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Alma Allen on Representing the US at the 61st Venice Biennale

ArtReview published a questionnaire sent to artists and curators participating in the 61st Venice Biennale (2026), featuring responses from Alma Allen, who is representing the United States at the Giardini pavilion. Allen gave cryptic, philosophical answers, declined to answer several questions, and criticized the art world establishment, calling outsider artists the most important and refusing to provide a framework for interpreting her work. The article includes details about her bronze sculpture "Not Yet Titled" (2023) and her reflections on US identity, violence, and bureaucracy.

Amoako Boafo Drew on Venice’s Rich Creative Heritage for His First Solo Show in Italy

Amoako Boafo, the Ghanaian artist known for his finger-painted portraits of stylish Black sitters, opened his first solo show in Italy at the Museo di Palazzo Grimani in Venice during the 61st Venice Biennale. Titled "It doesn’t have to always make sense" and produced by Gagosian, the exhibition runs through November 22 and features Boafo's paintings alongside works by friends and collaborators, including poems by Raphael Worlasi Langani and a sculpture made with Stephen Allotey. The show also includes a video documenting Boafo's life and a "heroine wall" of portraits honoring women he admires, such as curator Koyo Kouoh.

Review: “Daniel Rios Rodriguez: Open this Wall” at Ruby City, San Antonio

Ruby City's Studio annex in San Antonio presents "Daniel Rios Rodriguez: Open this Wall," an exhibition of paintings and drawings by Texas-born artist Daniel Rios Rodriguez. The autobiographical works draw on his time living in San Antonio from 2013 to 2025, incorporating found materials like nails, rope, copper, and limestone into rough-hewn frames. Highlights include dream-inspired large-scale eagle paintings and a pen-and-ink tribute to the San Antonio Riverwalk, with the show serving as a homecoming for the artist, who took his first art classes at San Antonio College.