Beijing Oomph 2026 is a curated guide to the best contemporary art exhibitions across galleries and institutions in Beijing, timed to coincide with the Beijing Dangdai art fair and Gallery Weekend at the end of May. The article highlights Zhi Wei's exhibition "Folly" at Beijing Commune as a key show, reflecting the city's vibrant art scene during this concentrated period of gallery openings and events.
The Hayward Gallery in London has announced a major solo exhibition of American artist and activist Nan Goldin, titled "You Never Did Anything Wrong." Running from 24 November 2026 to 7 March 2027, the show will mark Goldin's first institutional exhibition in the UK since 2002, featuring her intimate photographs and slideshows that document personal relationships, addiction, and queer communities over five decades. The exhibition rounds off the Southbank Centre's 75th anniversary year and includes works such as "Flowers with cup and Gaja" (2024) and "Diana in the bath" (2024).
The Guggenheim New York has announced its spring and summer 2026 public programs, featuring a range of events including a performance lecture by LG Guggenheim Award recipient Trevor Paglen on May 18, a conversation between artist Carol Bove and curator Katherine Brinson on June 2, and the annual Museum Mile Festival on June 9. Other highlights include Late Shift evening events with live music, family-friendly activities like Stroller Hour and Art Cart, Teen Circle and Teen Tuesdays, and a screening of Douglas Gordon and Philippe Parreno's video work "Zidane, a 21st century portrait" in celebration of the 2026 FIFA World Cup. Poet-in-Residence Patrick Rosal will also launch summer activations.
Untitled Art Houston, returning for its second edition from October 2 to 4 at the George R. Brown Convention Center, has announced four new prizes for exhibitors and artists, bringing the total potential prize value to $113,200. New sponsors include the University of Texas MD Anderson Cancer Center ($20,000 acquisition prize), Public Art of the University of Houston System ($25,000 acquisition prize), Hotel Daphne ($30,000–$50,000 for up to three works), and the Houston Grand Opera ($7,500–$10,000 plus a commission and residency). Two residency prizes from the fair’s debut—PAC Art Residency and Casa Santa Ana Residency—will continue.
Meg Webster's exhibition 'Thicket' opens May 9 at Paula Cooper Gallery, 521 West 21st Street, New York, featuring new sculptures and drawings. The centerpiece is a large spiral installation made from plant cuttings, inviting viewers inside for an immersive sensory experience. The show follows Webster's major presentation at Dia Beacon (2024–2026) and her inclusion in 'Minimal' at Bourse de Commerce - Pinault Collection, Paris (2025–2026). Also on view are monochromatic works on paper made by rubbing organic materials onto the surface, and a three-part beeswax relief.
British artist Sarah Lucas has unveiled a new public sculpture titled "VENUS VICTORIA" (2026) at the New Museum's entrance plaza on the Bowery in Lower Manhattan. The work, which will remain on view for two years, features a monumental nude female figure with flailing arms and large pink breasts perched atop a dusty washing machine, wearing bright yellow high heels. Lucas adapted the figure from her ongoing "Bunnies" series (1997–present), which uses knotted pantyhose and found objects. The sculpture was unveiled on May 12, 2026, inaugurating a decade-long series of public commissions by women artists at the museum.
Les vernissages cette semaine dans les galeries parisiennes
This week's openings in Parisian galleries feature a wide range of exhibitions across the Marais, Saint-Germain-des-Prés, and other districts. Highlights include Galerie Alain Margaron's group show "Du modèle à l'autoportrait" exploring the body in works by André Derain, Jean Hélion, Fred Deux, and Zoran Mušič; Kim Myoung Nam's first solo show at Galerie UNIVER / Colette Colla, presenting perforated paper pieces; and Galerie Wagner's collective exhibition dedicated to Latin American artists Milton Becerra, Olga Luna, and Claudia Lavegas. Other notable shows include Louis Pion's ink-on-envelope series at Galerie Incognito Artclub, Léonore Chastagner's raw ceramics at Galerie Anne-Sarah Bénichou, and solo presentations by Quentin Gouevic and Jérôme Zonder at Galerie Nathalie Obadia.
Il Louvre cambia: scelto il progetto che traghetterà il museo nel suo nuovo Rinascimento
The Louvre has announced the winners of its "Nouvelle Renaissance" competition, selecting a team led by STUDIOS Architecture Paris, with Selldorf Architects for museography and BASE Landscape Architecture for landscaping. The jury, chaired by Marc Guillaume and composed of 21 experts, chose this proposal from five finalists for its respectful and contemporary approach, which elegantly connects the city, the palace, and the museum while improving visitor flow and security. The project addresses urgent needs including new underground entrances, a dedicated space for Leonardo da Vinci's Mona Lisa, enhanced circulation, and green spaces, following a period of difficulty for the museum including a high-profile theft in October.
