Frieze New York 2026 opened its VIP day at The Shed on May 13, following the Venice Biennale's opening week. Now in its 15th edition, the fair anchors New York Art Week, a series of concurrent fairs, gallery openings, auctions, and parties that take over the city each May. The article highlights the five best booths at the fair, curated by Artsy Editorial.
Le Louvre has selected a joint proposal by Studios Architecture Paris and Selldorf Architects for its new entrance via the Perrault colonnade, part of the 'Louvre Nouvelle Renaissance' plan. The project, announced by Emmanuel Macron on January 28, 2025, aims to create a new eastern access to relieve overcrowding at the Pyramid, with two underground entrances, vegetated moats, new services, and a dedicated space for the Mona Lisa. The selection was announced by Culture Minister Catherine Pégard on May 18, despite controversies over funding, heritage constraints, a theft in the Galerie d'Apollon on October 19, 2025, and the departure of museum president Laurence des Cars.
Tarnanthi, the Art Gallery of South Australia's annual exhibition of Aboriginal and Torres Strait Islander art, is launching a national tour titled 'Tarnanthi on Tour: Too Deadly' starting July. The touring exhibition features over 30 works from the past decade of the festival, many conceived for Tarnanthi and never seen outside Adelaide. It will visit six regional galleries across Queensland, New South Wales, Victoria, and Western Australia over the next two years, including Rockhampton Museum of Art, Maitland Regional Art Gallery, Ngununggula, Caboolture Art Gallery, Geelong Gallery, and Lawrence Wilson Art Gallery.
New Jersey City University Visual Arts Gallery is presenting a solo exhibition by Johanna Foster titled "Formidable Women, Dangerous Times," running from May 14 to 28, 2026. The show features a series of figurative oil paintings that depict fierce women from Foster's communities, both real and imagined, exploring themes of resistance, courage, and perseverance in difficult times. Foster, a professor of sociology at Monmouth University, began her MFA at NJCU in 2022 and has exhibited widely across New Jersey, New York, Pennsylvania, Arizona, and California, including a digital exhibition at Newark Liberty International Airport and the Montclair Art Museum.
The Corning Museum of Glass (CMoG) opened "Tough Stuff: Women in the American Glass Studio" on May 16, 2026, as part of its 75th anniversary celebration. This is the first survey exhibition dedicated to women artists who shaped the American Studio Glass Movement from the 1960s onward, featuring over 200 works by artists including Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, and Toots Zynsky. The exhibition draws from CMoG’s permanent collection, the Rakow Research Library, and loans from the artists, and is complemented by an oral history initiative preserving first-person accounts.
The Senior Art Exhibition 2026 at Colby College Museum of Art's Joan Dignam Schmaltz Gallery of Art in Waterville showcases capstone projects from 17 graduating studio art majors. The works span painting, photography, printmaking, digital media, and sculpture, created after a yearlong capstone course coordinated by Associate Professor Bradley Borthwick. The exhibition runs through May 23 and includes a catalog with artist statements and critical essays.
Khaled Sabsabi, a Lebanese Australian artist, presents his installation 'conference of one's self' at the Australia Pavilion of the Venice Biennale, alongside a second work 'khalil' in the main exhibition 'In Minor Keys' curated by Koyo Kouoh. His participation follows a tumultuous period in February 2025 when he was initially appointed to represent Australia, then controversially sacked by Creative Australia's board after a political dispute triggered by Senator Claire Chandler's comments, and later reinstated. Sabsabi is now one of only three artists in the Biennale's 131-year history to show in both a national pavilion and the main exhibition.
Project 88 and Vadehra Art Gallery, two leading Indian galleries, will present exhibitions at Frieze’s No.9 Cork Street space in London from 5th–28th June 2026, coinciding with London Gallery Weekend. Project 88 debuts with 'Treeish', a group show curated by Prajna Desai featuring artists Claire Baker, Mahesh Baliga, Neha Choksi, Goutam Ghosh, Trupti Patel, and Tejal Shah, exploring the agency of trees through diverse media. Vadehra Art Gallery returns with 'A Singular Modernist', a solo exhibition dedicated to the late modernist painter A. Ramachandran (1935–2023), showcasing works from his Puppet Theatre series and later lotus pond imagery.
Le Musée d’Ixelles à la croisée de différents regards
The Musée d’Ixelles in Brussels, closed for eight years for expansion and renovation, is nearing completion of its architectural transformation with a reopening scheduled for spring 2027 (March 19). Founded in 1892 in a former slaughterhouse, the museum has grown through successive donations and a continuous acquisition policy, now holding over 15,000 works spanning Belgian art from the 19th century to the contemporary period. Director and curator Claire Leblanc, who has led the institution since 2006, emphasizes a participatory approach that integrates diverse public perspectives, including a project called "Musée comme chez soi" during the closure where locals hosted artworks in their homes.
University of Kansas students and teachers are showcasing ceramics that defy gravity and traditional form at Off-Site Art Space in Lawrence. The exhibition, titled “Almost a Body: Not Quite a Thing,” features works by artists-in-residence Seuil Chung and SunYoung Park alongside their students, including pieces like Natalie Slutsky’s “Vital Exchange,” an anatomical heart with arteries forming a Möbius strip. The show highlights innovative techniques such as using sand-filled brick boxes for firing, French cleat mounting systems, and beeswax finishes inspired by natural forms from the McGregor Herbarium.
The two-person exhibition “Kindred Spirits” at Carbondale Arts Gallery closed on May 21 after a month-long run, featuring ceramic artist Christine Anderson and abstract painter Benjamin Strawn. The artists, who have been friends since meeting as students at the University of Denver over 40 years ago, displayed their work together for the first time in a joint show, with Anderson’s ceramic sculptures occupying the center of the gallery and Strawn’s abstract paintings lining the walls.
Stephanie Pierre, a Haitian American community developer and placemaker, has opened Kafou, a Haitian art-inspired gallery in East Flatbush, Brooklyn. The gallery launched with an inaugural exhibition titled “Space as Place,” featuring seven artists—including Bianca Allen, Marie Medijne Antoine, Jordan Dubreuil, Wilfrid Ignace, Richard Louissant, Claire Saintil, and Zarita Zevallos—whose works explore themes of space, place, migration, and identity. The opening reception on April 16, 2026 drew strong public interest, prompting the gallery to extend the show through May 17. Kafou operates on a community-centered model, charging artists a reduced commission in exchange for their active involvement in managing and promoting their own work.