The 14th edition of the San Francisco Art Fair (SFAF) has launched with 88 exhibitors and a robust program of public projects and talks. A central highlight is the exhibition “The Sun Beneath,” curated by Mara Gladstone and featuring artist Jon Cuyson, which serves as a preview for their upcoming collaboration at the Philippine Pavilion for the 2026 Venice Biennale.
The 15th edition of Expo Chicago, scheduled for April 9–12, marks a significant transition as the fair's first outing under new director Kate Sierzputowski and its third since being acquired by Frieze. The upcoming edition features a streamlined roster of approximately 130 galleries, a 25 percent decrease from previous years. While blue-chip giants like Gagosian and Zwirner are absent, the fair maintains a strong lineup including Karma, Michael Rosenfeld Gallery, and local mainstays like Monique Meloche, complemented by satellite events and a high-profile benefit directed by Maurizio Cattelan.
Art Basel Paris is undergoing a major transformation for its third edition, officially rebranding from 'Paris+ par Art Basel' and moving into the newly renovated Grand Palais. The historic venue, fresh from a $500 million restoration, allows the fair to expand its footprint by 26 percent, hosting 194 galleries compared to last year's 154. The move includes the opening of the ornate balconies for emerging galleries and a new sector called Premise, signaling the fair's transition from a successful 'preamble' to a permanent fixture in the French capital.
The sixth edition of Upstate Art Weekend (UAW) launched with a party at Assembly in Kingston, New York, founded by Helen Toomer in 2020. The festival has grown from 23 participants to 158 across 6,000 square miles, reflecting the pandemic-era exodus of artists and collectors from New York City to the Hudson Valley region. The event featured a fundraiser for abortion-rights nonprofit Noise for Now and drew a diverse crowd of attendees.
Hamad Butt, a Young British Artist (YBA) whose career was cut short by AIDS in 1994, is finally receiving a retrospective at Whitechapel Gallery in London, titled “Apprehensions,” on view until September 7. The exhibition highlights Butt’s bio-art installation *Transmission* (1990), which features live flies feeding on sugar paper texts about contagion, alongside glass books lit by ultraviolet lamps. The show reassesses Butt’s subtle, layered work in contrast to the more famous YBAs like Damien Hirst, who debuted a strikingly similar fly piece, *A Thousand Years* (1990), shortly after Butt’s work was first exhibited.
mother exhibition palazzo reale milan
Milan’s Palazzo Reale has launched "The Great Mother," a massive exhibition exploring the evolution of motherhood and female power throughout the 20th and 21st centuries. Curated by Massimiliano Gioni and produced by the Nicola Trussardi Foundation, the show features over 400 works by 127 international artists, including Louise Bourgeois, Cindy Sherman, and Rineke Dijkstra. The exhibition spans 29 halls, juxtaposing avant-garde historical works with contemporary installations to examine how gender roles and the maternal image have been constructed, challenged, and reclaimed.
Scottsdale Art Week is returning for its second edition from March 19–22, 2026, at the Westworld of Scottsdale. The fair will feature over 110 international and local galleries, showcasing a mix of blue-chip modern and contemporary works alongside historic, Indigenous, and Western art. This year's event includes partnerships with major regional institutions like the Phoenix Art Museum and the Denver Art Museum for a series of curated programs and panel discussions.
Artnet News highlights seven must-see museum exhibitions across Asia in 2026, with a focus on women artists and diverse themes. Key shows include a retrospective of Korean sculptor Kim Yun Shin at the Hoam Museum of Art in Yongin, a posthumous exhibition of Japanese painter Rey Camoy at the Ishikawa Prefectural Museum of Art, a manga and fantasy art survey at M+ in Hong Kong, and a solo show by Belgian artist Carsten Höller at the UCCA Center for Contemporary Art in Beijing.
