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On View: 'In the Medium of Life: The Drawings of Beauford Delaney' at The Drawing Center in New York Explores Centrality of Drawing in Artist's Practice

The Drawing Center in New York is presenting 'In the Medium of Life: The Drawings of Beauford Delaney,' a major survey of the artist's works on paper spanning four decades, from 1929 to 1971. Featuring approximately 90 drawings in charcoal, ink, pastel, watercolor, and gouache, alongside a few paintings and archival materials, the exhibition highlights Delaney's evolution from Harlem Renaissance portraiture to Parisian abstraction. It includes early works like 'Harlem Athlete' (1929) and portraits of figures such as James Baldwin, as well as self-portraits and untitled abstractions.

Jill Bedgood: Vestiges of Existence

Andrew Durham Gallery in Houston announces "Vestiges of Existence," a solo exhibition of multi-media works by artist Jill Bedgood, running from June 6 to August 1, 2026. The show explores how physical remnants—such as worn jewelry, handwritten letters, and natural anomalies—carry memory and document human presence, functioning as contemporary memento mori. An opening reception on June 6 and an artist talk on July 11 accompany the exhibition.

Martha Invitational 2026

The Martha Invitational returns for its second edition on May 29–30, 2026, at RULE Gallery in Marfa, Texas. Originally conceived in 2023 by Marfa-based artists Martha Hughes, Diana Simard, and Leslie Wilkes as a small, self-organized, low-budget exhibition in Hughes' studio, the event expands this year to include a fourth artist, Bettina Landgrebe. The show features works by all four artists, with Hughes presenting selections from her Garden series, Landgrebe showing her Strange Bloom assemblages, Simard offering landscape-inspired paintings and prints, and Wilkes exhibiting geometric paintings. The opening reception takes place Friday evening from 5–7 PM, with artists present both days.

New Kickernick Gallery Exhibition Celebrates 50 Years of a Women’s Art Collective

The article reports on a new exhibition at the Kickernick Gallery in Minneapolis celebrating the 50th anniversary of WARM (Women's Art Registry of Minnesota), a pioneering women's art collective founded in 1976. The show features works by founding members including Harriet Bart, whose textile piece "Concrete Poem" (1985) is made from discarded garment labels she collected from her studio floor. The exhibition is curated by Christy Frank and runs until mid-June, highlighting the collective's history of mentorship, activism, and advocacy for gender equity in the arts.