Venice Biennale 2026: all the national pavilions, artists and curators so far

The 61st edition of the Venice Biennale, the world's oldest and most prestigious art biennial, will open on 9 May 2026 and run through 22 November. The main exhibition follows the curatorial plan of the late Koyo Kouoh, while national pavilions have been announcing their participating artists and organizers. The article provides a comprehensive list of confirmed pavilions so far, including artists such as Genti Korini (Albania), Matías Duville (Argentina), Khaled Sabsabi (Australia), Florentina Holzinger (Austria), Faig Ahmed (Azerbaijan), and many others, with details on venues and organizers.

10 Art Shows to See in Los Angeles This May

Hyperallergic's May guide for Los Angeles highlights ten art shows, including a posthumous exhibition of Celeste Dupuy-Spencer's paintings at Jeffrey Deitch, Yoko Ono's first solo museum show in Southern California at The Broad, and a survey of Richard Mayhew's abstract landscapes at Karma. Other notable shows include Joe Brainard's matchbook miniatures at Chris Sharp Gallery, Gordon Parks's musical output at the California African American Museum, and a two-venue presentation of Magdalena Suarez Frimkess's ceramics and drawings.

While the world is ending outside

Während draußen die Welt untergeht

The ninth edition of the art festival "Various Others" opened in Munich amid rain, with galleries, institutions, and off-spaces presenting their exhibitions. Highlights include Jana Schröder's large-format paintings at Jahn und Jahn, juxtaposed with Willem de Kooning's works on newspaper; André Butzer's solo show at Galerie Christine Mayer, featuring his transition from monochrome 'N-Bilder' back to color; and Anselm Reyle's solo exhibition at Walter Storms in collaboration with Galerie Dirimart. Two standout shows are inspired by Persian miniature painting: Elif Saydam's 'Glory' at Galerie Rüdiger Schöttle, where silver and gold leaf works will oxidize over centuries, and another exhibition exploring bodies in transitional states—pupating, oxidizing, and escaping fixed forms.

10 must-see exhibitions in Berlin this spring 2026

10 mostre da vedere a Berlino in questa primavera 2026

Artribune's article highlights ten must-see exhibitions in Berlin for spring 2026, curated by Nicola Violano. Key shows include Marina Abramović's "Balkan Erotic Epic" at Gropius Bau, exploring Balkan ritual, body, and sexuality; Giulia Andreani's "Sabotage" at the Nationalgalerie der Gegenwart, which uses near-monochrome painting to critique historical narratives; and Shilpa Gupta's "What Still Holds" at the same venue, reflecting on borders and fragility in dialogue with Joseph Beuys. The selection spans major museums and galleries, emphasizing conceptual depth over pure aesthetics.

10 Ausstellungen, die Sie zum Gallery Weekend nicht verpassen sollten

The article highlights ten must-see exhibitions during Berlin's Gallery Weekend, curated by the editorial team of Monopol magazine. Featured shows include Jiyoon Chung's installation "Dead End" at Anton Janizewski, which explores perception and anxiety through subtle triggers; Giorgio Griffa's retrospective at Walter Storms Galerie, showcasing his poetic abstract paintings on un-stretched linen; Walid Raad's "Like a Rubber Rung on a Ladder" at Galerie Thomas Schulte, referencing the Lebanese Civil War with a crashed VW Beetle and graffiti; and Thomas Demand's exhibition at Sprüth Magers, where his photographs printed on copper plates reflect on current events like the Gaza war and climate change.

Several Eternities in a Day: Form in the Age of Living Materials

The Hammer Museum in Los Angeles presents "Several Eternities in a Day: Form in the Age of Living Materials," a spring 2026 exhibition running from April 5 to August 23. Curated by Jill Spalding, the show features works by artists including Edgar Calel, Guadalupe Maravilla, Carmen Argote, and others, exploring the concept of "Brownness"—a fluid identity rooted in ancestral memory, animal kinship, and a profound connection to living materials. The exhibition is organized into three acts: large-scale installations, paintings and works on paper, and ceramics, offering a visceral and immersive experience that draws on precolonial traditions across the Americas.

