Venice Biennale Special 2026—podcast

This episode of The Art Newspaper's podcast is a Venice Biennale special, covering the opening week of the 2026 edition. Host Ben Luke, along with Louisa Buck and Jane Morris, reviews the main exhibition "In Minor Keys," curated by the late Koyo Kouoh and realized by five collaborators. The podcast features interviews with artists Gabrielle Goliath, whose work for the South African pavilion was cancelled and is instead staged in a Venice church, and Lubaina Himid, showing in the British pavilion. It also includes conversations with writer Saidiya Hartman and Daniella Kaliada of Belarus Free Theatre about their collateral projects. The episode concludes with a focus on two restored Tintoretto paintings at the Basilica of San Giorgio Maggiore, funded by Save Venice.

art venice biennale gallery exhibition guide

Cultured magazine has published a guide to art exhibitions during the Venice Biennale, highlighting several major shows across the city. Featured exhibitions include "If All Time Is Eternally Present" at Palazzo Nervi-Scattolin with works by Tai Shani, Meriem Bennani & Orian Barki, and Kandis Williams; "Michael Armitage: The Promise of Change" at Palazzo Grassi; "Amoako Boafo: It doesn’t have to always make sense" at Palazzo Grimani; "Transforming Energy" by Marina Abramović at Gallerie dell’Accademia; and "Helter Skelter" by Arthur Jafa and Richard Prince at Fondazione Prada. The guide provides details on dates, locations, and curatorial themes for each show.

Shirin Neshat's Venice exhibition explores identity, exile and a social media tragedy

Shirin Neshat presents a new film trilogy, *Do U Dare!*, at the 16th-century Palazzo Marin in Venice alongside the Biennale. The work explores exile, fractured identity, and power through a female protagonist whose public isolation transforms into empowered expression in private. The trilogy is directly inspired by the story of Nasim Aghdam, an Iranian American known as the 'YouTube Shooter,' who in 2018 attacked YouTube's headquarters before taking her own life. Neshat interprets Aghdam's double life as a recluse and a social media star, focusing on the unstable boundary between self and performance in digital culture.

The Artist Who Turned Kim Kardashian Into a Living Sculpture Has an Exhibition in Paris

The Sceners Gallery in Paris is hosting “Forms and Temptations,” an exhibition of works by British Pop Art pioneer Allen Jones, coinciding with Kim Kardashian wearing a Jones-inspired fiberglass breastplate at the 2026 Met Gala. The show features Jones’s eroticized female mannequins and sculptures, including “Red Refrigerator” and “Cover Story 4/4,” displayed alongside high-end decorative furniture from designers like Carlo Bugatti and Émile-Jacques Ruhlmann. Jones, now 88, collaborated with Kardashian on her Met Gala look, which re-edited a cast from 1967/68.

Fashion figure Jordan Roth wows in collage at the Venice Biennale

Multi-disciplinary artist Jordan Roth staged a performance on May 7 at Palazzo dei Fiori in Venice during the Biennale preview week, where he tore apart vinyl prints of Renaissance painter Irene di Spilimbergo and reassembled them into collages within a gilt frame. The event, presented with Performance Space New York’s Visionaries Circle, was attended by Whitney Museum director Scott Rothkopf and dealer Kristin Hjellegjerde, following Roth's earlier appearance as a "living sculpture" at the Met Gala.

Rosy Simas on Creating a Space for Peace in Minneapolis

Minnesota-based interdisciplinary artist Rosy Simas opened a contemplative installation titled "A:gajë:gwah dësa’nigöëwë:nye:' (i hope it will stir your mind)" at the Walker Art Center on the same day that Trump-appointed border czar Tom Homan announced the end of Operation Metro Surge, a federal immigration enforcement operation in the Twin Cities. The installation features salt bottles made from woven corn husks, each honoring one of Simas's relatives, and is inspired by the teachings of Handsome Lake (Ganyodaiyo’), her fifth great-grandfather’s half-brother, who promoted the Seneca concept of a "good mind." The exhibition, on view through July 5, is part of a two-part project that also includes performances in May. Simas, known primarily for choreography, has increasingly gained recognition as a visual artist, recently receiving a Creative Capital Award.

What Is the 2026 Met Gala Exhibit “Costume Art” All About?