Northwestern University's Block Museum of Art is hosting the exhibition "We can make any two stories touch," featuring contemporary works by five second-year MFA candidates in the art theory and practice department: Lamia Abukhadra, Pegah Bahador, naakita f.k., Przemek Pyszczek, and Gabby Banks. The show, running through June 14, includes portraits, films, and mixed-media pieces. Gabby Banks presents three portraits of living Black figurative painters Kerry James Marshall, Jordan Casteel, and Amy Sherald, painted in their respective styles. Przemek Pyszczek explores legacy with works like "My Father Winning Gold at the 1984 Los Angeles Summer Olympics (No Boycott Version)" and a wooden Olivier salad sculpture. naakita f.k. addresses resource extraction in "Porous Bodies," using dust from deep-sea mining and copper mine samples from the Democratic Republic of the Congo.
The Henry Moore Institute in Leeds presents 'Phantasmagoria: Folkloric Sculpture for the Digital Age,' a major group exhibition exploring how digital technologies are reshaping contemporary sculpture. The show features works by artists including Joey Holder, Jürgen Baumann, and Danielle Brathwaite-Shirley, who fuse ancient folklore, occult practices, and modern digital tools such as AI, 3D printing, and video game mechanics. Highlights include Holder's immersive installation 'The Woosphere' with arcade-style consoles and Brathwaite-Shirley's interactive boat sculpture 'PIRATING BLACKNESS/BLACKTRANSSEA.COM.' The exhibition draws on the historical concept of phantasmagoria—18th-century theatrical spectacles using smoke and light—to critique the seductive illusions of digital capitalism.
Nel Principato di Monaco una mostra dove il grande pittore Poussin dialoga con l’arte contemporanea
The Nouveau Musée National de Monaco presents an exhibition titled "Le Sentiment de la Nature," which juxtaposes works by 17th-century French painter Nicolas Poussin and his followers with pieces by about thirty contemporary and 20th-century artists. The show is organized into six thematic sections—storms and nights, forests and gardens, seas and waterfalls, deserts and volcanoes, mountains, and flowers and butterflies—each exploring the ancient concept of "miracula naturae" (wonders of nature). Featured contemporary artists include Nan Goldin, Andreas Gursky, Thomas Demand, Sarah Moon, Mimmo Jodice, Giulio Paolini, Giorgio Andreotta Calò, and Fausto Melotti, with works spanning photography, painting, video, and sculpture. The exhibition runs until May 25, 2026, and is accompanied by a catalog published by Italian publisher Humboldt Books in collaboration with the museum.
Andrew Durham Gallery in Houston announces "Vestiges of Existence," a solo exhibition of multi-media works by artist Jill Bedgood, running from June 6 to August 1, 2026. The show explores how physical remnants—such as worn jewelry, handwritten letters, and natural anomalies—carry memory and document human presence, functioning as contemporary memento mori. An opening reception on June 6 and an artist talk on July 11 accompany the exhibition.
Russian-born, New York-based artist Sanya Kantarovsky presents his new exhibition "Basic Failure" at Venice's Institute of Sciences, Letters and Arts, timed to coincide with the Venice Biennale. The show features his signature dishevelled, otherworldly figures—including a pallid boy with a cigarette, a child spinning in innocence, and a glass bust of a young boy with a dead spider under its eye—that explore tension, alienation, and the supernatural. Kantarovsky describes his process as listening to the painting like a Ouija board, and the exhibition includes works that confound narrative expectations, such as a scruffy toy panda and a recreation of Antonello Gagini's 16th-century sculpture.
Mark Bradford has completed "City of the Big Shoulders," a monumental painting for the Obama Presidential Center in Chicago. The work, which took five years to create, maps migration patterns and structural racism, reflecting the city's strength and complexity through Bradford's signature abstract, layered style.
A multidisciplinary solo exhibition titled "Sanford Biggers: Drift" has opened at the Parrish Art Museum in Watermill. The exhibition was organized by Chief Curator Corinne Erni and Curator Scout Hutchinson, and was marked by a public conversation between artist Sanford Biggers and Erni. The discussion focused on Biggers' use of textiles, symbolism, and layered cultural references.
