10 must-see exhibitions in Berlin this spring 2026

10 mostre da vedere a Berlino in questa primavera 2026

Artribune's article highlights ten must-see exhibitions in Berlin for spring 2026, curated by Nicola Violano. Key shows include Marina Abramović's "Balkan Erotic Epic" at Gropius Bau, exploring Balkan ritual, body, and sexuality; Giulia Andreani's "Sabotage" at the Nationalgalerie der Gegenwart, which uses near-monochrome painting to critique historical narratives; and Shilpa Gupta's "What Still Holds" at the same venue, reflecting on borders and fragility in dialogue with Joseph Beuys. The selection spans major museums and galleries, emphasizing conceptual depth over pure aesthetics.

Fairfield University Art Museum Receives CT Humanities Grant for U.S. 250th Anniversary Exhibition

Fairfield University Art Museum has received a $15,000 grant from CT Humanities to support a 2026 exhibition titled *For Which It Stands…*, commemorating the 250th anniversary of the United States. The show will run from January 23 to July 25, 2026, featuring 75 works by diverse artists from the early 20th century to the present, all centered on depictions of the American flag. Highlights include Childe Hassam’s *Italian Day, May 1918* (lent by the Art Bridges Foundation), a new textile sculpture by Maria de Los Angeles, and works by Jasper Johns, Faith Ringgold, Robert Rauschenberg, Shepard Fairey, and Julie Mehretu. Loans come from private collections, artists, galleries, and institutions such as the Yale University Art Gallery, the Gordon Parks Foundation, and the Orlando Museum of Art.

Delayed by War in Iran, Paul Klee Painting from Israel Finally Joins New York Show

A long-delayed loan of Paul Klee's painting *Angelus Novus* (1920) has finally arrived at the Jewish Museum in New York, completing the exhibition "Paul Klee: Other Possible Worlds." The work, on loan from the Israel Museum in Jerusalem, was stuck in Israel due to the ongoing war in Iran, which began with joint US-Israeli bombardments on February 28. Until its arrival, the painting was represented by an authorized facsimile with a note citing transport delays. The exhibition, which opened March 20, focuses on Klee's final decade and runs through July 26.

Our Critics Disagree on MoMA PS1’s Greater New York, a Wide-Ranging Survey Defined by a Fascination with Fragility

MoMA PS1 has launched the sixth edition of Greater New York, its signature quinquennial survey featuring 53 artists living and working across the city's five boroughs. Marking the institution’s 50th anniversary, this iteration was organized entirely by the museum’s internal curatorial staff rather than outside contributors. The exhibition moves away from the introspective, surrealist themes of the pandemic-era 2021 edition, focusing instead on the social fabric of the city and the systemic challenges facing its residents.

es devlin library miami 2722639

Es Devlin's *The Library of Us*, a 20-foot-tall rotating bookshelf containing 2,500 books, debuted as a major spectacle during Miami Art Week. Installed on Miami Beach within a circular pool of water, the sculpture invites visitors to step onto a rotating platform, creating shifting social encounters with strangers. By day it towers over the sand, and by night it glows like a beacon. The work also includes an audio track of quotes from the books, some of which have been banned by Florida schools, and Devlin plans to donate all volumes to Miami public schools and libraries after the installation ends.

Female nudity and art that stinks: key takeaways from Venice Biennale 2026

The 2026 Venice Biennale opened with 99 participating countries, including first-timers Somalia and Qatar, under the shadow of curator Koyo Kouoh's death. Her planned theme of "enhancement" and the main show "In Minor Keys" were disrupted by political protests: Pussy Riot objected to Russia's inclusion, and a strike against Israel's participation forced several national pavilions (UK, Austria, France) to close. Key takeaways include pervasive female nudity across pavilions, debates over Russia's presence, criticism of the US pavilion's lackluster art, maritime themes dominating several shows, and the rise of olfactory art.

Spectral Birds Endemic to New Zealand Find New Life in Fiona Pardington’s Portraits

Spectral Birds Endemic to New Zealand Find New Life in Fiona Pardington’s Portraits

New Zealand artist Fiona Pardington will present her photographic series *Taharaki Skyside* in the Aotearoa New Zealand Pavilion at the 2026 Venice Biennale. The large-scale, spectral portraits depict preserved specimens of endemic birds, including extinct and critically endangered species like the huia and the South Island Takahe, captured from within the country's natural history collections.