The Metropolitan Museum of Art's Costume Institute will unveil its 2026 exhibition, “Costume Art,” on May 4, 2026, coinciding with the Met Gala. Curated by Andrew Bolton, the show explores the relationship between fashion and the human body, juxtaposing garments like Rei Kawakubo's bulbous Comme des Garçons ensemble with artworks such as Hans Bellmer's “La Poupée” and Albrecht Dürer's “Adam and Eve.” Mannequins cast from real bodies and mirrored heads by artist Samar Hejazi will enhance the immersive experience. The exhibition runs from May 10, 2026, to January 10, 2027, in the new Condé M. Nast Galleries.

Steel And Shadows Converge in “Larry Kagan: Men”

Louis K. Meisel Gallery in New York City will present “Larry Kagan: Men,” an exhibition of steel and shadow sculptures by artist Larry Kagan, opening May 9 and running through June 20. Kagan, a former engineer turned sculptor, creates intricate steel assemblages that, when lit from a calculated angle, project remarkably detailed shadow images onto the wall, blending material and illusion. The show includes works like “Michelangelo's Adam” (2025) and highlights his career shift from acrylics to metal in the 1980s under the mentorship of Richard Stankiewicz.

The Met Costume Institute Unveils Its New Condé M. Nast Galleries

The Metropolitan Museum of Art's Costume Institute has unveiled its new 12,000-square-foot Condé M. Nast Galleries, named for the founder of Architectural Digest's parent company. Designed by the architecture firm Peterson Rich Office (PRO), the five-room exhibition space was carved from a former interior courtyard and gift shop, revealing historic brick and masonry facades that highlight the museum's architectural evolution. The galleries debuted alongside the exhibition "Costume Art," which explores the significance of dressed human form in fashion and fine art, curated by Andrew Bolton and celebrated at the Met Gala on May 4, 2026.

Everything to know about the Met Gala 2026: Theme, hosts and what to expect

The Met Gala 2026 will take place on the first Monday in May, with the theme "Costume Art" and a dress code of "Fashion is Art." The accompanying exhibition at the Metropolitan Museum of Art explores depictions of the dressed body throughout time, pairing garments with artworks from the museum's collection. Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour are named co-hosts, while Jeff Bezos and Lauren Sánchez Bezos serve as honorary chairs. The event will debut the newly named Condé M. Nast Galleries, a permanent 12,000-square-foot space in the museum's Great Hall, allowing the exhibition to run for nine months from May 10, 2026 to January 10, 2027.

The Ireland Pavilion at the 2026 Venice Art Biennale Speaks of Dreams and Pays Homage to Aldo Manuzio

Il Padiglione Irlanda alla Biennale Arte 2026 di Venezia parla di sogni e omaggia Aldo Manuzio

The Ireland Pavilion at the 2026 Venice Biennale will present "Dreamshook," a project by Irish artist Isabel Nolan. The exhibition explores dream states and pays homage to the Venetian printer Aldo Manuzio, drawing on the humanist revolution between the late Middle Ages and the Renaissance. Nolan, who works across sculpture, embroidery, photography, and text, will create new tapestries, drawings, and sculptures that engage with classicism, Christianity, humanism, Irish heritage (including the Book of Kells), and the invention of printing. The project is curated by Georgina Jackson and produced by Cian O'Brien, with support from Culture Ireland and the Arts Council.

Stars feiern Mode und Kunst bei Met-Gala

The Met Gala, hosted by Anna Wintour at the Metropolitan Museum of Art in New York, raised millions for the museum's Costume Institute. This year's event featured celebrities like Beyoncé, Nicole Kidman, and Heidi Klum, with a dress code of "Fashion is Art." Beyoncé and Kidman brought their daughters for the first time, while Klum dressed as a stone statue. The gala opened the "Costume Art" exhibition and was co-sponsored by Jeff Bezos and Lauren Sánchez Bezos, drawing protests over Bezos's involvement.

“In the Presence of Others” at Nørrebro Teater, Copenhagen

Nørrebro Teater in Copenhagen is hosting its first major contemporary art exhibition, "In the Presence of Others," featuring works by Marina Abramović, Laurie Anderson, and Miranda July. The show focuses on the artists' engagement with sound and will be staged throughout the entire theatre building.

The 10 best pavilions to see at the 2026 Venice Art Biennale. Artribune's top ten

I 10 migliori padiglioni da vedere alla Biennale d’Arte di Venezia 2026. La top ten di Artribune

Artribune presents its top ten must-see national pavilions at the 2026 Venice Biennale, which features a record 100 participating countries. The article highlights standout projects including Greece's escape room by Andreas Angelidakis critiquing nationalist populism, Belgium's participatory dance installation by Miet Warloop, and Canada's greenhouse-like pavilion by Abbas Akhavan exploring colonial botany. The Biennale, curated by Koyo Kouoh under the theme "In Minor Keys," is marked by last-minute jury resignations leading to public voting for the Golden Lions, as well as protests over the participation of Russia and Israel.

