Judith Murray's solo exhibition 'Pure Pleasure' is on view at Sundaram Tagore Gallery in New York. The show presents a selection of the artist's vibrant, abstract paintings that explore color, form, and sensory experience.
The High Museum of Art in Atlanta presents "Isamu Noguchi: 'I am not a designer'," the first design retrospective of the Japanese-American sculptor in 25 years. Co-curated by Monica Obniski and Marin R. Sullivan, the exhibition features nearly 200 objects, including sculptural models, furniture for Herman Miller and Knoll, Akari light fixtures, and large-scale installations like Martha Graham's stage set for "Seraphic Dialogue" (1955). The show challenges Noguchi's own resistance to categorization by framing his multidisciplinary practice—spanning sculpture, design, architecture, and public art—through a design lens.
The Henry Moore Institute in Leeds presents 'Phantasmagoria: Folkloric Sculpture for the Digital Age,' a major group exhibition exploring how digital technologies are reshaping contemporary sculpture. The show features works by artists including Joey Holder, Jürgen Baumann, and Danielle Brathwaite-Shirley, who fuse ancient folklore, occult practices, and modern digital tools such as AI, 3D printing, and video game mechanics. Highlights include Holder's immersive installation 'The Woosphere' with arcade-style consoles and Brathwaite-Shirley's interactive boat sculpture 'PIRATING BLACKNESS/BLACKTRANSSEA.COM.' The exhibition draws on the historical concept of phantasmagoria—18th-century theatrical spectacles using smoke and light—to critique the seductive illusions of digital capitalism.