Pace Gallery in London is presenting an exhibition by Japanese artist Kenjiro Okazaki titled 'Never could be any other way — anagnorisis'. The show features Okazaki's latest works, which explore themes of recognition and revelation through his distinctive blend of painting, drawing, and conceptual practice.
Pippy Houldsworth Gallery in London presents 'We Were Like Those Who Dreamed,' the second solo exhibition by Nigerian artist Nengi Omuku. The show features new paintings that explore the politics of green spaces in urban centers, particularly Lagos, where rapid urbanization has created a 'concrete jungle.' Omuku transposes figures from contemporary and archival images of Lagos into lush, Impressionistic landscapes painted with pointillist brushstrokes and a Fauvist palette, using the garden as a radical symbol of equality and resistance. She paints on sanyan, a hand-spun Yoruba cloth, working with local artisans in Ilorin to revive the tradition. Works like 'Dream Logic' and 'One Particular Man' address socio-economic tensions, while 'A quiet nation' captures the dichotomy between urban Brutalist architecture and natural foliage.
UN RECORRIDO POR LA OBRA DE LUCÍA PIZZANI A PROPÓSITO DE SU PRIMERA MUESTRA INSTITUCIONAL EN LONDRES
Venezuelan artist Lucía Pizzani presents her first institutional exhibition in the United Kingdom, titled "Faunal Succession," at Focal Point Gallery in London, running through May 30. The show features new works created in collaboration with artists Cecilia Bonilla, Jaime Gili, and Javier Weyler, as well as community groups and local schools, reimagining the Essex coastline through the concept of deep time. The exhibition links geological transformation with contemporary issues such as climate change, migration, and social change, as explored in an interview with curator Inês Costa.
Tabish Khan, the London-based art critic, selects his top gallery and museum exhibitions to see in late May in London. Highlights include Christopher Page's illusionistic mirror paintings at Ben Hunter, Dirk Braeckman's chemically altered photographs at Grimm, a historical exhibition on Hawai'i's relationship with the UK at The British Museum, a pairing of James Capper's claw-like machines with Anthony Caro's metal sculptures, and a focused display of George Stubbs' horse portrait and anatomical drawings at The National Gallery.
Maureen Paley presents *The Fugitive Marvels of Sunset*, the fifth solo exhibition of Canadian artist Paul P. at the gallery. The show features his signature portraits of anonymous young men, sourced from gay erotic magazines from the late 1960s to early 1980s, alongside paintings of bats, laundry, and seascapes that explore twilight and threshold moments. The exhibition draws on coded visual languages from Victorian-era dandies and post-Stonewall culture, with works also included from a recent two-person show at KW Institute for Contemporary Art, Berlin.
The Hayward Gallery in London is presenting 'Leap Year', the first major UK survey of internationally celebrated artist Haegue Yang. The exhibition spans Yang's career from the early 2000s to the present, featuring key works from her Light Sculptures and Sonic Sculptures series alongside three new commissions. Yang's practice incorporates a vast range of media—from paper collage and performative sculpture to immersive sensory installations—using household and industrial objects such as drying racks, light bulbs, metal-plated bells, and hanji (Korean paper) to explore themes of labour, migration, and displacement.
Hayv Kahraman presents her solo exhibition 'What cannot be said will be wept' at Pilar Corrias gallery on Conduit Street in London. The show features new works by the Iraqi-born artist, known for her figurative paintings that explore themes of displacement, memory, and the female body.
Steven Shearer's exhibition 'My Moody Muse' is on view at David Zwirner in London, United Kingdom. The show presents a selection of the artist's works, continuing his exploration of subcultural imagery and portraiture.
White Cube Mason’s Yard in London will present a solo exhibition by the artist duo TARWUK (Bruno Pogačnik Tremow and Ivana Vukšić), running from 9 July to 15 August 2026. The show debuts a major new site-specific installation alongside paintings and works on paper, marking the duo’s first exhibition at the gallery.
German artist Anne Imhof presents 'Citizen,' an exhibition at Sprüth Magers in London, featuring her intense endurance performances that explore themes of power, contemporary anxiety, and the neoliberal condition. The exhibition is showcased through a partnership with leading galleries, with the gallery membership vetted by industry peers and accessible by application and invitation only.
Naomi Rincón Gallardo presents her first solo exhibition in London, 'Sonnet of Vermin,' at the Hayward Gallery. The show features her 2022 film following a group of animals from Mesoamerican myths—Bat, Snake, Scorpion, and a choir of frogs—as they navigate dystopian landscapes in Oaxaca, communicating via radio signals and calling for solidarity amid social and ecological devastation. Rincón Gallardo works across video, performance, drawing, and sculpture, weaving cuir/queer resistance, pre-colonial folklore, DIY aesthetics, music, and dance into surreal narratives that critique colonialism and exploitation.
Kew Gardens in the United Kingdom has been transformed into an open-air gallery with the exhibition "Monumental Nature," featuring thirty sculptures by British artist Henry Moore. The display integrates Moore's large-scale bronze works into the botanical landscape, offering visitors a unique blend of art and nature.
The British Museum has announced ticket prices for its upcoming Bayeux Tapestry exhibition, running from 10 September 2026 to 11 July 2027. Top-price adult tickets will cost £33, with off-peak tickets at £27 and student/disabled tickets at £25. Super-off-peak tickets priced at £25 will be available for the last weekday slot during school terms. Members can book free timed tickets from 16 June, with public booking opening on 1 July. The tapestry, depicting the Norman invasion of 1066, will be displayed in the Sainsbury Exhibitions Gallery while its home museum in Normandy undergoes renovations. Additionally, a garden installation titled 'Tapestry of Trees' by designer Andy Sturgeon has been unveiled on the museum forecourt, featuring 37 silver birch trees inspired by the tapestry.
