The article reviews the exhibition "MONUMENTS" held at both MOCA (Museum of Contemporary Art, Los Angeles) and The Brick, as covered by Contemporary Art Review LA. The review, written by Qingyuan Deng, appears in Issue 43 (February 2026) of the publication, which also features other reviews, interviews, and essays on topics ranging from olfactory art to tarot and video art.
Château Shatto gallery in Los Angeles is presenting a group exhibition featuring works by Minnie Pwerle, Emily Pwerle, Molly Pwerle, and Galya Pwerle, four Indigenous Australian artists from the Anmatyerre community. The show highlights their distinctive painting styles, which often draw on ancestral stories and bold abstract patterns, continuing the legacy of Aboriginal art in a contemporary gallery context.
Paris Gallery Weekend 2026 returns for its 14th edition from May 29th to 31st, organized by the Comité Professionnel des Galeries d’Art. The event features 73 galleries across the Marais and other districts, offering three days of programming with must-see exhibitions during the city's vibrant late spring season.
New York City is hosting a packed week of art fairs in May 2025, including Frieze at The Shed, Independent Art Fair at Pier 36, TEFAF New York at the Park Avenue Armory, and NADA New York at the Starrett-Lehigh Building. The fairs feature hundreds of international galleries, with Frieze emphasizing Central and South American exhibitors, Independent exploring a dystopian theme, TEFAF offering antiquities and fine art, and NADA celebrating its 12th edition with 121 galleries. The article also notes recent major exhibitions at the New Museum, Whitney Biennial, MoMA PS1, The Met, and MoMA, and includes a guide to Upstate New York art destinations.
The Mémorial de Caen, a museum dedicated to World War II and the Cold War, has opened a new exhibition titled "(Dé)colonisations: des artistes africains interrogent l'histoire" (Decolonizations: African Artists Question History). Curated by Ayoko Mensah and Jean-Yves Marin, the show features 80 works by contemporary artists of sub-Saharan African origin, including Omar Victor Diop and Roméo Mivekannin. Swiss collector Jean Claude Gandur, who is building a foundation adjacent to the museum, lent 23 works, and his foundation's curator Olivia Fahmy helped organize the exhibition. The show is a prelude to a planned permanent section on colonial history at the memorial.
Crystal Bridges Museum of American Art in Bentonville, Arkansas, will host a ticketed panel discussion on May 29, 2026, to celebrate its upcoming expansion. The conversation, titled "By Design: A Conversation on the Crystal Bridges Expansion," will feature museum founder Alice Walton, board chair Olivia Walton, and architect Moshe Safdie, moderated by Vanity Fair's Nate Freeman. The event takes place at the Heartland Whole Health Institute on the museum campus ahead of the formal expansion opening on June 6-7, which includes free programming and the debut of "Keith Haring in 3D," the first exhibition focused on the artist's three-dimensional work.
The Saltzman-Leibovitz photography prize, founded in 2025 by Lisa Saltzman and Annie Leibovitz, announces its winners and runners-up for 2026. Bolivian photographer Marisol Mendez wins for her series 'MADRE,' which challenges patriarchal representations of women in Bolivia through portraits of matriarchs and references to the Inca moon goddess. Runner-up Miranda Barnes documents African American debutante cotillions in Detroit, while other featured photographers include Bettina Pittaluga and Cole Ndelu, whose works explore body diversity and the fusion of Zulu cosmology with Catholicism. The exhibition runs at Photo London, Olympia, 13–17 May 2026.
Crystal Bridges Museum of American Art in Bentonville, Arkansas, will host a series of events celebrating the completion of its multiyear expansion, which began in early 2022. The celebration kicks off on May 29 with a conversation featuring founder Alice Walton, chairperson Olivia Walton, and architect Moshe Safdie, moderated by Vanity Fair correspondent Nate Freeman. The 114,000-square-foot expansion brings the museum's total size to 314,000 square feet, adding a café, educational spaces, galleries, studios, and an outdoor plaza. The official public opening on June 6–7 will include dance performances, live music, hands-on art activities, and the debut of two temporary exhibitions: "Keith Haring in 3D" and "Do Ho Suh and Children: Artland."
Abbas Akhavan has transformed the Canadian Pavilion at the Venice Biennale into a greenhouse-like installation titled "Abbas Akhavan: Entre chien et loup." The pavilion's wooden doorway has been replaced with glass, revealing a pond with pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with water, sharpened bronze sticks, and custom frosted mirrors that blur the architecture. The centerpiece will be three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, which will gradually take over the pond over the summer. The exhibition is curated by Kim Nguyen, commissioned by the National Gallery of Canada, and supported by the Canada Council for the Arts.