ARTnews has published a summer guide highlighting 20 art world events and exhibitions not to miss in the coming months. Featured highlights include the opera 'El Último Sueño de Frida y Diego' at the Metropolitan Opera, the 'Costume Art' exhibition at the Metropolitan Museum of Art, a Björk show titled 'echolalia' at the National Gallery of Iceland, a book on the Venice Biennale by Massimiliano Gioni, Raven Halfmoon's 'Flags of Our Mothers' at Ballroom Marfa, a Pierre Huyghe exhibition at Fondation Beyeler Basel, a James McNeill Whistler retrospective at Tate Britain, and the inaugural Medina Triennial in New York.
Art Basel Hong Kong has announced its exhibitor list for the 2026 edition, featuring 240 galleries from 42 countries and territories, roughly the same size as last year's 242 galleries. The fair runs March 27–29 at the Hong Kong Convention and Exhibition Centre, with preview days on March 25–26. New additions include 32 first-time exhibitors from Australia, Japan, Turkey, France, Germany, and the US, while 33 galleries from the previous edition are absent—some due to closures (Blum, Clearing, Kasmin) or acquisitions (Millan bought by Almeida & Dale). A new sector called Echoes will showcase works created in the last five years, and the Encounters sector will be curated by a team led by Mami Kataoka. Media artist Ellen Pau will oversee the film program for the first time, and Shahzia Sikander has been commissioned to create a public artwork for the M+ Museum facade.
The article reports on the inaugural Bukhara Biennial in Uzbekistan, titled "Recipes for Broken Hearts," which opened in the historic 16th-century Khoja Gavkushon complex. Curated by Diana Campbell, the biennial features over 70 projects spanning 500 meters of public space, including works by artists Subodh Gupta, Laila Gohar, and Carsten Höller. The exhibition embraces the local environment—sun, wind, and dust—as collaborators, rejecting the sterile white cube model. Food is a central theme, with communal plov parties, performative cooking sessions, and installations like Gohar's edible rock sugar pavilion. The biennial runs through November 20.
The sixth edition of New York's Upstate Art Weekend, founded by Helen Toomer in 2020, runs July 17–21 across the Catskills and Hudson Valley, featuring 158 participating art organizations—a dramatic increase from 23 in its first year. Highlights include a Kishio Suga solo show at Dia Beacon, Sonia Gomes's first U.S. outdoor installation at Storm King Art Center, a group exhibition of seven women artists at Toomer's new project space Upbringing, Tomokazu Matsuyama's homage to Edward Hopper at the Edward Hopper House Museum, and a comparative show of Georgia O'Keeffe and Thomas Cole at the Thomas Cole National Historic Site.
A new group exhibition titled "Merci! John Giorno" has opened at Almine Rech Paris, celebrating the life and career of the late American artist John Giorno (1936–2019). Presented in collaboration with Giorno Poetry Systems, the show features Giorno's own works alongside pieces made for or inspired by him, including his iconic interactive work "Dial-A-Poem" (1968–ongoing) and his "Poem Paintings" begun in 1989. The exhibition also marks the tenth anniversary of the seminal show "Ugo Rondinone: I ♥ John Giorno" at the Palais de Tokyo in 2015. Running through June 7, 2025, it is complemented by other collaborations set in Parisian museums and regional venues throughout the year, including a revival of "Dial-A-Poem" in French at the Centre Georges Pompidou.
The fifth annual High Desert Art Fair (HDAF) took place at the Pioneertown Motel in California's High Desert, featuring 20 galleries, nonprofits, studios, and publishers. Founded by Nicholas Fahey of Fahey/Klein Gallery and artist manager Candice Lawler, the fair leverages the area's existing artistic community and natural beauty to attract visitors from Los Angeles and beyond.
American artist Jumper Maybach, known for his abstract expressionist paintings, debuted a new suite of works titled "Radiant Spaces" at the inaugural Salt Lake Art Show in 2026. The series explores themes of emotional energy, human resilience, and healing, using layered textures and color fields to create immersive experiences. Maybach has also created site-specific installations in architecturally significant buildings, including the 1900K building in Washington, D.C., and continues to blur the lines between fine art, installation, and luxury design.
