An exhibition titled 'Café Society: Art and Sociability in Belle Epoque Paris' is opening, featuring over 50 paintings that explore the role of cafés in late 19th-century Parisian social and artistic life. The show will travel from the Ordrupgaard museum in Copenhagen to two venues in the United States: the Dixon Gallery and Gardens in Memphis and the Joslyn Art Museum in Omaha.
This article presents a visual survey of works by Camille Pissarro, a key figure in Impressionism, featuring paintings such as "The Garden of Les Mathurins, property of the Deraismes Sisters, Pontoise" (1876), "The Pont-Neuf, Afternoon, Sunlight" (1901), and "Self-Portrait" (1873). The images are drawn from major museum collections including the Nelson-Atkins Museum of Art, the Philadelphia Museum of Art, the Musée d'Orsay, and the National Gallery of Art, among others. The article also promotes a members-only experience of a Pissarro exhibition.
The Denver Art Museum has announced ticketing and visitor details for its upcoming exhibition "The Honest Eye: Camille Pissarro's Impressionism," running from October 26, 2025, to February 8, 2026. The show features over 100 paintings by the Impressionist master, including works from the Nelson-Atkins Museum of Art, Joslyn Art Museum, Philadelphia Museum of Art, and Ordrupgaard. Tickets are now on sale, with timed entry every ten minutes; adult nonmember tickets start at $27, while members pay $5 and children's tickets are also $5. The museum provides practical guidance on parking, entry points, audio guides in English and Spanish, and recommends quieter visiting times such as Tuesday evenings.
Colleghi pittori e anche amici. Zandomeneghi e Degas sono in mostra a Rovigo
Palazzo Roverella in Rovigo is hosting the exhibition "Zandomeneghi e Degas. Impressionismo tra Firenze e Parigi," curated by Francesca Dini. The show brings together works by Italian 19th-century painter Federico Zandomeneghi and French Impressionist Edgar Degas, featuring about fifteen paintings and sculptures by Degas alongside works by Zandomeneghi. It explores their friendship, mutual artistic influence, and shared commitment to realism, tracing their connections from Florence's Caffè Michelangiolo to Paris, where their paths fully converged. Themes such as dance and the nude are highlighted, with works like Degas's "Classe de ballet" (1888) and Zandomeneghi's "Visita in camerino" and "Donna che si asciuga" on view.