Venice Diary Day 1: At the Giardini, Artists Refuse to Make Fascism Cozy

Henrike Naumann's posthumous installation at the German Pavilion, which retains its 1938 Nazi-era fascist architecture, refuses to make the space 'cozy' by adorning windows with violently ripped domestic fabrics. The 2026 Venice Biennale is the first under president Pietrangelo Buttafuoco, associated with neo-fascist politics, and is overshadowed by controversy over his 'neutrality' policy allowing all countries to participate despite human rights concerns. The exhibition jury initially announced it would not consider pavilions from countries whose leaders are charged with crimes against humanity, then abruptly quit, leaving the situation unresolved. The US Pavilion features unimpressive blobs by Alma Allen, while the Russian Pavilion offers cut flowers and free vodka, and Andreas Angelidakis responds to fascist aesthetics at the Greek Pavilion.

The Most Provocative Performance in Venice

Florentina Holzinger, a performance artist known for extreme feminist works involving nudity, bodily fluids, and physical endurance, is representing Austria at the 2026 Venice Biennale with a pavilion titled “Seaworld Venice.” Opening May 9, the installation transforms the Austrian Pavilion in the Giardini into an underwater theme park and a functioning sewage treatment plant, where audience urine collected from portable toilets is cleaned and recycled into the tanks. The work explores themes of the human body, ecology, and Venice’s own struggles with sinking infrastructure and mass tourism.

Currents of the 61st Biennale: Inside Venice’s Flow of Art and Power

The 61st Venice Biennale jury, composed of five curators—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—resigned on April 30th amid internal tensions over decisions that conflicted with the late Koyo Kouoh's curatorial vision. The jury had previously stated it would refrain from considering countries whose leaders are charged with crimes against humanity by the International Criminal Court. Meanwhile, Filipino artist Jon Cuyson prepares to present his installation at the Philippine Pavilion, featuring works shipped 60 days before geopolitical conflict escalated, navigating unstable maritime routes. His project includes the film series "Sea of Love (Dagat ng Pag-ibig)" and a new fourth film, "Sea of Echoes," exploring themes of migration, queer experience, and ecological resilience through mussels as non-human protagonists.

Total Museum's 'Somebody Has to Collect It' examines collecting as a responsibility

The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.

PHOTOS: Celebrities interpret 2026 Met Gala theme ‘Fashion is Art’

On May 4, 2026, celebrities including Emma Chamberlain, Anna Wintour, Nicole Kidman, Kylie Jenner, and Janelle Monae attended the Met Gala at The Metropolitan Museum of Art in New York, celebrating the opening of the "Costume Art" exhibition. The event featured arrivals at the museum and departures from The Mark Hotel, with performances by Joshua Henry, and was captured by photographers Evan Agostini, Andy Kropa, and Jamie McCarthy.

take a first look at 'costume art' as fashion meets art history at the MET

The Metropolitan Museum of Art has opened a new exhibition titled 'Costume Art,' which explores the intersection of fashion and art history. The installation view, captured by designboom, showcases how garments and accessories are presented as artistic objects within the museum's galleries, blurring the boundaries between costume design and fine art.

Lauren Sánchez Bezos unveils Met’s new exhibit amid gala backlash

Lauren Sánchez Bezos appeared alongside Anna Wintour at a press conference in New York to unveil the Metropolitan Museum of Art's new Costume Art exhibit, which opens May 10 ahead of the Met Gala. Sánchez Bezos and her husband Jeff Bezos are primary sponsors of this year's gala and exhibit, a role that has sparked backlash and a boycott campaign from the activist group Everyone Hates Elon. The exhibit explores themes of the dressed body through garments paired with ancient artifacts, featuring categories like "the naked body," "classic body," and "disabled body."

Verdy 'I Believe in Me' Exhibition at LOTTE Museum of Art Seoul

Osaka-born graphic artist VERDY will debut his first solo museum exhibition, 'I Believe in Me,' at the LOTTE Museum of Art in Seoul from April 24 to July 19, 2026. The show features over 250 works, including crayon drawings, large-scale sculptures, and neon installations, exploring his signature aesthetic rooted in punk, skateboarding, and Japan's '90s Urahara scene. Divided into four sections, the exhibition traces the evolution of his characters and typography from graphic design into immersive physical forms, with highlights including the recurring character Vick and pandemic-era figure Visty.