Art Dubai opened its 20th edition at Madinat Jumeirah with a significantly reduced number of exhibitors—50 largely regional galleries, down from the originally expected 120—after being delayed from mid-April due to geopolitical tensions following the U.S.-Iran ceasefire on April 8. The fair, which offered free entry for the first time and refunded booth costs for participating galleries, saw strong attendance from Gulf and Middle Eastern collectors, with an upbeat mood and a more intimate atmosphere reminiscent of pre-Covid editions. Galleries from Lebanon and other conflict-affected regions were present, emphasizing art as a form of resilience and cultural identity.
The Victoria and Albert Museum (V&A) in London has opened "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," a major exhibition produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane. Featuring over 70 works never before exhibited in the UK, the show draws from QAGOMA's Asia Pacific Triennial of Contemporary Art (APT), which began in 1993. Highlights include Michael Parekōwhai's sculpture of a Māori bouncer, Montien Boonma's terracotta bell installation, and Takahiro Iwasaki's intricate wooden model. The exhibition is the first APT survey to be held outside Australia and Chile, arriving after years of planning by V&A exhibitions director Daniel Slater.
The Aspen Art Fair has announced more than 35 exhibitors for its third edition, returning to the Hotel Jerome from July 29 through August 1, 2026. This will be the first edition under director Kelly Cornell, who also leads the Dallas Art Fair. Newcomers include Albertz Benda, Friedman Benda, Library Street Collective, Monique Meloche Gallery, and R & Company, alongside returning galleries such as Marianne Boesky Gallery, Perrotin, Sean Kelly, and Galerie Gmurzynska. The fair will debut an outdoor sculpture garden and continue its Art Prize Program with residencies and commissions through Anderson Ranch Arts Center and Buckhorn Public Arts. It also coincides with the AIR festival organized by the Aspen Art Museum and partners with the Aspen Education Foundation to support local student artists.
The third edition of Abidjan Art Week recently concluded in Côte d’Ivoire, featuring extended gallery hours, bus tours, and exhibitions across diverse neighborhoods from the administrative Plateau district to the working-class area of Abobo. The event saw a significant expansion this year, with the number of participating galleries more than doubling and featuring artists from across the continent, including Cameroon, Mali, and the Democratic Republic of the Congo.
The New Museum in New York has officially reopened following a two-year closure for a major expansion designed by OMA. The renovation doubles the institution's footprint to 60,000 square feet, introducing a central spiral staircase that seamlessly connects the original SANAA-designed building with the new structure. The reopening is marked by the massive group exhibition "New Humans: Memories of the Future," a sprawling survey featuring over 200 artists curated by artistic director Massimiliano Gioni.
San Francisco Art Week is underway, anchored by the 12th edition of FOG Design and Art (January 21–25) on a historic former Army base. The event arrives amid flux for Northern California's art scene, with several prominent galleries closing and two major art schools—the San Francisco Art Institute and the California College of the Arts—recently shuttering. However, new free-admission fairs Atrium and Skylight Above (both January 22–25) signal fresh energy. The article highlights must-see museum shows across the city, including "Lee ShinJa: Drawing with Thread" at BAMPFA, "Rose B. Simpson: Lexicon" at the de Young Museum, "Rising Tides" at the Floating Art Museum, and "Earthseed Dome: Lily Kwong" at the Institute of Contemporary Art, San Francisco.
Six years after announcing plans to deaccession its 1,600-work collection—the world's foremost trove of Post-war Northern California art—the di Rosa Center for Contemporary Art has reopened in a new downtown San Francisco space. The inaugural exhibition, "Far Out: Northern California Art," features artists such as Enrique Chagoya, Peter Saul, Viola Frey, Roy De Forest, and Jay DeFeo, celebrating the radical, countercultural ethos of the region. The space, located at the Minnesota Street Project in Dogpatch, had been vacant since the McEvoy Foundation for the Arts closed in 2023. Curator Twyla Ruby reports that visitors have been emotionally moved by seeing the collection reunited.