Wallace Chan will present "Vessels of Other Worlds," a monumental dual-site exhibition across Venice and Shanghai in 2026, coinciding with his 70th birthday and the 61st Venice Biennale. The exhibition premieres on May 8, 2026, at the Chapel of Santa Maria della Pietà in Venice, featuring a new series of titanium sculptures inspired by the three sacred oils of the Catholic Church, with a parallel exhibition opening on July 18, 2026, at the Long Museum (West Bund) in Shanghai, where the sculptures will be displayed at a dramatically larger scale. Curated by James Putnam, the project also includes a complementary site-specific exhibition, "Mythos," at Scala Contarini del Bovolo in Venice from April to October 2026.
Ndayé Kouagou, an artist from Montreuil (1992) based in Paris, presents his first solo exhibition in Italy, "Heaven's truth," at Collezione Maramotti in Reggio Emilia, running until July 26, 2026. The show features his video installation "A coin is a coin" (2022) and is part of the 21st edition of Fotografia Europea 2026, themed "Fantasmi del quotidiano." During the opening, Kouagou performed with poet and actress Salber Lee Williams, composing and deconstructing phrases into the expression "Please Be Yourself." The exhibition will travel to Heidelberger Kunstverein from September 3, and new works co-produced with the institution will appear at the 18th Lyon Biennale (September 19 – December 13, 2026). In an interview, Kouagou discusses his background as a self-taught visual artist and performer, having worked as a motion designer in advertising and as a DJ, and emphasizes writing as his central expressive medium, comparing himself more to a writer than a visual artist.
Gallery Weekend Beijing (GWBJ) will celebrate its 10th anniversary with the 2026 edition running from May 22 to May 31, opening with three VIP days before going public on May 26. Founded in 2017, the event features curated exhibitions from 30 galleries and 10 non-profit institutions across Beijing, anchored in the 798 Art District and extending to Caochangdi and the CBD Art District. A new Academic Committee—comprising Guo Xi, Leng Lin, Tian Yuan, Xi Tao, and Yang Beichen—selected the participating galleries, with 25 returning from previous editions and five newly nominated. Highlights include institutional presentations at UCCA Center for Contemporary Art, Red Brick Art Museum, and SONG Art Museum, as well as a special exhibition titled "Nirvana" by Ouyang Chun.
Julie Mehretu's latest exhibition, "Our Days, Like a Shadow (a non-abiding hauntology)," is on view at Marian Goodman Gallery in New York from April 14 to June 6, 2026. The show presents paintings that push beyond traditional representation, creating immersive perceptual environments through dense layers of abstraction, cartographic traces, and architectural fragments. The works, including the TRANSpaintings series created with Nairy Baghramian, extend Mehretu's practice into spatial expansion, where painting behaves like infrastructure without becoming literal architecture.
Emirati photographer and musician Farah Al Qasimi presents her solo exhibition "Psychic Repair" at the SCAD Museum of Art in Savannah, Georgia, running from January to June 7, 2026. Curated by SCAD Museum Associate Curator Brittany Richmond, the show explores self-presentation and consumerism through staged domestic interiors, vinyl works, framed photographs, and music videos. Key pieces include "Beauty Salon" (2024), "Aquarium" (2024), "Clothing Store" (2023), and "Painting and Astroturf" (2023), which appropriate signifiers of the attention economy. The exhibition is strategically positioned to respond to Savannah's history as a port city built on trade in cotton, indigo, rice, and enslaved people, with the museum itself occupying a former railway depot made of Savannah Gray brick produced by enslaved laborers.
An exhibition featuring works by 50 leading contemporary artists will be staged across four venues in North Yorkshire, England, from April to September 2025, as part of the 20th anniversary of the Aesthetica Art Prize. The venues include Skipton Town Hall, the Mercer Art Gallery in Harrogate, Scarborough Art Gallery, and Woodend Gallery, with free entry at most sites. The exhibition is a joint venture between Aesthetica and Culture North Yorkshire, the council's culture and archive service, and is divided into four thematic parts: Future(s), Perception, Intervention, and Transformation.
For the 10th edition of Melbourne Design Week, over 100 chairs by Australian designers are on display in an exhibition titled '100 Chairs', curated by Friends & Associates. Selected from an open call, each chair had to be made in Australia and functional for sitting. The designs range from traditional timber dining chairs to experimental pieces, including a chair that transforms into a table, a horse-shaped chair, and one with a satanic theme. The exhibition is held at South Magdalen Laundry, Abbotsford Convent in Melbourne until 24 May 2026.
