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Is Dubai’s loss Palma's gain? Newly revived Mallorca fair offers ’sun, sand and safety’ for wealthy Germans

The Art Cologne Palma Mallorca fair has been successfully revived at the Palau de Congressos, attracting 88 exhibitors with a heavy concentration of Spanish and German galleries. The event capitalizes on Mallorca's status as a premier second-home destination for wealthy Europeans, particularly Germans, and benefits from significant local government backing of €500,000. Early sales reports indicate strong performance in the lower and mid-market price brackets, with artists like Neo Rauch and Brian Eno finding quick buyers, though seven-figure works by Anselm Kiefer and Georg Baselitz moved more slowly.

Betye Saar’s Birthday Present

Betye Saar, the iconic assemblage artist, is donating her collection of Black dolls to the New York Historical on the occasion of her 100th birthday. The article also covers strong performance art at the Venice Biennale, including works by Florentina Holzinger and Miet Warlop at the Austrian and Belgian pavilions, amidst a fraught edition marked by the death of artistic director Koyo Kouoh, canceled pavilions, and protests. Additional features include a review of Ceija Stojka's exhibition at the Drawing Center and a profile of sculptor Edmonia Lewis.

How Betye Saar Set Black Dolls Free

An exhibition at the New York Historical celebrates Betye Saar’s promised gift of her collection of over 100 Black dolls to the institution, coinciding with her upcoming 100th birthday. The show, on view through October 4, features dolls alongside Saar’s paintings, prints, and sculptures, including works like “The Liberation of Aunt Jemima” (1972) and “Indigo Mercy” (1975). Saar began collecting Black dolls in 1949 and has incorporated them into her art since the 1970s, using watercolors during the COVID-19 pandemic to reimagine them in mystical scenes.

Tate announces 2026 Turner Prize shortlist.

Tate Britain has announced the shortlist for the 2026 Turner Prize, featuring artists Simeon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. Each shortlisted artist receives £10,000 ($13,500), and their work will be exhibited at Teesside University’s Middlesbrough Institute of Modern Art (MIMA) in North England from September 26, 2026 to March 29, 2027. The winner, to be announced at an awards ceremony at MIMA on December 10, 2026, will receive £25,000 ($33,760).

new museum opening date

The New Museum in New York has announced that its OMA-designed expansion will open to the public on March 21, following nearly a decade of planning and a two-year closure. The 60,000-square-foot addition, located next to the original flagship on Bowery Street, doubles the institution's footprint and features new residency studios, exhibition spaces, a restaurant, a forum, and a Sky Room. The inaugural exhibition, "New Humans: Memories of the Future," will showcase 150 artists including Sophia Al-Maria, Meriem Bennani, Hito Steyerl, Tau Lewis, and Jamian Juliano-Villani, alongside permanent commissions by Tschabalala Self and Sarah Lucas. The building, designed by Shohei Shigematsu and Rem Koolhaas of OMA with executive architect Cooper Robertson, is one of the few museums worldwide designed by two Pritzker Prize winners.

ターナー賞2026最終候補

The Turner Prize 2026 shortlist has been announced, featuring four artists: Simeon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. The exhibition will be held at MIMA (Middlesbrough Institute of Modern Art) from September 26, 2026 to March 29, 2027, with the winner revealed on December 10, 2026. The jury includes Sarah Allen, Jo Hill, Suk-Kee Lee, Alona Pardo, and Alex Farquharson as chair.

The New York Historical Celebrates Artist Betye Saar’s 100th Birthday with a New Exhibition Featuring Her Black Doll Collection

The New York Historical will present "Betye Saar’s Black Dolls" from May 8 to October 4, 2026, celebrating the artist’s 100th birthday. The exhibition features 27 dolls from Saar’s promised gift of over 100 Black dolls to the museum, alongside 15 watercolors and several assemblages, including "Hoo Doo Woman" (1974) and "Indigo Mercy" (1975). Saar, a key figure in the Black Arts and feminist art movements, began collecting Black dolls in the late 1960s after growing up without one.

Frieze London & Masters 2025 New collaborations across arts organisations, foundations + public institutions.

Frieze has announced the collaborations, funds, and prizes for Frieze London and Frieze Masters 2025, working with arts organizations, foundations, British brands, and public institutions. Key initiatives include the Frieze Masters Art Fund Curator Programme, offering fully funded places to 18 international and UK curators in partnership with Art Fund and The National Gallery; the Frieze x Deutsche Bank Emerging Curators Fellowship, now in its fifth year, hosted by MIMA in Middlesbrough; and the return of the Camden Art Centre Emerging Artist Prize, won last year by Nat Faulkner. The fairs will also feature curatorial conversations, private tours, and offsite activations by former fellows.

“New Contemporaries” at South London Gallery

New Contemporaries has announced its 2026 annual exhibition, which will be a touring show presented at the South London Gallery and MIMA in Middlesbrough. The exhibition will feature 26 emerging and early-career artists from across the UK, selected by a panel of established artists.

Wonderstruck: an art exhibition that will make even weary adults feel like kids again

Queensland's Gallery of Modern Art (QAGOMA) in Meanjin/Brisbane has opened 'Wonderstruck', a major free exhibition featuring over 100 works from its collection. The show includes large-scale installations by artists such as Patricia Piccinini, Ron Mueck, Michael Parekōwhai, Yayoi Kusama, and Tobias Putrih, with interactive elements encouraging visitors to touch the art. Highlights include Kusama's 'The Obliteration Room', a participatory installation where visitors cover a white space with colorful stickers, and works created by local high school students in a workshop with artist Gemma Smith.