Tinworks Art, the Montana-based nonprofit that revived Agnes Denes's "Wheatfield" land art in Bozeman last year, has acquired the historic Rialto theater in downtown Bozeman. The organization will inaugurate the venue with screenings of Matthew Barney's 2018 film "Redoubt," running from January 31 through February 1, with two showings daily Thursdays through Sundays. The Rialto, built in 1908 as a post office and converted to a theater in 1924, was donated to Tinworks and joins its two-acre complex of former warehouses and agricultural buildings that have hosted exhibitions by artists including Stephen Shore, Lucy Raven, and Theaster Gates.
Ballroom Marfa in Marfa, Texas, presents the exhibition “Los Encuentros,” on view through March 29, 2026, featuring five Latinx artists—Ozzie Juarez, Justin Favela, Antonio Lechuga, Narsiso Martinez, and Yvette Mayorga—who transform everyday materials like blankets (cobijas) and piñatas into works exploring Latinx identity. Curated by Maggie Adler, the show prioritizes local community engagement over the international art world, with works such as Juarez's "Coatzomaki" (2025) synthesizing LA street art and Aztec culture. The exhibition grew from Adler's existing relationships with the artists and her belief in working beyond institutional walls.
Artist Maja Ruznic has created a suite of large, luminous canvases responding to early 20th-century paintings glorifying Spanish colonization at the St. Francis Auditorium in the New Mexico Museum of Art, as part of the 12th Site Santa Fe International. The exhibition, curated by Cecelia Alemani and titled "Once Within a Time," opened last week. Ruznic, a Bosnian war refugee living in Placitas, New Mexico, confronts the problematic history depicted by artist Donald Beauregard, who died at 29 before completing the commission, which was later finished by uncredited artists Carlos Vierra and Kenneth Chapman.
Art Busan wrapped its 14th edition on a high note, with over 100 galleries participating and a special exhibition titled “CONNECT” curated by Wonseok Koh under the theme Territories and Boundaries. The fair, part of Busan Art Week, saw strong engagement from international galleries such as Société (Berlin) and Canada (New York), with directors noting maturing visitors and serious local collectors. A new partnership with Tokyo Gendai will bring 10 Korean galleries to Japan this September, and the fair debuted a Future Art Award for emerging galleries.
David Hockney presents "The Moon Room," a series of fifteen iPad drawings of full moons created during the 2020 lockdown, at Galerie Lelong in Paris until May 7, 2026. The exhibition, free and open to the public, features nocturnal landscapes Hockney painted from his farm in Normandy, inspired by Maupassant's "Clair de lune" and his own nightly observations. The works were first shown at the Musée des Beaux-Arts de Rouen in 2024 and later at the Fondation Louis Vuitton.
The 22nd edition of SP-Arte has opened at the Oscar Niemeyer Pavilion in São Paulo, featuring 180 exhibitors. As Latin America’s largest art fair, the event continues to serve as a critical bridge for 'South-South' artistic relationships, drawing international curators like the Met’s Brinda Kumar. Despite a slightly smaller footprint than previous years, the fair showcases a robust selection of Brazilian talent alongside international galleries navigating the country's complex market.
The St. Louis-based triennial Counterpublic has unveiled the artist list for its third edition, titled "Coyote Time," scheduled to run from September 12 to December 12, 2025. The exhibition features 47 artists and collectives, including major figures such as Glenn Ligon, Rebecca Belmore, and Rirkrit Tiravanija, alongside posthumous presentations of works by Juanita McNeely and Benjamin Patterson. Curated by a five-person international team, the triennial will activate various sites across the city, including the Mississippi Riverfront and the historically Black neighborhood of The Ville.
Dib Bangkok, Thailand's first international-standard contemporary art museum, opened on December 20 with a festive and dramatic inauguration in Bangkok. Founded by the late industrialist and art collector Petch Osathanugrah and completed by his son Purat "Chang" Osathanugrah, the museum debuted with the exhibition "(In)Visible Presence," curated by Ariana Chaivaranon and Dr. Miwako Tezuka, featuring 81 works by 40 artists from the museum's collection. The opening included a visceral performance by Marco Fusinato, where Chang struck a wall with a baseball bat to complete the artwork, symbolizing a "big bang" for Thailand's cultural landscape.