Julius von Bismarck's first Australian solo exhibition, "This is not the storm," opens at the Australian Centre for Contemporary Art (ACCA) in Melbourne on Friday, 17 April. The Berlin-based artist blends art, science, and environmental themes to challenge conventional perceptions of nature as a social construct.
Museion in Bolzano presents "Mo num en ts" (2025), a film by Thai artist Som Supaparinya that combines historical research and fieldwork. The work was produced through the Han Nefkens Foundation – Southeast Asian Video Art Production Grant 2024, dedicated to the memory of artist Dinh Q. Lê.
Chisenhale Gallery in London is hosting the first institutional solo exhibition by artist Racheal Crowther, titled "Liquid Trust." The show explores themes of governance, surveillance, and institutional power, examining how these systems intertwine with structures of care. Crowther repurposes technical apparatus and industrial objects that carry memories of their institutional past, highlighting the enduring influence of bureaucracy on everyday life.
Annette Barcelo's exhibition "Bestie, Bellezze e altre Compagne" (Beasts, Beauties, and Other Companions) is on view at Haus für Kunst Uri in Altdorf, Switzerland. The show explores the creaturely as something emerging between bodies, images, and acts of imagination, where human, animal, mask, and ornament merge into hybrid figures that feel both familiar and elusive.
The 9th edition of Ekrani i Artit, an event dedicated to experimental cinema, video art, and contemporary visual culture, will take place in Shkodër from 27 to 31 May 2026. The five-day program brings together artists, filmmakers, curators, and audiences from Albania and abroad, organized for the second year through a collaborative effort.