Beverly Buchanan’s Anti-Monuments

Beverly Buchanan's outdoor sculptures, such as 'Marsh Ruins' (1981) and 'Unity Stones' (1983), are quietly eroding in landscapes across Georgia, Florida, and North Carolina. These anti-monuments, made from tabby concrete and stone, blend into their surroundings while subtly referencing the region's layered histories, including Indigenous shell middens, plantation ruins, and the 1803 slave revolt on St. Simons Island. Buchanan, who died in 2015, is now receiving renewed attention: her work will be featured at the Venice Biennale this spring, and a touring retrospective is currently at Frac Lorraine in Metz, following a posthumous show at the Brooklyn Museum in 2016–17.

At the Venice Biennale, Koyo Kouoh’s ‘In Minor Keys’ Looks Deeply at Lush Gardens and a Scarred Earth

Koyo Kouoh's exhibition 'In Minor Keys' at the 2026 Venice Biennale centers on the practices of two deceased artists, Issa Samb and Beverly Buchanan, whose ways of thinking animate the show through dedicated 'Shrines' in the Central Pavilion. The exhibition also draws on Marcel Duchamp's legacy, featuring works by over a dozen contemporary artists including Akinbode Akinbiyi, Guadalupe Rosales, Natalia Lassalle-Morillo, Guadalupe Maravilla, Sofía Gallisá Muriente, and Avi Mograbi, whose installation 'Between a River and a Sea' contrasts pre-1948 business directories with a 2023 Gaza Yellow Pages. A section called 'The Schools' highlights artist-run spaces such as Denniston Hill, Guest Artists Space (G.A.S.) Foundation, blaxTARLINES, and the Nairobi Contemporary Art Institute.

Aspen AIR Festival to Feature Lucy Raven, Camille Henrot, Los Thuthanaka, Morgan Bassichis, and More

The Aspen AIR Festival returns for its second edition from July 27-31 in Aspen, Colorado, featuring performances, exhibitions, and talks under the theme “Figures in a Landscape.” Returning artists include Matthew Barney, who will present sculptures related to his TACTICAL parallax performance, and Lucy Raven, who will show her film Murderers Bar with a new score by Deantoni Parks. New commissions include Camille Henrot’s operatic work Commedia dell’arte, a performance by Los Thuthanaka blending Andean sounds with electronics, and a piece by Kali Malone and Stephen O’Malley originally created for the Holy See Pavilion at the Venice Biennale. The festival also includes talks by Adrián Villar Rojas, Lyle Ashton Harris, Ivan Cheng, Morgan Bassichis, and a keynote by filmmaker Julie Dash.

ArtReview April & May 2026 Issue Out Now

ArtReview's April & May 2026 issue explores boundaries and limitations in art, with a focus on the 61st Venice Biennale opening amid global conflicts. The cover features Japanese-American performance artist Ei Arakawa-Nash with his husband and twin babies, whose collaborative installation at the Japanese Pavilion incorporates the unpredictability of childcare. The issue includes coverage of controversial national pavilions (Russian, Israeli, American), profiles of artists representing Mongolia and Singapore, and features on Beverly Buchanan, Arthur Jafa, Richard Prince, and Zehra Doğan's report from Rojava. It also reviews the 82nd Whitney Biennial, the 25th Biennale of Sydney, and the 15th Shanghai Biennale.

Five Whirlwind Days in Venice, at (and Beyond) the Biennale

The article recounts a whirlwind three-day visit to the 61st Venice Biennale, focusing on the main exhibition at the Giardini della Biennale curated by the late Koyo Kouoh, titled "In Minor Keys." The author highlights textile works by artists such as Thania Petersen, Billie Zangewa, and Annalee Davis, as well as Beverly Buchanan's "Spirit Jars" and Maria Magdalena Campos-Pons's portrait of Kouoh and Toni Morrison. The trip also includes visits to collateral events, a performance at Jordan Roth's palazzo, and a side trip to Gabriele D'Annunzio's estate on Lake Garda.