12 new art shows in India we’re excited about this November

Vogue India highlights 12 new art shows opening across India in November 2025, including the expanded Art Mumbai fair featuring 82 galleries at Mahalaxmi Racecourse, and exhibitions at venues like NGMA Delhi, MAP Bengaluru, Tao Art Gallery Mumbai, and Experimenter Kolkata. Notable shows include a centenary tribute to Krishen Khanna, a display of 200 Taj Mahal images, and curations exploring celestial escorts and feminist works.

An Exhibition of Silenced Artists Sends a Warning in New York City

An exhibition titled "Don’t Look Now: A Defense of Free Expression" has opened at Nathalie Karg Gallery in New York City, organized by the nonprofit Art at a Time Like This and co-founded by curator Barbara Pollack. The show features artworks by artists who have experienced censorship, including Danielle SeeWalker’s painting "G is for Genocide" (2024), which led to the revocation of her artist residency in Vail, Colorado, and Andil Gosine’s altered photograph "Magna Carta" (2025), which was removed from a planned exhibition at the Art Museum of the Americas. The works address suppression linked to President Trump’s crackdown on DEI, anti-Palestine sentiment, and other forms of censorship, with some institutions self-censoring due to funding cuts from entities like the National Endowment for the Arts.

art alex foxton salon 94 dior interview

Alex Foxton presents his latest exhibition, “Knight of the Sorrowful Countenance,” at New York’s Salon 94 in partnership with Galerie Derouillon, opening September 10. The show features a new series of monumental canvases exploring modern masculinity, inspired by moments such as Volodymyr Zelensky’s suitless visit to the White House, British royalty, fascist armies, and prep school students. Foxton, trained in fashion design at Central Saint Martins and formerly at Louis Vuitton, Bottega Veneta, Maison Margiela, and Dior, employs a limited color palette drawn from military and 19th-century male dress norms, balancing desire and discipline. The exhibition includes works referencing figures like Yukio Mishima and bullfighter Manolete.

Monumental 37ft-long Indian scroll goes on public view for the first time at Yale Center for British Art

The Yale Center for British Art has unveiled the 'Lucknow scroll,' a monumental 37-foot-long early 19th-century watercolor, following an extensive two-year conservation project. Part of the exhibition 'Painters, Ports and Profits,' the scroll offers a panoramic view of Lucknow, India, during the reign of Ghazi-ud-Din Haidar Shah. Due to its immense size and fragility, the museum is displaying the work in two stages, unrolling different sections over the course of the exhibition to manage light exposure and space constraints.

Theme and artists announced for British Art Show 10

The 10th edition of the British Art Show, titled 'A Chorus of Strangers,' has announced its theme and a roster of over 30 participating artists. Curated by Ekow Eshun and organized by Hayward Gallery Touring, the exhibition will explore the relationship between the individual and the 'other' through three thematic lenses: 'Moments of Being,' 'Ways of Living,' and 'States of Nature.' The show is scheduled to launch in Coventry on October 2, 2025, before touring to Swansea, Bristol, Sheffield, and Newcastle Gateshead.

In Kyoung Chun: Make Room

The Halsey Institute of Contemporary Art at the College of Charleston is presenting "Make Room," a solo exhibition by South Korean-born, Atlanta-based artist In Kyoung Chun. The show features a mix of paintings and site-specific installations, including transparent houses and suspended structures that explore the artist's experience as an immigrant. By blurring the lines between interior and exterior spaces, Chun’s work invites viewers into environments that reflect on the fragility and resilience of home.

LR Vandy tells stories of labor, movement, and collective resistance through rope sculptures

British artist LR Vandy presents 'Rise' at Yorkshire Sculpture Park's Weston Gallery, featuring rope sculptures that appear caught mid-motion. The exhibition includes works like 'A Call to Dance,' a monumental maypole form, and explores themes of tension, labor, and movement through maritime fibers sourced from her studio at Chatham Dockyard. The sculptures climb walls, loop through pulleys, and collapse onto the floor, evoking both architectural strength and delicate fragility.

Exhibition | Kelly Akashi, 'Heirloom' at Lisson Gallery, 508 West 24th Street, New York, United States

Kelly Akashi presents her first exhibition with Lisson Gallery in New York, titled 'Heirloom,' featuring a new body of work that explores loss, grief, and absence through sculpture. The exhibition includes bronze, Corten steel, flame-worked glass, and carved stone pieces, many inspired by her garden and personal artifacts like an inherited stone ring and her grandmother's lace tablecloth. It coincides with her participation in the 2026 Whitney Biennial and a commission for John F. Kennedy International Airport's New Terminal One.

