filter_list Showing 3 results for "Miners" close Clear
search
dashboard All 7 museum exhibitions 3article culture 1trending_up market 1article news 1article policy 1
date_range Range Today This Week This Month All
Subscribe

Defining Forces: SAM explores the influences that shaped generations of NW artists

The Seattle Art Museum has launched "Beyond Mysticism: The Modern Northwest," a major exhibition that re-evaluates the legacy of the "Northwest Mystics." The show features pivotal works such as Mark Tobey’s "Dancing Miners" and Malcolm M. Roberts’ surrealist "Lunar Landscape," tracing how global movements like Surrealism and local landscapes merged to define the region's mid-century aesthetic.

Naho Kawabe "Flos Filicis: Flower of the Fern" @ WAITINGROOM

川辺ナホ「Flos Filicis:羊歯の花」@ WAITINGROOM

The Tokyo gallery WAITINGROOM is hosting "Flos Filicis: Flower of the Fern," a solo exhibition by Naho Kawabe featuring new installations, photo collages, and drawings. The exhibition centers on the paradoxical concept of the "fern flower" to explore the relationship between fossil fuels, industrial infrastructure, and the myth of progress. Kawabe utilizes materials like charcoal and electrical components alongside research-based lithographs to examine the history of Japanese migrant coal miners in Germany and the broader ecological impact of energy consumption.

Portrait adds a dusting of mystery to exhibition in Bishop Auckland

A mystery portrait has prompted a public appeal in County Durham as a major new exhibition celebrating miner-artist Tom McGuinness opens at Bishop Auckland’s Mining Art Gallery. Visitors are being asked to help identify an unknown man depicted in a 1963 charcoal drawing, *Portrait of an Unknown Man*, now on display as part of *Tom McGuinness: Out of the Darkness*, which marks the centenary of the artist’s birth and runs throughout 2026. McGuinness, born in Witton Park, worked in the mines for nearly four decades, and his art captures the physical and emotional realities of mining life. The portrait was initially thought to depict the artist’s father-in-law, but his daughter Corinne Aspel has challenged that assumption, noting clear differences in facial features.