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Giuditta Branconi “Cannon Fodder” at Collezione Maramotti, Reggio Emilia

Italian artist Giuditta Branconi has unveiled her first institutional solo exhibition, titled "Cannon Fodder," at the Collezione Maramotti in Reggio Emilia. The exhibition features a series of new large-scale paintings and a site-specific installation characterized by dense, chaotic compositions where multiple narratives unfold simultaneously. Branconi describes her approach as fostering an "anarchic gaze," intentionally refusing to guide the viewer through her crowded, vibrant visual landscapes.

The Antwerp Six and the Problem of Now

A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.

7 Shows to See in Milan Right Now

Milan's art scene is currently anchored by several high-profile exhibitions coinciding with the Miart fair. Key highlights include Cao Fei’s exploration of global farming and technology at Pirelli HangarBicocca, alongside Anselm Kiefer’s monumental portraits of female alchemists. The city's galleries and institutions are showcasing a diverse range of media, from immersive installations to historical retrospectives, positioning Milan as a critical hub for contemporary art during this peak seasonal moment.

Grackle Art Gallery presents "Blank" opening reception

Grackle Art Gallery is set to host "Blank," a group exhibition curated by the artist duo Kickpigeon Kids. Featuring works from students and affiliates of The Alternative Art School, the show explores the conceptual theme of blankness as a site of limitless potential and unsaid narratives. The curators, Cosmo Jones and Max Marshall, employ an experimental approach by integrating the artists' works with found objects and ephemera to create a singular, immersive installation.