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“Melting Glaciers, Water Futures from the Alps to the Nile” photo exhibition by Swiss photographer Pierre Jeanneret and Egyptian documentary photographer Roger Anis is a must see - Exhibitions - Al-Ahram Weekly

The article announces a photo exhibition titled "Melting Glaciers, Water Futures from the Alps to the Nile" at the Goethe Institute in Cairo, featuring Swiss photographer Pierre Jeanneret and Egyptian documentary photographer Roger Anis. Jeanneret's work documents the rapid melting of Swiss glaciers and its impacts on hydroelectric dams, tourism, and new landscapes, while Anis explores water, climate, and human resilience along the Nile. The exhibition is part of SABBART, a cultural initiative by EUNIC Cluster Egypt focusing on climate and environmental issues, and runs from 17 May to 4 June.

Theodoros Papagiannis: Reusing Materials For Art’s Slow Arrow, As An Antidote To Barbarism

Theodoros Papagiannis, a Greek sculptor and professor, is the subject of a tribute exhibition titled "In Praise of Sculpture" at the Sianti Gallery in Athens. The show features works by eighteen artists, all graduates of the 1st Sculpture Workshop of the Athens School of Fine Arts, honoring Papagiannis as their teacher. In an interview, Papagiannis discusses his philosophy of reusing materials, the importance of memory in art, and his belief that art must remain rooted in tradition while engaging with the present. He also reflects on Greece's sculptural heritage, the influence of ancient works like the Elgin Marbles, and his ongoing project of drawing from Greece's archaeological museums.

Beppe Madaudo on display in Pietrasanta: matter, memory and suspended figures

From May 3 to June 28, 2026, Art Studio La Marina gallery in Pietrasanta hosts "Anteprima," a solo exhibition by Italian artist Beppe Madaudo (born Palermo, 1950), curated by Diego Ferrante. The show presents works where animals, human figures, and hybrid forms emerge from layered matter, exploring themes of memory, tension, and transformation. Key pieces include a depiction of the fish St. Peter, whose profile is outlined in red while its interior is built from threads, combustions, and fragments, and two horse paintings on contrasting ash gray and burnt red backgrounds that alter the visual weight of the same silhouette.