The art of chaos

The 61st Venice International Art Biennale has opened in Venice, running until November, amid unprecedented turmoil. The main exhibition, "In Minor Keys," was curated by Koyo Kouoh, who died of cancer shortly after presenting her vision featuring 111 artists including Carsten Höller, Alvaro Barrington, and Laurie Anderson. Her death has eliminated the Lifetime Achievement Award this year. Additionally, the Biennale faces a funding crisis as the EU threatens to withdraw its €2 million subsidy over Russia's participation with 38 artists following the invasion of Ukraine. Iran, Nigeria, and Israel are absent from their pavilions, while the US Pavilion, now organized by the American Arts Conservancy under inexperienced leadership, features self-taught artist Alma Allen.

8 New Art Exhibitions You Cannot Miss This May

This May, galleries across India are presenting a diverse array of new art exhibitions, ranging from postcolonial installations and forgotten print histories to deeply personal paintings and sculptural storytelling. Highlights include Sri Lankan artist Shanaka Kulathunga's solo show 'Silent Stories' at Bikaner House, exploring memory and displacement; the group exhibition 'In the Telling' at Chemould Prescott Road in Mumbai, focusing on narrative-making and fragmented memory; and 'An Ancient Ballad' at Emami Art in Kolkata, drawing from mythology and folklore. Other notable shows include a retrospective of modernist A. A. Raiba at Thapar Gallery, the politically charged 'The Architecture Of The Void' at Gallery Dotwalk, and Navjot Altaf's 'Waste Archives as Landscape' at CSMVS museum in Mumbai.

Australian artist Khaled Sabsabi reveals details of presentations in the Australia Pavilion and in the International Exhibition In Minor Keys at Biennale Arte 2026 – News Hub

Australian artist Khaled Sabsabi will present two major installations at the 2026 Venice Biennale. At the Australia Pavilion, he unveils "conference of one’s self," an immersive multisensory work featuring eight monumental canvas paintings, video projections, and a soundscape inspired by a 12th-century Sufi allegory. Simultaneously, he becomes the first Australian artist to also exhibit in the International Exhibition, titled "In Minor Keys" curated by Koyo Kouoh, with a second installation called "khalil" at the Arsenale. Both works explore spirituality, migration, and shared humanity through a framework of Sufi thought.

Khaled Sabsabi Unveils Biennale Arte 2026 Showcase

Khaled Sabsabi will represent Australia at the 61st Venice Biennale in 2026 with two major installations. At the Australia Pavilion, he presents "conference of one's self," an immersive multisensory installation featuring eight monumental canvas paintings, suspended video projectors, and an analogue soundscape, all inspired by the 12th-century Sufi allegory "The Conference of the Birds." In a historic first for an Australian artist, Sabsabi also debuts a second work, "khalil," in the Biennale's main exhibition "In Minor Keys" curated by Koyo Kouoh at the Arsenale. Both works explore spirituality, migration, and shared humanity through a Sufi philosophical framework.

In Minor Keys: how Venice's international exhibition was brought to life after the death of artistic director Koyo Kouoh

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," was realized after the sudden death of its artistic director, Koyo Kouoh, in May 2025. A team of five of Kouoh's collaborators, known as "la squadra di Koyo Kouoh," worked with her before her death and finalized the exhibition's themes, artist list, and scenography. The exhibition features 111 invited artists, duos, collectives, and artist-led organizations, with the team emphasizing that this remains Kouoh's vision rather than a replacement.

Beatriz González at Barbican Art Gallery, London

The Barbican Art Gallery in London is presenting a major retrospective of Colombian artist Beatriz González, marking her first solo show in the UK and her largest-ever exhibition in Europe. The exhibition spans six decades of her work, from the 1960s to the present, showcasing her roles as an artist, curator, art historian, and educator.

“Melting Glaciers, Water Futures from the Alps to the Nile” photo exhibition by Swiss photographer Pierre Jeanneret and Egyptian documentary photographer Roger Anis is a must see - Exhibitions - Al-Ahram Weekly

The article announces a photo exhibition titled "Melting Glaciers, Water Futures from the Alps to the Nile" at the Goethe Institute in Cairo, featuring Swiss photographer Pierre Jeanneret and Egyptian documentary photographer Roger Anis. Jeanneret's work documents the rapid melting of Swiss glaciers and its impacts on hydroelectric dams, tourism, and new landscapes, while Anis explores water, climate, and human resilience along the Nile. The exhibition is part of SABBART, a cultural initiative by EUNIC Cluster Egypt focusing on climate and environmental issues, and runs from 17 May to 4 June.