An exhibition of Edward Hopper's work at the Seoul Museum of Art has broken attendance records, drawing 330,000 visitors—the highest for any exhibition that year. The show marks the first solo exhibition of the American painter in South Korea, where Hopper was virtually unknown until the 1990s. The article traces Hopper's growing recognition in the country, from his first appearance in Korean media in 2002 to the 2011 co-hosted exhibition 'This Is American Art' at the National Museum of Modern and Contemporary Art, which introduced his work 'Railroad Sunset' (1929) to local audiences.
Future Fair, held at Chelsea Industrial in New York from May 13–16, 2026, brought together 69 exhibitors from nine countries. Unlike traditional art fairs with segmented booths, the fair emphasized interconnectedness and interpersonal connection, featuring artist-run booths and family-led presentations. Notable participants included Nanor Hakimian showing her brother Garo's paintings, Olivia Janna Genereaux exhibiting with her son Hans Silas Jovine, and artists Cloe Galasso, John Vitale, and Miles Ingrassia. The fair also highlighted its profit-sharing model, dedicating 15% of proceeds plus exhibitor donations to subsidize emerging galleries.
Abbas Akhavan, representing Canada at the 2026 Venice Biennale, has transformed the Canada Pavilion into a greenhouse-like installation titled “Abbas Akhavan: Entre chien et loup.” The pavilion’s wooden door has been replaced with glass, revealing a pond of pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with mist, sharpened bronze sticks, and frosted mirrors that blur the architecture. Three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, will gradually fill the pond over the summer. Akhavan describes his role as a “custodian” rather than a controller, emphasizing the unpredictability of nature.
A new site-specific art pop-up called Hospital of Emotions has opened in the former St. Vincent Medical Center in Los Angeles's Westlake neighborhood. The exhibition, which runs from May 27, 2026, transforms 80 hospital rooms into immersive installations by 70 local and international artists working across architecture, design, illustration, and street art. Visitors walk through a waiting room, receive an intake form and wristband, and explore themed floors organized around emotions like joy, sadness, anger, grief, fear, and hope. The property is slated to become part of the St. Vincent Behavioral Health Campus later this year.
Architettura come microcosmo. Intervista agli architetti Barclay & Crousse che arrivano in mostra a Milano
Architects Sandra Barclay and Jean Pierre Crousse, founders of Barclay & Crousse Architecture, are the subject of a feature interview and exhibition in Milan. The studio, established in Paris in 1994 and now based in Peru, is known for projects that deeply engage with the Peruvian landscape, particularly the coastal desert between the Pacific Ocean and the Andes. Their notable works include the Lugar de la Memoria (Lima, 2015), the Museo de Paracas (2016), and the Franco-Peruvian School in Lima (2025), which recently won the Grand International Prize at the X Bienal Internacional de Arquitectura de Santa Cruz (Bolivia) in 2026. The article traces their education across Peru, France, and Italy, and their return to Peru in 2006, where they continue to run a French branch called Atelier Nord Sud.
Hyperallergic's coverage of Frieze New York and concurrent art fairs in the city frames the experience as overwhelming yet punctuated by standout works. Senior Editor Valentina Di Liscia compares the fair to an assembly-line salad, finding reprieve in art that evokes lush canopies, diaphanous portraiture, and ancestral gardens. The issue also includes dispatches from Future Fair, 1-54, TEFAF, NADA, and Independent Art Fair, alongside a tribute to Austrian performance artist Valie Export, who died at age 85, remembered for her radical feminist guerrilla performances that challenged the male gaze.
Dirimart presents Olivia Sterling's first solo exhibition in Istanbul, titled 'Jelly,' at its Pera location from May 7 to June 14, 2026. The show explores themes of race, power, and desire through scenes involving food, the body, and stains, using fruit and dark colors as metaphors for consumption and objectification. Sterling's paintings incorporate letters that expose how race is constructed through language, while the title 'Jelly' evokes flexibility, fluidity, and a grotesque bodily quality that mirrors the instability of identity and social conventions.
Miltos Manetas, a Greek-born artist, has adopted a life of Franciscan poverty as both a personal practice and an artistic project called "Francesco_2026." His work is featured in the exhibition "Vita minore. San Francesco e la santità dell’arte contemporanea" at Palazzo Collicola in Spoleto, curated by Gianni and Giuseppe Garrera. Manetas has also launched the tenth Internet Pavilion at the Venice Biennale, inviting Saint Francis as the artist, using AI conversations and a monastery in the Venetian lagoon to create an informal community of "Fratelli e Sorelle" who follow a shared rule based on poverty, absence of preparation, and divine providence.
