In Venice, 22 unmissable exhibitions on the sidelines of the biennial

À Venise, 22 expositions incontournables en marge de la biennale

The article highlights 22 must-see exhibitions happening alongside the 61st Venice Biennale, which is expected to be affected by geopolitical tensions but still promises artistic vibrancy. Notable events include Bvlgari's dual projects featuring artists Lotus L. Kang, Lara Favaretto, and Monia Ben Hamouda; the unveiling of the Asscher collection at the Ama Venezia foundation with works by Charles Ray, Jenny Saville, and Richard Serra; and the inaugural exhibition "The Only True Protest Is Beauty" at the Fondation Dries Van Noten, showcasing 200 objects across fashion, design, and art. Other highlights include a dialogue between Picasso, Morandi, and Parmiggiani at the Fondazione Bevilacqua La Masa.

Digital Art Pioneer Nancy Burson Collapses the Border Between Mysticism and Quantum Physics

Nancy Burson, a pioneering digital artist, presents her latest solo exhibition "Light Matter" at Heft Gallery in New York, featuring "Quantum Entanglement" paintings that appear as white dots on black canvases but reveal jittering forms and depth when viewed through a phone camera. The 78-year-old artist, known for her 1980s composite portraits blending faces of businessmen and movie stars, continues her exploration of perception and technology, claiming a special gift to perceive the universe's emergent energy grid. The exhibition runs through May 2.

First Look: See What’s Inside the Met Gala’s “Costume Art” Exhibition

Vanity Fair art and style correspondents Nate Freeman and José Criales-Unzueta preview the Metropolitan Museum of Art's Costume Institute spring exhibition "Costume Art," which inaugurates the Condé M. Nast Galleries. The exhibition arrives amid controversy over the Met Gala being sponsored by Lauren Sánchez Bezos and Jeff Bezos, leading to boycott calls and New York Mayor Zohran Mamdani skipping the event. Despite this, Anna Wintour and Met director Max Hollein announced the gala raised a record $42 million. Head curator Andrew Bolton presents fashion as art, pairing garments with artworks like Warhol's Skull and Sarah Lucas's Nud Cycladic 9.

The New Costume Institute Show Gets Under the Skin

The Costume Institute at the Metropolitan Museum of Art has opened its 2026 spring exhibition, “Costume Art,” which explores the relationship between clothing and the human body through pairings of couture with artworks spanning 5,000 years. Curated by Andrew Bolton, the show is divided into thematic chapters such as “Nude Body,” “Disabled Body,” “Aging Body,” and “Anatomical Body,” featuring pieces from designers like Dior, John Galliano for Maison Margiela, and Renata Buzzo alongside historical artifacts and contemporary art.

The Kyrgyzstan Pavilion at the Venice Biennale Builds a Bridge Between Two Cultures

Il Padiglione del Kirghizistan alla Biennale di Venezia getta un ponte tra due culture

Alexey Morosov presents "BELEK" at the Kyrgyzstan Pavilion of the 61st Venice Biennale, a project inspired by the mountainous landscapes, glaciers, and brutalist dams of Kyrgyzstan. Combining video, sculpture, painting, and sound, Morosov explores water as a key resource for the future and a deep cultural memory of Central Asia, linking the region's hydro-engineering transformations with the nomadic heritage of the Kyrgyz people. The project centers on the traditional equestrian game Kok-Börü, which Morosov describes as constitutive of Kyrgyz identity, and features centaur-like figures made from raw earth used in local dwellings.

Interview with Wallace Chan, the artist who created a bridge between Venice and Shanghai through water

Intervista a Wallace Chan, l’artista che attraverso l’acqua ha creato un ponte tra Venezia e Shanghai

Wallace Chan, the Hong Kong-born artist turning 70, has launched a dual-exhibition project titled "Vessels of Other Worlds" between Venice and Shanghai, curated by James Putnam. In Venice, the show runs concurrently with the Biennale at the Cappella di Santa Maria della Pietà (Vivaldi's church), featuring three titanium sculptures inspired by Catholic holy oils, surrounded by smaller works evoking water droplets. In Shanghai, the same sculptures appear at the Long Museum (West Bund) starting July 18, 2026, on a monumental scale—seven, eight, and ten meters tall—with a kaleidoscopic interior accessible through a door in the central piece. The exhibitions also include sound compositions by Brian Eno and reference Chan's earlier Venice shows (Titans, Totem, Transcendence).

Le vedute veneziane di Francesco Guardi tornano in laguna da un museo di Lisbona

Ca' Rezzonico, the Museum of 18th-Century Venice, has opened its exhibition season with a selection of ten paintings by Francesco Guardi (1712–1793) on loan from the Calouste Gulbenkian Museum in Lisbon. The works, dated between 1770 and 1790, include iconic Venetian views such as the Festa della Sensa in Piazza San Marco and the Regata sul Canal Grande, showcasing Guardi's distinctive loose brushwork and atmospheric perspective. The exhibition also features drawings from civic collections, including Il Gran Teatro La Fenice and two watercolored sheets depicting Le nozze del duca di Polignac.

Controversial Costumes at the Met’s Newest Galleries

The Metropolitan Museum of Art in New York has opened the new Conde M. Nast Galleries, designed by the Brooklyn-based firm Peterson Rich Office (PRO). The inaugural exhibition, titled "Costume Art," features 200 pieces from various museum departments and will run until January 10, 2027. The 12,000-square-foot space, located off the Great Hall, incorporates historic structural elements and uses subtle lighting and materials to create a quiet backdrop for the display of fragile costumes and art objects.