One Last Chance to See Dürer's Monumental Print in NYC

Albrecht Dürer’s monumental "Triumphal Arch," a 13-foot-tall woodcut commissioned by Holy Roman Emperor Maximilian I in 1512, is entering long-term storage at the New York Public Library this fall. The work has been a centerpiece of the library’s Polonsky Treasures exhibition since 2021, but its extreme fragility and age necessitate its removal from public view on October 18.

4 Details to Understand Martin Schongauer’s 'Madonna of the Rose Bower' Currently at the Louvre

4 détails pour comprendre « La Vierge au buisson de roses » de Martin Schongauer actuellement au Louvre

The Musée du Louvre is hosting a major exhibition dedicated to the Rhenish master Martin Schongauer, featuring his 1473 masterpiece, 'Madonna of the Rose Bower.' On loan from the Dominican Church in Colmar, the painting is a rare survivor of Schongauer’s small extant painted corpus and is making a significant journey to Paris despite its extreme fragility. The work is celebrated for its intricate detail and grace, qualities that earned the artist the nickname 'Handsome Martin' and influenced successors like Albrecht Dürer.

At the Venice Biennale, Ukraine’s Pinchuk Art Centre finds fragile moments of joy amid loss

The Pinchuk Art Centre in Kyiv has transformed its Venice Biennale presentation from a glamorous celebration of young artists into a somber exhibition responding to the Russian invasion of Ukraine. This year's show, titled "Still Joy — From Ukraine into the World" (9 May-1 August) at the Palazzo Contarini-Polignac, features works by international artists like Tacita Dean and Julian Charriere alongside Ukrainian artists, as well as testimonials from soldiers collected by former marine Hlib Stryzhko. The exhibition explores how joy can persist amid trauma, with installations including pink scrolls bearing survivors' quotes, light box photographs of bombed interiors with rescued pot plants, and a sculpture of bells with displaced women's fingerprints.

A Pavilion of Ruins: Germany Reconsiders Its Past in Venice

The German Pavilion at the 61st Venice Biennale features a dual presentation exploring the country's layered political history. Artist Sung Tieu has cloaked the pavilion's fascist-era facade with a mosaic reconstruction of a GDR housing estate for Vietnamese contract workers, where she lived as a child. Inside, the late Henrike Naumann's immersive installation 'The Home Front' uses furniture and design to stage a confrontation between East and West German domestic and political ideologies. Naumann died in February 2025 at age 41, but her fully realized concept was completed collaboratively by her partner and curator Kathleen Reinhardt.

11 Art Shows to See in the Hudson Valley in May 2026

The article surveys 11 art exhibitions opening across the Hudson Valley in May 2026, highlighting a regional preoccupation with structure, materiality, and resistance to singular narratives. Featured shows include "Surface, Structure, String" at Hudson Hall, a textile survey curated by Richard Saja with artists like Portia Munson and Laleh Khoramian; "Jose Picayo: 35 Years in Photographs" at Robin Rice Gallery; "The Linda McCartney Retrospective: From the Light" at the Fenimore Art Museum; "Carol Seitz: Growth in Difficult Places" at Convey/er/or; and "Stephen Olivier: Hazmat" at ASK in Kingston, among others.

Olafur Eliasson Uses Art and Sound to Raise Climate Awareness in Utah

Danish-Icelandic artist Olafur Eliasson has created a new installation in Utah that combines art and sound to raise awareness about climate change. Drawing on his childhood experiences in Iceland and Denmark, the work uses natural elements and sensory engagement to connect viewers with environmental issues. The piece is part of a broader effort by the artist to use immersive, site-specific art to provoke reflection on humanity's relationship with the planet.

Theme and Artists Revealed for Ekow Eshun–Curated British Art Show 10

Organizers of the British Art Show have unveiled the theme and artist list for its tenth edition, titled "A Chorus of Strangers." Curated by Ekow Eshun, the quinquennial exhibition will launch in Coventry on October 2, 2025, before touring to Swansea, Bristol, Sheffield, and Newcastle Gateshead through 2028. The show features a diverse roster of contemporary artists including Turner Prize winner Jasleen Kaur, Alvaro Barrington, and Precious Okoyomon, organized around three conceptual pillars: psychological, sociological, and ecological.

Must-See: Mirosław Bałka and the Fragility of Memory

Mirosław Bałka has opened a major solo exhibition at the Pirelli HangarBicocca in Milan, featuring a new, large-scale installation titled 'CROSSOVER/S' (2026). The work, a monumental steel structure filled with salt, continues the Polish artist's decades-long exploration of memory, trauma, and the body, using industrial materials to evoke profound personal and historical narratives.