"Costume Art" MET Museum Exhibition

The Metropolitan Museum of Art's Costume Institute has opened a new exhibition titled "Costume Art," featuring a design by Robert Wun displayed in the "Vital Body" section. The show opened on Saturday, May 2, 2026, in New York, as captured in a photograph by Charles Sykes for Invision.

Marinella Senatore's exhibition in Milan is a party in name and in fact

La mostra dell’artista Marinella Senatore a Milano è una festa di nome e di fatto

Marinella Senatore's solo exhibition "FESTA!" opens at Mazzoleni's Milan space, marking both the artist's first show at the gallery and the gallery's 40th anniversary. The exhibition presents new works including sketches, drawings, and embroidered tapestries that reinterpret Baroque public celebrations as participatory, community-driven art. The tapestries, produced in collaboration with the Chanakya school in Mumbai, feature motifs from 17th- and 18th-century festivities—ephemeral architecture, light displays, and fireworks—transformed into contemporary banners that activate the gallery space.

The Claire Fontaine collective and Ugo La Pietra open the new season of the Fondazione La Rocca in Pescara

Il collettivo Claire Fontaine e Ugo la Pietra aprono la nuova stagione della Fondazione La Rocca di Pescara

The Fondazione La Rocca in Pescara has announced its upcoming exhibition program for 2026-2027, including a solo show by Ugo La Pietra (June–October 2026) and a solo exhibition by the feminist conceptual collective Claire Fontaine (December 2026–March 2027). The foundation has also appointed Simone Ciglia as its new Chief Curator, who will work alongside the presidency to shape future artistic research. The season opens with La Pietra's 'Alla finestra,' curated by Giacinto Di Pietrantonio, featuring around seventy works exploring the window as a threshold. Claire Fontaine's 'Manuale d’uso,' curated by Ciglia, is conceived as an exhibition-essay based on Anita Chari's monograph. Additionally, the foundation launches 'FLR Incontra,' a public program of interdisciplinary talks and performances.

First Look at the “Costume Art” Exhibit at the Metropolitan Museum of Art

The Metropolitan Museum of Art is hosting a new exhibition titled "Costume Art," timed to coincide with the 2026 Met Gala. The article provides a first look at the exhibit, featuring images credited to photographer Masato Onoda of WWD, showcasing the intersection of fashion and visual art within the museum's galleries.

In Bloom: How Plants Changed our World – a ‘consistently illuminating’ exhibition

The Ashmolean Museum in Oxford has opened a new exhibition titled "In Bloom: How Plants Changed our World," timed for spring. The show draws from Oxford University's collections, featuring 17th-century flower paintings, preserved plant specimens, and contemporary artworks to explore the role of plants in art and science.

Michener Art Museum's retired founding director returns with new exhibition

Bruce Katsiff, the founding director of the Michener Art Museum in Doylestown, Pennsylvania, has returned to the institution with his first-ever exhibition at the museum, titled 'Pieces of a Life.' The retrospective showcases six decades of Katsiff's photography, including series such as 'Face Maps,' 'River Town Portraits,' and 'Nature Morte,' as well as collaborative works never before exhibited. Katsiff, who led the museum from 1989 to 2012, transformed it from an arts center into a full-fledged museum, building a collection focused on regional artists from Bucks County and overseeing the installation of iconic spaces like the Nakashima Room.

Venice Family Clinic’s Art Exhibition + Auction

The 47th annual Venice Family Clinic Art Exhibition + Auction will take place May 8–17, 2026, at 910 Abbot Kinney in Venice, Los Angeles. Founded in 1979 as the Venice Art Walk, it is the city’s longest-running charity art exhibition, featuring Signature Artist Alison Saar and over 150 established and emerging Los Angeles artists. Proceeds support Venice Family Clinic’s health care services for more than 45,000 patients across the Westside, Inglewood, the South Bay, and beyond.

Vibrant Victorian-Era Transparencies Illuminate a Host of Microscopic Creatures

Osh Gallery in London is exhibiting 'The Hudson Transparencies,' a collection of 58 original illustrations by Charles Thomas Hudson, a 19th-century educator and amateur scientist. Created for his lectures, these large-scale transparencies (37.8 by 29.5 inches) combine painted paper and perforated pinholes to depict microscopic creatures such as rotifers, algae, protozoa, and marine organisms. When back-lit, the dark, seemingly unfinished images transform into vivid, detailed visions of life invisible to the naked eye, showcasing the intersection of Victorian-era optical innovation and scientific discovery.