Khaled Sabsabi on Representing Australia at the 61st Venice Biennale

Khaled Sabsabi, the artist representing Australia at the 61st Venice Biennale (2026), will exhibit works both in the Australia Pavilion in the Giardini and in the main Biennale exhibition titled "In Minor Keys." His pieces explore spirituality, migration, and shared humanity through Tasawwuf (Sufi) sensibilities, emphasizing flux and collective experience. Sabsabi is the first Australian artist to have work in both the national pavilion and the main exhibition in the same year, and he honors the curatorial vision of the late Koyo Kouoh.

Alberto Aguilar’s Translational Rhythms at the Chicago Cultural Center

Alberto Aguilar's exhibition "I just really want to tell you this one thing" at the Chicago Cultural Center presents a sprawling, experimental installation that reinterprets his own work across decades. The show features eleven other artists who have each taken one of Aguilar's earlier paintings and created new versions, displayed alongside the originals. Curated by Elise Butterfield, the exhibition explores themes of translation, transformation, and artistic dialogue, with works spanning from 1997-2002 and 2020-2026.

United States Pavilion to Open at the 61st International

The United States Pavilion at the 61st International Art Exhibition of La Biennale di Venezia will open on May 6, 2026, featuring a solo presentation titled "Call Me the Breeze" by American artist Alma Allen. Curated by Jeffrey Uslip and commissioned by the American Arts Conservancy with support from the U.S. Department of State and the Guggenheim Foundation, the exhibition transforms the historic Giardini pavilion with sculptures in bronze, walnut burl, and various stones, including Colorado Yule marble used in the Lincoln Memorial.

Venice exhibition of site-specific films aims to capture the hyper stimulating times we are living in

The Fondazione In Between Art Film presents "Canicula," the third and final exhibition in its Trilogy of Uncertainties, opening on 6 May at the Complesso dell’Ospedaletto in Venice. Curated by Leonardo Bigazzi, the show features eight newly commissioned site-specific films that explore themes of excess, sensory overload, and geopolitical tension. Works include Roman Khimei and Yarema Malashchuk's "Affirmations" (2026), depicting fictional deathbed testimonies of Russian soldiers, Lawrence Abu Hamdan's "450XL: The Story of a Fugitive Sound" (2026) about a sonic attack in Belgrade, and Maya Watanabe's "Jarkov" (2025-26) reflecting on Arctic ice melt and Pleistocene remains.

I Try to Allow Chaos

"Ich versuche, Chaos zuzulassen"

Florentina Holzinger presents her exhibition "Seaworld Venice" at the Austrian Pavilion of the Venice Biennale, a spectacular underwater-themed installation that combines a theme park, sacred building, and sewage treatment plant. The work explores transformation from dirt to cleanliness, featuring water, dolphins in the lagoon, and boundary-pushing performance elements.

MARILYN BOROR BOR, SEBA CALFUQUEO, JULIETH MORALES. PERFORMANCE Y DISIDENCIAS

On April 18, 2026, the performance cycle "Atravesar el lago" (Crossing the Lake) took place in open spaces of Casa del Lago UNAM in Chapultepec Park, curated by Adonay Bermúdez. Artists Marilyn Boror Bor, Seba Calfuqueo, and Julieth Morales activated performances that destabilize dominant knowledge frameworks and confront narratives imposed by colonial modernity. Boror Bor's "Lo que el cemento no puede cubrir" turned the body into a living archive summoning ancestral memories; Calfuqueo's "Guardo mis semillas para el futuro" opened fissures in imposed borders; and Morales's "Enchumbarnos: Cuerpo, Norma y Territorio. Ritual para dos cuerpos" configured a threshold of listening and transformation. The article includes a curatorial text fragment exploring water as a dissident force, drawing on Silvia Rivera Cusicanqui's thought.

Forest Tales: Lélia Demoisy's exhibition at Domaine de Chamarande

Lélia Demoisy presents 'Forest Stories' (Récits de forêts), a solo contemporary art exhibition at the Domaine départemental de Chamarande in Essonne, France, from May 10 to August 30, 2026. The exhibition features sculptures and installations across the orangery, park, and domain spaces, using materials such as wood, fibers, organic fragments, hides, charcoal, and animal tracks to explore the forest as a living network of relations, traces, and transformations. Key works include 'Laissés sur la rive', 'Le Foyer', 'Les chairs froides', 'Cedrus deodara – Forêts futures', and 'Créature'.

Mixed-media group exhibition ‘MUD METAL OIL’ comes to Centrespace

A mixed-media group exhibition titled ‘MUD METAL OIL’ is opening at Centrespace, a gallery in Bristol. The show brings together multiple artists working across diverse materials and processes, exploring themes of materiality and transformation through sculpture, painting, and installation.