Don’t miss Ashraf Talaat’s “The Circus” photo exhibition at the Russian Cultural Centre

The article is a roundup of current and upcoming art exhibitions in Cairo, Egypt, spanning May 2025 through June 2026. Highlights include Mostafa El-Razzaz's "Fractals of Art and Soul" at Bibliothek Arkan Plaza, Mahmoud Hamdi's "Journey to the Core" at Difaf, a retrospective for Said El-Sadr and his students at Gezira Arts Centre, and the Egyptian debut of "Beyond Van Gogh: The Immersive Experience" at District 5 by Marakez in New Cairo. Also featured are a Swiss-Egyptian photography exhibition on glaciers and the Nile at the Goethe Institute, a Colombian embassy exhibition, a Korean embassy show, and a permanent ceramics display at Al-Fustat Centre.

‘Anchors of Light’ reframes 30 years of MOCA North Miami

The Museum of Contemporary Art North Miami (MOCA) celebrates its 30th anniversary with a new exhibition, “Anchors of Light,” which opened on April 15. Curated by Miami native Catherine Camargo, founder of Queue Gallery, the show features nearly 50 artists from the museum’s collection, including historical figures like Robert Rauschenberg and Claes Oldenburg, past retrospective subjects such as Maryan S. Maryan and Edouard Duval-Carrie, and local favorites Purvis Young and Pepe Mar. The exhibition includes a video corridor for multiple video works, addressing space constraints, and highlights Camargo’s preference for dark, muted colors and unconventional materials, exemplified by Will Boone’s painting “Widowmaker.”

“Lighting” exhibition by Mohamed Abdalla Otaybi at Swailam gallery is not to be missed

This article is a roundup of art exhibitions and cultural events in Cairo, Egypt, spanning multiple venues and dates. It highlights a photographic project titled "New Cairo, Do You Love Me?" by Judi Yassin and Tia Khalil at the American University in Cairo, which documents the disconnect between the promised luxury of New Cairo and its dehumanizing reality using 35mm black-and-white film. Other featured events include painting exhibitions by Osama Nashed and Alaa Hegazi at Dai, Mahmoud Hamdi's "Journey to the Core" at Difaf, the immersive "Beyond Van Gogh" experience at District 5, the permanent collection at Al-Fustat Centre for Ceramic, and the Empower Her Art Forum at the Grand Egyptian Museum.

Welcome to Venice: the shows you won’t want to miss at the 61st Biennale

The 61st Venice Biennale, titled "In Minor Keys," opens with a keynote exhibition conceived by the late Koyo Kouoh and realized by her team after her sudden death in May 2025. The show spans the Central Pavilion in the Giardini and the Arsenale, featuring 110 artists and collectives. Highlights include Bracha L. Ettinger's installation at the Hotel Metropole, where she transforms a room where Sigmund Freud wrote part of *The Interpretation of Dreams* into a feminist 'borderspace,' and works by artists such as Arthur Jafa, Richard Prince, Issa Samb, Beverly Buchanan, and Daniel Lind-Ramos. The exhibition explores themes of history, colonialism, war, and environmental destruction, aiming for a 'sotto voce' tone that nonetheless delivers powerful, liberating statements.

“Drifting Until Caught” at Brooklyn Navy Yard: Three Artists and the Objectivity of Method

Three artists—Veronika Georgieva, Stephen j Shanabrook, and Shura Skaya—have transformed an industrial venue at the Brooklyn Navy Yard into a pop-up exhibition titled “Drifting Until Caught.” The show, accessible only by appointment, features works that range from pressed plastic sculptures and chocolate casts to wax crayon drawings and acrylic paintings, all exploring the boundary between figuration and abstraction. Each artist employs mechanical or chance-based methods, such as Shanabrook’s hydraulic press or Georgieva’s video projections, to create images that embrace distortion and materiality.