Oshorenoya David Francis presents a solo exhibition titled *In Solitude, Fantasies & Becoming* at 1853 Studios in Manchester, running from 15 to 17 May 2026. Co-curated by Obi Nwaegbe and Natasha Virli, the show features new acrylic paintings on canvas and paper that explore themes of solitude, identity, and emotional transformation through expressive figurative compositions. Key works include *Hug*, *Thoughts in Blue*, *Chapters in Atomic Habits*, and *Thy Wish*, each employing bold color, intimate perspectives, and narrative ambiguity to evoke psychological depth.
The San Juan Islands Museum of Art (SJIMA) in Friday Harbor, Washington, will present three exhibitions from June 11 to September 14, 2026, featuring photography, etching, glass sculpture, and feather sculpture. The exhibitions include "Convergence & Divergence: The Family Aesthetic" in the Nichols Gallery, showcasing the work of Imogen Cunningham, Roi Partridge, and Rondal Partridge together for the first time, with over 100 photographs and prints spanning nearly 110 years. Also on view are "Feathered Masterpieces: The Artistry of Chris Maynard" in the North Gallery, featuring intricate feather carvings, and a glass sculpture by Raven Skyriver.
An outdoor exhibition titled 'Pop Goes Brum!' will be held in Birmingham's Snow Hill Square from 9 to 30 June 2025, celebrating the life and work of Peter Phillips, a pioneering British pop artist who died in June 2025. Curated by art historian Ruth Millington and developed in partnership with Birmingham School of Art, the free exhibition aims to showcase Phillips' 'pioneering achievements' and his deep connection to Birmingham, where he was born in 1939 and trained at Moseley School of Art and Birmingham School of Art. Phillips, who ranked alongside David Hockney, Pauline Boty, Peter Blake, Andy Warhol, and Roy Lichtenstein, was a key figure in the international pop art movement and helped launch British pop art with a 1961 exhibition.
The article covers the latest episode of Artbox on Sky Arte, focusing on the exhibition "OBEY: Power to the peaceful" at Gallerie d'Italia in Naples, running until September 6. Curator Giuseppe Pizzuto, artist Shepard Fairey (OBEY), and Michele Coppola of Intesa Sanpaolo discuss the show, which features over 130 works addressing global imbalances and peace as a political act. The episode also includes a segment on overtourism by Maria Vittoria Baravelli, a book review of "Misia e Basta" by Francesca Frigerio, and a feature on the interdisciplinary exhibition "La Maddalena di Piero di Cosimo" at Palazzo Venezia in Rome, curated by Edith Gabrielli.
An exhibition titled "Jean F. Watson: An Artistic Legacy" at the City of Edinburgh showcases over 40 historical and contemporary Scottish artworks acquired through the Jean F. Watson Bequest Fund. Featured artists include Arthur Melville, JD Fergusson, Anne Redpath, Joan Eardley, Eduardo Paolozzi, Elizabeth Blackadder, Alison Watt, and Leena Nammari, among others. Highlights include Fergusson's "The Blue Hat, Closerie des Lilas," Blackadder's "Irises," and a pandemic-inspired installation by Virginia Hutchison. The display spans drawing, painting, printmaking, photography, and sculpture across 250 years.
Kunstverein Braunschweig is presenting 'Let it R.I.P.', a solo exhibition by American artist D'Ette Nogle, curated by Junia Thiede and running from March 21 to May 31, 2026. The exhibition features 69 images documenting Nogle's work, with press releases available in both English and German, along with a booklet and venue website links.
Artist Jean Shin has created "Celadon Landscape," a monumental installation at the Green-House at Green-Wood in New York, using nearly two tons of discarded celadon porcelain fragments donated by studios in Icheon, South Korea. The work features two large bulbous vessels covered in broken shards of cups, saucers, and pots, appearing to emerge from the earth as if unearthed in an archaeological dig. The installation is on view through January 17.
The article announces the exhibition 'Seeing, Again' at Tang Contemporary Art in Beijing, running from May 16 to June 27, 2026. The show features artists Melody Park, Goyoung, Vibeke Slyngstad, Ruo-Hsin Wu, Yasuhito Kawasaki, and Yoshikatsu Ikeuchi, whose works across painting and sculpture explore themes of perception, memory, and the recovery of Walter Benjamin's concept of 'aura' in an age of image saturation. The exhibition is structured as a continuous sensory reawakening, inviting viewers to slow down and engage with art beyond habitual consumption.