A mapping of all the intersections between the 2026 Venice Biennale and the fashion world

Una mappatura di tutti gli intrecci tra la Biennale di Venezia 2026 e il mondo della moda

The article maps the growing intersection between fashion brands and the 61st Venice Biennale in 2026, detailing specific collaborations. Zegna is the main sponsor of the Italian Pavilion, supporting Chiara Camoni's project "Con te con tutto" curated by Cecilia Canziani, using materials from Zegna's Oasi Zegna and Lanificio. Bottega Veneta renews its partnership with Pinault Collection to support Lorna Simpson's exhibition "Third Person" at Punta della Dogana, curated by Emma Lavigne, and also presents a public intervention at Campo Manin. Swatch celebrates 15 years of the Swatch Art Peace Hotel with the exhibition "Flora Fantastica" at the Giardini Reali, featuring artist Elisa Insu. The newly opened Fondazione Dries Van Noten at Palazzo Pisani Moretta debuts with "The Only True Protest Is Beauty," curated by Dries Van Noten and Geert Bruloot.

Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

Singapore Art Museum at 30: tough decisions

The Singapore Art Museum (SAM) is celebrating its 30th anniversary while navigating the challenges of its 2022 relocation to Tanjong Pagar Distripark, a remote industrial building that has drawn mixed reactions—some visitors find it too inaccessible, while younger audiences applaud the move away from the colonial civic district. Director and CEO Eugene Tan defends the decision, citing the building's high ceilings and flexible spaces as ideal for contemporary art, and announces a fifth gallery opening by 2026 that will bring total exhibition space to 3,800 square meters. The museum also plans to experiment with open-air exhibition techniques in the new space, aiming to reduce energy demands.

The 10th Max Mara Art Prize for Women

第10回マックスマーラ・アート・プライズ・フォー・ウィメン

The 10th Max Mara Art Prize for Women has been awarded to Indonesian artist Dian Suci, marking the first time the prize has been held in Asia. Suci was selected from five finalists for her project "Crafting Spirit: Cultural Dialogues in Heritage and Practice," which examines the intersection of religious craftsmanship traditions and capitalist systems. The prize is organized in partnership with the Museum MACAN in Jakarta. Suci will undertake a six-month residency in Italy, followed by solo exhibitions in 2027 at both Museum MACAN and Collezione Maramotti in Reggio Emilia.

The Vivienne Westwood Orb Is Getting Its Own V&A Exhibition

A major new exhibition titled *Vivienne Westwood & Jewellery* will make its UK debut at the V&A Dundee in March 2027. Curated by the Westwood team, the show spans four decades of archival runway jewelry, exploring the subversive design language behind the iconic Saturn orb motif. It will feature graphic wall collages, catwalk videos, and a dialogue between jewelry and garments, with a special focus on Scotland, including traditional textiles and creative director Andreas Kronthaler's 'MacAndreas' tartan.