Interview with the artist of the enchanting New Zealand Pavilion at the 2026 Venice Biennale

Intervista all’artista dell’ammaliante Padiglione Nuova Zelanda alla Biennale Arte 2026

Fiona Pardington, a Māori artist from Devonport (1961), will represent New Zealand at the 2026 Venice Biennale with a deeply spiritual and ecologically conscious installation in the national pavilion. Her project centers on the takahe, a bird long thought extinct, using photography, sound, and immersive space to evoke loss, memory, and transformation. Pardington’s work draws on Ngāi Tahu culture, colonial history, and natural history, featuring a taxidermied takahe specimen from the British Museum that she re-photographed and chromatically restored.

A life beyond diagnostic labels: Recovering Art exhibition opened this week at Dax Centre, Melbourne

The Dax Centre in Melbourne, in partnership with SANE Australia, has opened "Recovering Art," an exhibition pairing historical works from the Cunningham Dax Collection—created by patients in Victorian psychiatric hospitals from the 1950s—with new contemporary pieces by artists Ruth Buchanan, John Young Zerunge, Abdul Abdullah, Jenna Lee, and Luke Willis Thompson. Curated by Andy Butler, the show includes landscape paintings by Rene Sutton, works by Graeme Doyle, Carla Krijt, and NEG, alongside new commissions that engage with themes of archive, classification, and institutional observation of lived experience.

Inside Youssef Nabil’s Landmark Musée d’Orsay Exhibition

Egyptian artist Youssef Nabil makes history as the first Arab artist invited to show at the Musée d'Orsay in Paris, with his landmark exhibition 'To Dream Again.' The show features his hand-painted silver gelatin prints that blend cinema, memory, and identity, and marks the first time the museum has invited an artist working primarily with photography to engage with its collection. The exhibition is deeply personal, tracing Nabil's journey from a 19-year-old rejected by art academies in Cairo to a globally recognized artist, and includes a dialogue with Pierre Puvis de Chavannes's painting 'Le Rêve,' which inspired a self-portrait Nabil created in 2021.

At the Venice Biennale, Ukraine’s Pinchuk Art Centre finds fragile moments of joy amid loss

The Pinchuk Art Centre in Kyiv has transformed its Venice Biennale presentation from a glamorous celebration of young artists into a somber exhibition responding to the Russian invasion of Ukraine. This year's show, titled "Still Joy — From Ukraine into the World" (9 May-1 August) at the Palazzo Contarini-Polignac, features works by international artists like Tacita Dean and Julian Charriere alongside Ukrainian artists, as well as testimonials from soldiers collected by former marine Hlib Stryzhko. The exhibition explores how joy can persist amid trauma, with installations including pink scrolls bearing survivors' quotes, light box photographs of bombed interiors with rescued pot plants, and a sculpture of bells with displaced women's fingerprints.

First Impressions of a Venice Biennale Torn Apart by the Present

The 61st Venice Biennale, titled "In Minor Keys," opens amid turmoil: its curator Koyo Kouoh died of cancer during planning, and the festival jury resigned after a controversial statement about excluding Israel and Russia from prizes, replaced by a Eurovision-style people's choice award. The main exhibition, completed by a team of five collaborators using Kouoh's plans, features over 110 artists and collectives, with highlights including works by Big Chief Demond Melanchon, Tammy Nguyen, Guadalupe Maravilla, Ayrson Heráclito, and a section focused on Michael Armitage's Nairobi Contemporary Art Institute.

Letting Her Art (and Birds) Do the Talking

Lynette Yiadom-Boakye, a British-Ghanaian painter known for her enigmatic portraits of imaginary Black figures, has a new body of work that includes canvases, drawings, and writings. The article highlights her preference for staying out of the public eye, letting her art—and her fascination with birds—convey her ideas and emotions.

Amoako Boafo Drew on Venice’s Rich Creative Heritage for His First Solo Show in Italy

Amoako Boafo, the Ghanaian artist known for his finger-painted portraits of stylish Black sitters, opened his first solo show in Italy at the Museo di Palazzo Grimani in Venice during the 61st Venice Biennale. Titled "It doesn’t have to always make sense" and produced by Gagosian, the exhibition runs through November 22 and features Boafo's paintings alongside works by friends and collaborators, including poems by Raphael Worlasi Langani and a sculpture made with Stephen Allotey. The show also includes a video documenting Boafo's life and a "heroine wall" of portraits honoring women he admires, such as curator Koyo Kouoh.