Turner prize 2026 shortlist points to sculpture as a way of thinking about power, ecology and belief

The Turner Prize 2026 shortlist has been announced, featuring four artists—Simeon Barclay, Marguerite Humeau, Kira Freije, and a fourth unnamed artist—whose practices are rooted in sculpture and installation. The jury, chaired by Alex Farquharson (director of Tate Britain) and including Sarah Allen, Joe Hill, Sook-Kyung Lee, and Alona Pardo, praised the artists for their material intelligence and ability to link sculptural language to systems of power, memory, and belief. Barclay's work combines performance and industrial materials to explore British national identity, Humeau's speculative sculptures investigate non-human intelligence and belief systems, and Freije's hybrid figures examine vulnerability and identity through fabric and metal.

Iris van Herpen’s Sculptural Couture Responds to Nature at the Brooklyn Museum

The article covers the exhibition "Iris van Herpen: Sculpting the Senses" at the Brooklyn Museum, the Dutch couturier's first major American show. It features 140 haute couture creations alongside works from the museum's collection, fossils from the American Museum of Natural History, and specimens from the Yale Peabody Museum and Staten Island Museum. The exhibition is organized into eleven themed chapters, from water to cosmos, and includes new works like the aerial sculpture "Weightlessness of the Unknown" (2024) and the living algae piece "Living Algae look" (2025). Van Herpen pushed for close proximity between viewers and garments, emphasizing an immersive experience.

Frieze Los Angeles reflects the city’s resilience

Frieze Los Angeles has returned to the Santa Monica Airport for its seventh edition, marking the first iteration since the fair was acquired by Ari Emanuel’s live events venture, Mari. The event features nearly 100 galleries from 22 countries, balancing global powerhouses like Gagosian and Hauser & Wirth with a strong contingent of local Los Angeles mainstays. Fair director Christine Messineo emphasized the fair's role as a central gathering point for the international collecting community within the city's sprawling landscape.

Manhattan’s New Museum sets early spring date for reopening after $82m expansion

The New Museum on Manhattan's Lower East Side will reopen to the public on March 21, 2025, after a two-year closure for an $82 million expansion designed by OMA's Shohei Shigematsu and Rem Koolhaas with executive architect Cooper Robertson. The expansion adds 61,930 square feet—including 9,600 square feet of gallery space, education facilities, artists' studios, and event spaces—bringing the total footprint to 119,600 square feet. The new building will be named after the late philanthropist and curator Toby Devan Lewis. The reopening will feature site-specific commissions by Tschabalala Self, Sarah Lucas, and Klára Hosnedlová, and a building-wide thematic exhibition, 'New Humans: Memories of the Future,' with works by over 200 modern and contemporary artists.

Exhibition | Betye Saar, 'Let's Get It On: The Wearable Art of Betye Saar' at Roberts Projects, Los Angeles, United States

Roberts Projects in Los Angeles will present "Let's Get It On: The Wearable Art of Betye Saar" from May 30 to August 22, 2026, showcasing over 150 objects from the artist's career, including costume designs, garments, jewelry, drawings, and archival materials. The exhibition highlights the influence of Saar's early work in costume and jewelry design (1960s–70s) on her later assemblage and installation practice, leading up to her 100th birthday in July 2026.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.

We’ve Been at the Tapestry Studio Since the 90s

An exhibition titled "We’ve Been at the Tapestry Studio Since the 90s" has opened at Salt Beyoğlu in Istanbul, exploring the unique pedagogical and artistic approach of the Tapestry Studio at Mimar Sinan Fine Arts University (MSGSÜ). Founded in 1976–77 by painter and academic Zekai Ormancı, the studio combined carpet weaving education with contemporary art, fostering a collaborative "learning together" model. In 1992, visual artist and academic Gülçin Aksoy joined as an assistant, transforming the space into a hub of creative dissent and interdisciplinary exchange that spilled into Istanbul's broader contemporary art scene during the 2000s.

Turkish artist Koray Kasap debuts 3D art exhibition in US | Daily Sabah

Turkish artist Koray Kasap has opened his first 3D art exhibition in the United States, held at an outdoor gallery in Morristown, New Jersey. The mixed-media show blends painting with everyday objects and features themes from Turkish culture, including works titled "Nefsini Terbiye Eden Derviş" ("The Dervish Who Trains His Soul"), "Ayasofya" ("Hagia Sophia"), and "Filistinli Anne" ("Palestinian Mother"). Kasap, a graduate of Mimar Sinan University of Fine Arts and a former photographer known for album covers in the 1990s, uses charcoal and coffee instead of traditional paints. He has pledged to donate proceeds from the Palestinian Mother painting to Palestinian children.

We’ve Been at the Tapestry Studio Since the 90s

An exhibition at Salt Beyoğlu titled 'We’ve Been at the Tapestry Studio Since the 90s' explores the art education practices of the Tapestry Studio, part of the Painting Department at Mimar Sinan Fine Arts University (MSGSÜ). The show presents a collage of collective productions, individual works, archival materials, and personal testimonies from artists who have passed through the studio, tracing its physical and conceptual evolution since its founding in the early 1990s. It highlights the studio's unique pedagogical approach, which combines tapestry weaving with contemporary art, collaborative learning, and open programs that challenge academic hierarchies and gendered norms.