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Pavel Brǎila on Representing Moldova at the 61st Venice Biennale

Pavel Brǎila is representing Moldova at the 61st Venice Biennale with an installation titled "Echoes of Harmony and Silent Cries" (2026), featuring flying carpets that fill the pavilion space at Santa Veneranda. In an interview with ArtReview, Brǎila explains that the work was driven by the constant presence of war in the news—Ukraine, Israel and Gaza, and other conflicts—and evolved into a sound installation as the propellers of the carpets created a minor-key resonance. He describes his first visit to the Biennale 25 years ago as a festive art festival, but now sees the platform as a crucial opportunity to represent his country's voice and express his urgent feelings about the world.

Venice Biennale performances confront war and climate fears

At the 2026 Venice Biennale, visitors encountered provocative performances and installations addressing war, climate anxiety, and human coexistence. Highlights include a naked performer acting as a human bell clapper in Florentina Holzinger's "Seaworld Venice" at the Austrian Pavilion, lifelike baby dolls in Ei Arakawa-Nash's caregiving-focused work at the Japanese Pavilion, and drone-powered flying carpets in Moldova's pavilion that transform symbols of war into tools of peace. The Nordic Pavilion also presented surreal installations exploring coexistence and environmental fears.