Sandra Gamarra: “Réplica” Is Not a Copy

Sandra Gamarra Heshiki's exhibition "Réplica" at MASP in São Paulo opens with an unplanned replica of Francisco Laso's "Habitante de las cordilleras del Perú" (1855), which could not travel from Lima due to bureaucracy. Gamarra produced an inverted, altered version, establishing a critical distinction between copying and responding. The exhibition is organized into sections that parody the classical chronology of encyclopedic museums—"Pre-colonial," "Colonial," "Post-independence," "Modern," and "Contemporary"—transforming the museum into an object of analysis. Gamarra's paintings engage with colonial iconographies, such as the pinturas de castas, by inscribing racial classifications directly onto the figures, making the colonial verdict inseparable from the bodies depicted.

ICOM Exhibitions opens registrations and call for proposals for Momentum 2026

ICOM Exhibitions has opened registrations and a call for proposals for its 2026 annual conference, Momentum 2026, titled "Museums, Exhibitions, and Disruptions – How Far Dare We Go?" The event will take place from October 4 to 8 at the Musée de la civilisation in Québec City, Canada, and will gather around 150 museum professionals globally. The programme includes keynote presentations, workshops, visits to local cultural institutions such as the Monastère des Augustines and the Musée national des beaux-arts du Québec, and a behind-the-scenes look at a new pavilion dedicated to artist Jean Paul Riopelle. Proposals are due by May 22, with formats ranging from roundtables to lightning presentations.

Zurbarán at the National Gallery - an unmissable show of baroque genius

The National Gallery in London presents a landmark exhibition of Francisco de Zurbarán (1598-1664), the first major retrospective of the Spanish Baroque master in Britain. In collaboration with the Louvre and the Art Institute of Chicago, the gallery has assembled over 40 works from institutions worldwide, including Seville and San Diego. The show features Zurbarán's electrifying religious paintings and radiant still lifes, displayed in darkened galleries that echo the chiaroscuro of his compositions. Highlights include the shattering *The Crucifixion* (1627) and *Saint Peter Nolasco's Vision of Saint Peter the Apostle* (1629), which demonstrate his hyper-real, sculptural approach to sacred subjects.

Francis Alÿs at MAMU: A Global Portrait of Childhood Through Play

The Banco de la República has opened a new exhibition at the Museo de Arte Miguel Urrutia (MAMU) in Bogotá titled "Francis Alÿs, juegxs de niñxs 1999–2025." Featuring 27 video works from the Belgian-born, Mexico-based artist's long-running series documenting children's games worldwide, the show opened on April 23 at El Parqueadero and the second floor of MAMU. Curated by Cuauhtémoc Medina and Virginia Roy, the exhibition includes footage from Afghanistan, India, Mexico, the Democratic Republic of the Congo, and Colombia, where a new work filmed in the Amazon with the Arara community is featured.

Known in New Orleans, multimedia artist will take the world stage in Venice Biennale

New Orleans-based conceptual artist Dawn DeDeaux is preparing for a career-defining presentation at the 2026 Venice Biennale. Selected by curator Dan Cameron and featured in the central exhibition "In Minor Keys," the 73-year-old artist will occupy the final room of the Arsenale. Her work, which spans photography, video, and large-scale installation, often explores existential themes, environmental fragility, and the relationship between the antique and the futuristic.

With 'Normes Corps' at the Palais de Tokyo, vulnerable bodies unite their strength

The Palais de Tokyo in Paris has unveiled 'Normes Corps' (Body Norms), a major group exhibition that explores the intersection of vulnerability, disability, and physical resistance. The show brings together a diverse array of international artists who challenge traditional societal standards of the 'ideal' body, instead highlighting the strength found in fragility and the collective power of marginalized physicalities.

Party Is Elsewhere: When Art, Absence and Space Collide

Sudarshan Shetty’s seminal 2005 kinetic installation, "Party Is Elsewhere," has been restaged within the decaying remains of an abandoned nightclub in Delhi. The exhibition eschews the traditional "white cube" gallery space, instead utilizing a raw environment of peeling plaster and sagging ceilings to mirror the work's original debut in a fire-damaged Mumbai gallery. The installation features a mechanical system that rhythmically hammers a table of wine glasses beneath a neon sign, creating a sensory experience centered on fragility and deferred presence.