Buffalo Prescott’s Detroit headquarters is hosting 'Vernal 2026,' a spring-inspired contemporary arts exhibition running through June 27, with a public opening on May 22. The exhibition features works by resident artists including Jessica Wildman Katz, Halima Afi Cassells, Cyrah Dardas, Sara Nickleson, and Tony Printz, alongside metro Detroit and international artists. Highlights include Katz's botanical rabbit sculpture 'Kindling,' Cristina Umaña's whimsical 'Mesa De Centro' (a stack of white tables with human-like limbs), and Amelia Burns's photographic diptych 'Evil Eye' and 'Evil Eye Transmuted onto Organza, 2026,' which explores contemporary American culture through collage.
CLAUDIA JOSKOWICZ: “BOLIVIA ES UN PAISAJE QUE COMPRENDO INSTINTIVAMENTE”
Claudia Joskowicz, a Bolivian visual artist with a 26-year career, discusses her recent exhibition "Artificios" at the Centro Cultural de España in La Paz. In this interview, she explores how myth, memory, and history intersect in the construction of the Santa Cruz imaginary, drawing on intimate memories, popular stories, and episodes linked to drug trafficking in 1980s tropical Bolivia. Joskowicz, who works across video and photography, describes her practice as a pedagogy of territory—a way to understand her country by revealing hidden tensions beneath official history.
Art Formes presents a multi-disciplinary group exhibition curated by Jean Dreyer at The Old Biscuit Mill in Cape Town, running from 16 April to 11 June 2026. The show features 21 artists including Maja Marx, Katherine Glenday, Gerhard Marx, and others, with works that explore themes of soil, text, and interconnection through painting, ceramics, and sculpture. The exhibition emphasizes dialogue between works and the gallery's architecture, with a press release highlighting the gallery's focus on contemporary African sculpture.
The Heard Museum in Phoenix has opened a new exhibition titled "Wisdom from the Future," which pairs artwork by 28 Indigenous artists aged 55 and older with personal letters they wrote to their younger selves. The letters offer reflections on creativity, identity, and lived experience, with participating artists including Kay WalkingStick, Norbert Peshlakai, Preston Singletary, and others. The exhibition was developed in connection with the museum's Creative Aging program, which supports older adults in developing artistic skills.
Paradise, an exhibition at Stove Works in Chattanooga, Tennessee, curated by Graham Feyl and J. Sova, presents works by thirteen artists centered on queer futurity and abundance. The show features installations, sculptures, paintings, and textiles, including Lisa Waud's artificial flower installation 'tread/tender' (2026), Nicholas Elbakidze's erotic Meissenettes (2026), Brian Smith's beaded nets, Aaron McIntosh's quilted 'Invasive Queer Kudzu' (2015-ongoing), and works by Yu Yan, E. Saffronia Szanton Downing, Angie Jennings, Michael Childress, and Hannah Banciella. The exhibition transforms the former foundry into a space of playful, erotic, and joyful refusal, drawing on Audre Lorde's definition of the erotic as a source of power.
Gallery 1882, located in Chesterton, Indiana, is hosting a new exhibition featuring contemporary artists from across the United States. The show brings together a diverse range of works, highlighting emerging and established talents in a local gallery setting.
Pelham Art Center will host 'Relics: Ancient to Modern,' a teen-curated exhibition organized by its Teen Artist Council, from May 7 through May 31. The show opens with a public artist talk on May 7 and a reception on May 9, featuring works by over 50 artists from the United States and abroad, including Pakistan. The council, composed of high school students, developed the theme, issued an open call, and curated the final selection under the guidance of Gallery and Teen Programming Coordinator Fiona Agababian.
Il padiglione dei Paesi Bassi alla Biennale di Venezia è una contestazione politica (anche della Biennale stessa)
The Dutch Pavilion at the 2026 Venice Biennale, titled "The Fortress" by artist Dries Verhoeven and curator Rieke Vos, transforms the modernist Rietveld Pavilion into a fortress-like enclosure. Inside, a rotating group of thirteen international performers will stage a series of performances throughout the Biennale, focusing on themes of geopolitical uncertainty, social disorder, and the search for stability in an unbalanced world. This marks the first time the Netherlands has used the Rietveld Pavilion for a performance-based project.
A joint painting exhibition titled 'Creations of a Colourful Mind' by three artists—Marja van Kampen, Olivia O’Keeffe, and Martina Furlong—has opened at The Old Market House Arts Centre in Dungarvan, Waterford. The national touring exhibition, which previously appeared in counties Cork, Clare, Tipperary, Wicklow, Wexford, and Laois, marks the trio's tenth collaborative show, following their success at the Tramore Coastguard Cultural Centre last spring.