerated for nearly 30 years, and gallerist Debbie Morton. Andrews' painting "Defiant Mercy" explores themes of time, isolation, and confinement, reflecting his own experience. The exhibition includes nearly 50 works by ten artists, each accompanied by biographies detailing their lives inside and outside the carceral system.

Summer Exhibitions Coming to Venues in East & South Texas

Summer exhibitions are opening across East and South Texas at venues including the Art Museum of Southeast Texas, the Beeville Art Museum, the Longview Museum of Fine Arts, the Museum of East Texas in Lufkin, and the Rockport Center for the Arts. Highlights include Janavi Mahimtura Folmsbee's 'Magic Water' at the Rockport Center for the Arts, a 2026 FotoFest Biennial Participating Space; Jennifer Arnold's 'A Layered Space: Coming Up For Air (v.6)'; Elena Rodz's 'Byways' as part of the Past Master Artists | Rockport Legends exhibition; Bill Pangburn's 'Printed Traces – A Neches River Journal' at the Art Museum of Southeast Texas; and Woody Gwyn's 'Skylight On Water, Trees, Rock and Road' at the Art Museum of South Texas.

뉴뮤지엄 DEMO2026 Art, Design, and Technology Festival(6/3-5) - Lounge

NEW INC, the New Museum's cultural incubator, has announced the full schedule for DEMO2026, a three-day art, design, and technology festival running from June 3–5 at the New Museum's newly expanded OMA-designed building on the Bowery. The festival features keynote speakers including multimedia artist Lawrence Lek, cultural historian Dr. Sarah Elizabeth Lewis, artist and Ojas sound system founder Devon Turnbull, NTS Radio founder Femi Adeyemi, and artist-engineer Xin Liu. Public programming includes demonstrations, performances, workshops, and talks showcasing projects by 39 current NEW INC members, with a Track Showcase on view through June 10. This marks the first edition of DEMO held in the New Museum's expanded space since its reopening.

Art Museum of Southeast Texas opens two new exhibitions tonight exploring Texas waterways and history

The Art Museum of Southeast Texas (AMSET) opens two new exhibitions today: "Julius Stockfleth: Dawn of a Century" and "Bill Pangburn: Printed Traces - A Neches River Journal." The Stockfleth exhibition features early Texas artist Julius Stockfleth's paintings of the 1900 Galveston hurricane and Texas coastal history, marking a homecoming as his work was first shown at AMSET in 1987. The Pangburn exhibition presents a new series of large-scale abstract woodcut prints inspired by the Neches River. Both run through July 5, with a free public reception tonight and a musical performance by composer Nathan Felix on May 30.

AMSET, Symphony of SETX host Austin composer's Immersive Musical tour of the Neches River

The Art Museum of Southeast Texas (AMSET) and the Symphony of Southeast Texas are hosting an immersive musical performance titled "Tales of the Neches: An Immersive Musical Experience" on May 30, 2026. Acclaimed composer Nathan Felix has created an original site-specific composition that will be performed by musicians and singers moving through the museum galleries, inspired by the Neches River. The event also features imagery from Bill Pangburn's exhibition "Printed Traces: A Neches River Journal," on view through July 5th. The free public event was discussed on The Morning Show by Marketing Coordinator Hilary Deville and Nathan Felix.

Catharine MacTavish “High-Speed Eternity” at Shmorévaz, Paris

Mousse Magazine reports on Catharine MacTavish's exhibition "High-Speed Eternity" at Shmorévaz, Paris. The show spans six decades of the Canadian artist's work from 1974 to 2026, featuring drawings, prints, videos, holograms, three-dimensional paintings, and dollhouses brought together for the first time.

Fabian Perez Gallery Showcases 20 Artists in Neo-Emotionalism Exhibition

Fabian Perez Gallery in Los Angeles is hosting the Neo-Emotionalism Group Exhibition, featuring 20 artists working in painting, photography, and sculpture. The show, running through May 23, centers on feeling and memory, with artists like Shaylen Nelson, Awadé Wade, James Smith, and Martinos Aristidou presenting works that explore personal and cultural narratives. Nelson, an Afrocentric Realism painter, uses Black figures and music to place culture within traditional painting, while Wade’s piece "Abstract Love" draws on a Prince song and uses a tree as a symbol of life and transition.

This ICA Exhibition Skewers Art’s Culture of Capitalism

The Institute of Contemporary Art (ICA) has opened a new exhibition titled "Genuine Fake Premium Economy," featuring works by artists Jenna Bliss, Buck Ellison, and Jasmine Gregory. Curated by Nicole Leong, the show critiques the culture of capitalism within the art world, using appropriation and mimicry to highlight contradictions and hypocrisies. The artists, all born in the mid-1980s in the United States, came of age professionally after the 2008 financial crisis, and their works incorporate advertising imagery, reality television, luxury brand aesthetics, and private wealth management vocabulary. Bliss's video works include a scripted reality TV episode set in an art fair booth before the crash, while Ellison has invented a fictional private bank called Orlo & Co., and Gregory reproduces Patek Philippe advertisements with the watches erased.