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46 Museum Shows and Biennials to See This Summer

ARTnews has published a guide to 46 museum shows and biennials to see this summer, highlighting major exhibitions across the globe. Featured artists include Laure Prouvost at Paris's Grand Palais with a quantum physics-themed show, Carsten Höller at Beijing's UCCA Center for Contemporary Art, Tomás Saraceno at Munich's Haus der Kunst, and a retrospective of Ana Mendieta at Tate Modern. The article also covers biennials such as the Venice Biennale and Manifesta in Germany's Ruhr region, as well as new biennial-style launches in the Northeastern US. Specific exhibitions detailed include Akinsanya Kambon's survey at SculptureCenter and CARA in New York, Cao Fei's European survey at Kunstmuseum Basel, and the group show "Youth Palace" at Rockbund Art Museum in Shanghai.

‘Something Missing?’ Absence is emotional with Sophie Calle’s new show

Sophie Calle's latest exhibition, 'Something Missing?' at the Louisiana Museum of Modern Art in Copenhagen, explores themes of absence, loss, and disappearance through works spanning 1979 to 2023. The show features series such as 'Because' (2018-2023), where embroidered felt sheets hide photographs; a response to Picasso's works swaddled during Covid lockdowns; 'The Blind' (1986), in which people born without sight describe beauty; and 'Voir la mer' (2011), capturing Istanbul residents seeing the sea for the first time. Calle's characteristic wit and emotional depth turn voids into vantage points, inviting viewers to confront what is missing.

New Orleans artist Andrew Lamar Hopkins channels folk art legend Clementine Hunter in new exhibit

The article profiles New Orleans artist Andrew Lamar Hopkins and his new exhibition "Her Way, His Way" at the Orleans Gallery on Julia Street. The show pairs Hopkins' contemporary folk-inspired works with paintings by the late, legendary Louisiana folk artist Clementine Hunter, who died in 1988. Hopkins, now 48, draws directly from Hunter's subjects—such as wildflower bouquets and pecan harvesting scenes—creating a dialogue between two artists who never met. The piece also traces Hopkins' career trajectory from a self-taught history nerd in Mobile, Alabama, to a rising star with works displayed in Venice during the Venice Biennale.