The Frist Art Museum in Nashville will host "Opening Conversation: International Surrealism from Tate" on May 21, 2026, from 6:30 to 7:30 PM. The event features a discussion with Dr. Matthew Gale, exhibition curator; Michael J. Ewing, Frist Art Museum associate curator; and Caroline Yates, Susan H. Edwards Curatorial Fellow, focusing on the exhibition "International Surrealism from Tate: Fifty Years of Dreams." The exhibition, drawn from the Tate's collection in the United Kingdom, presents a broad selection of paintings, photographs, sculptures, publications, and archival material that traces the long trajectory and global reach of surrealism. A live musical performance in the Grand Lobby precedes the conversation from 5:15 to 6:15 PM, and the museum remains open until 9:00 PM for gallery visits.
The Smithsonian’s National Museum of Asian Art in Washington, DC, has announced a new exhibition titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms,” running from April 18 to July 26, 2026. The show features 48 paintings and colored drawings, including canonical masterpieces and never-before-seen works, drawn largely from the museum’s 2017–2018 acquisitions of the Ralph Benkaim and Catherine Glynn Benkaim collection. The exhibition explores three key periods from 1620 to 1830, highlighting the collaborative creativity of artists in the small Hindu kingdoms of the Himalayan region.
The Indonesian Pavilion at the Venice Biennale presents "Printing the Unprinted: The Reversal of World Discovery," a project that reimagines global history by casting an Indonesian kingdom as the explorer who discovers the West. Seven Indonesian artists—Agus Suwage, Syahrizal Pahlevi, Nurdian Ichsan, R.E. Hartanto, Theresia Agustina Sitompul, Mariam Sofrina, and Rusyan Yasin—participated in a two-month residency at the Scuola Internazionale di Grafica in Venice, collaboratively creating works through printmaking and expanded forms. The pavilion includes exhibitions, workshops, and symposiums that challenge dominant narratives and highlight Indonesia's contributions to maritime technology, commerce, arts, and knowledge.
Saudi Arabia has unveiled a large-scale installation by artist Dana Awartani at the 61st Venice Biennale, held at the Arsenale. Titled "May your tears never dry, you who weep over stones," the work covers the entire floor of the Saudi national pavilion and incorporates over 29,000 sunbaked clay bricks and mosaic patterns inspired by Islamic geometric art. The installation references 23 heritage sites across the Arab world that have been damaged or destroyed by conflict, and was produced over nearly 30,000 artisan hours with 32 craftspeople at a studio outside Riyadh. Curated by Antonia Carver with assistant curator Hafsa Alkhudairi, the piece emphasizes traditional craftsmanship and collective skill-sharing.
The Korean Museum Association, in partnership with the Ministry of Culture, Sports and Tourism and the ICOM Korea Committee, is hosting "2026 Museum and Art Gallery Week" throughout May to commemorate International Museum Day on May 18. The event features 16 special exhibitions and experiential programs from 18 institutions nationwide, organized under three main themes: "Museum×Enjoy," "Museum×Stroll," and "Museum×Meet." Participating venues include Kyo-dong Art Museum, Gyeonggi Provincial Children's Museum, Savina Museum of Contemporary Art, and others, offering hands-on activities, educational content, and community-based programs for children and families.
A major exhibition of Indian art titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms” has opened at the Arthur M. Sackler Gallery of the National Museum of Asian Art in Washington, D.C. Running from April 18 to July 26, 2026, the show features 48 rare paintings created for Hindu kings in the Pahari region of north India between the 1620s and 1830s. Curators highlight the diversity of styles—from lyrical and naturalistic to boldly colored and abstracted—and emphasize the collaborative nature of the artist communities that produced these works. The exhibition includes pieces acquired from art historian Catherine Glynn Benkaim and Ralph Benkaim, some never publicly exhibited before, alongside loans from the Cleveland Museum of Art.
The Guimet Museum in Paris is presenting Europe's first-ever exhibition dedicated to the ancient Korean kingdom of Silla. The show features archaeological treasures, including gold crowns, jewelry, and Buddhist artifacts, highlighting the cultural and artistic achievements of Silla, which flourished from 57 BCE to 935 CE.
The Smithsonian’s National Museum of Asian Art in Washington, D.C., has opened "Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms," an exhibition featuring 48 paintings and colored drawings that trace the evolution of Pahari painting across three key periods between 1620 and 1830. The show highlights the genre’s ties to the region’s landscapes, courtly life, and devotional practices, with works created using opaque watercolors, beetle wings, and gold, many of which have not been publicly displayed before. The exhibition runs until July 26.
An exhibition titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms” has opened at the Arthur M. Sackler Gallery, part of the Smithsonian Institution’s National Museum of Asian Art in Washington, D.C., running through July 26. The show features 48 rare paintings created for Hindu kings in the Pahari region of northern India between the 1620s and 1830s, highlighting diverse styles from lyrical and naturalistic to boldly colored and abstracted. Key works include pieces acquired from art historian Catherine Glynn Benkaim and collector Ralph Benkaim, some never publicly exhibited before, along with loans from the Cleveland Museum of Art.