Sophie Von Hellerman “After a Dream” at Greene Naftali, New York

Greene Naftali presents Sophie von Hellermann's eighth solo exhibition, "After a Dream," featuring pairs of figures drawn from literature, art history, the artist's personal acquaintances, and imaginative constructs. The show explores creative relationships through the charged dynamic of the couple, presenting narrative chimeras that examine different forms of alignment and connection.

‘I will always fight against fascism’: Zineb Sedira on her Tate Britain commission

Zineb Sedira has been selected for the Tate Britain commission, creating her largest UK installation to date, titled *When Words Fall Silent, Cinema Speaks…*, on view until January 2027. The site-specific work in the museum's Duveen Galleries pays tribute to radical African cinema of the 1960s and 1970s, highlighting Algeria's role as a revolutionary hub. Sedira recreates the Parisian cafes of her childhood, featuring Scopitone machines that play short music films, and draws on the legacy of the Cinémathèque Algérienne and the 1969 Pan-African Festival.

Met Museum show at new Costume Institute puts fashion in same spotlight as Egyptian artefacts

The Metropolitan Museum of Art's Costume Institute has opened its spring exhibition 'Costume Art' in a new 12,000-square-foot space called the Condé M Nast Galleries, located off the museum's Great Hall. The show pairs 200 garments and accessories with 200 artworks from the Met's collection, organized into 13 thematic body types such as Naked and Nude, Abstracted Body, Corpulent Body, Disabled Body, and Mortal Body. Lead curator Andrew Bolton aims to challenge traditional hierarchies by placing fashion on equal footing with fine art. The exhibition's launch is overshadowed by controversy over sponsorship by Jeff Bezos and Lauren Sánchez Bezos for the Met Gala.

Human Connection Cuts Through Technology at Focus Art Fair

Focus Art Fair, New York's only art fair dedicated to contemporary Asian art, returned for its fourth edition at Chelsea Industrial, running through May 24, 2026. The fair's theme, 'human-technology coexistence,' was explored through works such as Hwia Kim's interactive installation 'What if two eyes don't work together?' presented by LG Electronics, and pieces by the Ukrainian-born F-Twins (Anna and Valeriia Lyshchenko), who founded the Primarealism art movement in response to AI's encroachment on critical thinking. Other highlights included Annu Yadav's political installation 'This Land is Wounded' (2025) and Taezoo Park's 'Hacked Snoopy' (2025), which memorializes neglected technologies. The fair featured more than 40 galleries and presenters, with a notable appearance by Japanese pop icon Kento Senga, who shared his FiNGA character as a means of connecting with his grandmother suffering from Alzheimer's.

Not Just the Biennale: What to See in Venice in Spring 2026 Among Galleries, Independent Spaces, and Special Projects

Non solo Biennale: cosa vedere a Venezia nella primavera 2026 tra gallerie, spazi indipendenti e progetti speciali

The article highlights a curated selection of exhibitions to see in Venice during spring 2026, beyond the main shows of the 61st Venice Biennale. It features projects in galleries, independent spaces, and historic venues, including a group show titled "Waves" at Casa Sanlorenzo with works by Alexander Calder and Lucio Fontana, a video installation by Ieva Lygnugarytė at Oratorio dei Crociferi, a Judy Chicago survey at Galleria Alberta Pane, a solo show by Hanna Rochereau at Mare Karina, and a Barry X Ball retrospective at the Abbey of San Giorgio Maggiore.

First Look at the Met’s ‘Costume Art’ Where Every Body Matters, Really

The Metropolitan Museum of Art has unveiled its spring exhibition "Costume Art" in the Condé M. Nast Galleries, featuring around 200 pairings of garments and artworks that trace connections across centuries. The show prioritizes fashion over art, displaying dresses, jeans, body stockings, and bustiers to explore the human form through sections like "Naked and Nude Body," "Corpulent Body," and "Disabled Boy." Chief curator Andrew Bolton emphasizes celebrating body diversity amid threats from AI and politics, with nine individuals—including fashion designer Michaela Stark—scanned to create more realistic mannequins.

The 15th-century Ca' Giustinian Faccanon reopens in Venice. It will be a space for exhibitions and events

A Venezia riapre il quattrocentesco Ca’ Giustinian Faccanon. Sarà uno spazio per mostre ed eventi

The historic Ca' Giustinian Faccanon, a rare example of Venetian Gothic architecture in the San Marco district, has reopened in Venice after over a year of restoration work. The 15th-century palace, acquired by entrepreneur Andrea Parisotto, will now serve as a space for exhibitions and events managed by Art Events and Cultural Real Estate Studio. During the 61st Venice Biennale, it will host the Vietnam Pavilion with the exhibition "Arte nel flusso globale" curated by Do Tuong Linh, marking Vietnam's first official participation, as well as a solo show by Korean sculptor Shim Moon-Seup titled "Harnessed From Nature."

A library of sensations in Rome in the exhibition of Gabriele Simei: The interview

Una biblioteca di sensazioni a Roma nella mostra di Gabriele Simei. L’intervista

Artist Gabriele Simei has transformed the VOLUME! art space in Rome into an immersive installation titled "LABiblioteca Sottotevere." Curated by Silvano Manganaro, the exhibition features metal sculptures shaped like books, alongside found objects such as old lace, blankets, and tools. Simei uses acid to etch the textures of leaves gathered from the banks of the Tiber River and vintage textiles onto iron and brass plates, creating a "library of sensations" that bridges the gap between nature and domestic memory.