art stan douglas hessel museum

Stan Douglas's survey exhibition "Ghostlight" at the Hessel Museum of Art features his commanding 2024 photograph of the same name, depicting a ghost light illuminating the empty Los Angeles Theater. The show spans works from the 1990s to 2025, including the North American premiere of his multi-channel video "Birth of a Nation" (2025), which reexamines D.W. Griffith's racist 1915 film. Organized by Lauren Cornell, the exhibition assembles staged historical scenes and imagined scenarios that explore how past eras have been pictured through images, written history, and mass media.

9 Contemporary Artists Conjuring Ghosts

Maxwell Rabb profiles nine contemporary artists who explore ghostly and spectral themes in their work, coinciding with two major museum exhibitions: Kunstmuseum Basel's "Ghosts: Visualizing the Supernatural" (through March 2026) and Tacoma Art Museum's "Haunted." The article traces the historical evolution of ghost imagery in art from Renaissance depictions to 19th-century psychological forms by Goya and Fuseli, through 20th-century surrealist and post-war treatments, and highlights living artists such as Xie Lei and Mariann Metsis who use haunting as a metaphor for memory, loss, and the unseen.

dante gabriel rossetti christina portrait revealed

A newly discovered 1877 chalk portrait of the poet Christina Rossetti by her brother, the Pre-Raphaelite master Dante Gabriel Rossetti, has been unveiled at Wightwick Manor. The drawing, recently acquired by the National Trust, serves as the centerpiece for the exhibition "The Rossettis – Siblings and Spouses." Created during a period of shared family mourning following the death of their sister Maria, the work departs from Rossetti’s typical idealized style to offer a somber, realistic depiction of grief and resilience.

The Best Exhibitions to See Around San Francisco During FOG Design+Art

January brings a full slate of exhibitions across the Bay Area timed to San Francisco Art Week, headlined by the 12th edition of FOG Design+Art at Fort Mason Center (January 21-25). Galerie highlights nine must-see shows, including "100 Candleholders" at Blunk Space, where international artists create candleholders inspired by JB Blunk; "New Work: Sheila Hicks" at SFMOMA, featuring fiber installations tied to personal places; "The Houses Are Haunted By White Night-Gowns" at The Future Perfect, a furniture-and-bowls installation by Studio Ahead; and "Auudi Dorsey: What’s Left, Never Left" at Jonathan Carver Moore, where the painter excavates histories of African American leisure sites.

First Impressions of a Venice Biennale Torn Apart by the Present

The 61st Venice Biennale, titled "In Minor Keys," opens amid turmoil: its curator Koyo Kouoh died of cancer during planning, and the festival jury resigned after a controversial statement about excluding Israel and Russia from prizes, replaced by a Eurovision-style people's choice award. The main exhibition, completed by a team of five collaborators using Kouoh's plans, features over 110 artists and collectives, with highlights including works by Big Chief Demond Melanchon, Tammy Nguyen, Guadalupe Maravilla, Ayrson Heráclito, and a section focused on Michael Armitage's Nairobi Contemporary Art Institute.

A ‘town square for the arts and humanities’: The new Princeton University Art Museum shares opening details

The Princeton University Art Museum will open its new building to the public with a 24-hour celebration from 5 p.m. on Oct. 31 to 5 p.m. on Nov. 1, 2025. The event includes tours, artmaking, live performances, film screenings, poetry readings, and yoga, all free of charge. Planning began in 2012, and the museum has also scheduled preview days for Princeton students, faculty, staff, and members before the public opening.

Language Games in a Haunted Present.

Ndéyé Kouagou has opened her first solo exhibition in Italy at Collezione Maramotti, presented in conjunction with the Fotografia Europea 2026 festival. The exhibition, titled 'Ghosts of the Moment', features recent works and new commissions that showcase her language-driven practice, blending text, performance, and image to explore unstable meaning and contemporary subjectivity.

Hera Büyüktaşçıyan Channels Istanbul’s Haunted Histories

Hera Büyüktaşçıyan Channels Istanbul’s Haunted Histories

Hera Büyüktaşçıyan has opened a major solo exhibition, 'I Know You As Her', at Istanbul's Arter museum. The show features new and existing works, including sculptures, installations, and watercolors, that explore submerged histories and spectral presences within the city's urban fabric, particularly around the historic Pera district.

Studio Ahead’s installation for The Future Perfect recalls the pre-internet days of IRL antique hunting

Studio Ahead, led by curators Homan Rajai and Elena Dendiberia, has created an installation for The Future Perfect titled 'The Houses Are Haunted by White Night-Gowns,' running as a satellite to the 12th edition of FOG Design+Art in San Francisco through January 25, 2026. The show features 13 designers who each produced unique bowls, displayed on a stacked arrangement of vintage furniture sourced from Berkeley-based Mid Century Møbler and San Francisco's C. Mariani Antiques, blending Scandinavian design from the 1940s–1970s with 17th–19th century antiques.

Nasher's "Dis/orient" exhibit seeks to challenge how we think of Asian art

The Nasher Museum of Art at Duke University has opened "Dis/orient," a new exhibition featuring works by nine artists from the Asian diaspora. The show includes a raindrop-shaped mirror, stacks of Botan rice bags, burned denim on canvas, and a video of a man attempting to chop an apple on a spinning record player. Curatorial associate Julianne Miao explains that the exhibition confronts orientalism and stereotypes about Asian art, which is often reduced to ancient scrolls and ceramics. Featured artists include Korakrit Arunanondchai, Stephanie Shih, Taiyo Kimura, Pinaree Sanpitak, Asuka Anastacia Ogawa, Ravelle Pillay, and local artist Lien Truong, whose painting "My mother, she fell from the sky" reimagines orientalist depictions of Asian women. The exhibition runs until July 19.

Winterthur’s ‘Almost Unknown’ offers immersive look at Black history and art

Winterthur Museum in Delaware has opened a new exhibition titled "Almost Unknown: The Afric-American Picture Gallery," which brings to life a fictional gallery imagined in 1859 by Black writer and schoolteacher William J. Wilson, writing under the pseudonym Ethiop. In a series of columns for the magazine "The Anglo-American," Wilson described an imaginary museum of Black history and art, featuring works like a depiction of a slave ship, a bust of poet Phillis Wheatley, and images of Crispus Attucks and Haitian Revolution heroes. Curator Jonathan Square has transformed Wilson's fantasy into an immersive, haunted-attraction-style exhibition using objects from Winterthur's collection, with dark lighting, sound effects, and false walls that evoke a carnival ride inspired by Jordan Peele films and "The Shining."

New Tacoma Art Museum exhibit explores haunting power of memory

The Tacoma Art Museum has opened a new fall exhibition titled 'Haunted,' which explores the lingering presence of memory through a blend of visual art and film. Curated by Ellen Ito, the immersive show invites visitors to reflect on how the past echoes in everyday life, combining cinema and fine art to evoke emotional responses. Ito discussed the exhibition on 'ARC Seattle' with co-anchor Tyrah Majors.