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Manetti Shrem Museum Fall 2025 Exhibitions Explore the Borderlands; Environmental Justice

The Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis presents two fall 2025 exhibitions: “OJO” Julio César Morales, a midcareer survey exploring the U.S.-Mexico border as a lived human experience through over 50 works in various media, and “Breath(e): Toward Climate and Social Justice,” a group exhibition from the Hammer Museum at UCLA that connects environmental and social injustice. The exhibitions run through Nov. 29, with a free public opening celebration on Sept. 28 featuring artists, curators, art making, and music. Morales’ show marks his California homecoming after a decade in Arizona as a senior curator and museum director, and includes an outdoor neon commission, “tomorrow is for those who can hear it coming” (2025).

nyc holiday art shows

Artnet News has compiled a guide to holiday art shows in New York City for December 2025. The featured exhibitions include the Metropolitan Museum of Art's annual "Christmas Tree and Neapolitan Baroque Crèche" (November 25–January 6), the American Museum of Natural History's "Origami Holiday Tree" (November 24–January 20) inspired by its dinosaur extinction exhibition, the Morgan Library and Museum's display of Charles Dickens's original manuscript of "A Christmas Carol" (November 25–January 11), and the New York Public Library's "Best Friends Forever: Holiday Greeting Cards" (December 3–January 4). Each venue offers a unique artistic take on the holiday season, from 18th-century Neapolitan figurines and thousands of origami animals to literary history and vintage greeting cards.

legacies asian american artists 2025 artnews awards 80wse

The article reviews "Legacies: Asian American Art Movements in New York City," an exhibition at 80WSE in New York, curated by Howie Chen, Jayne Cole Southard, and christina ong, running from September 11 to December 20, 2024. Billed as the first institutional survey of Asian American artists in New York City, the show features 90 artists and spans the period from 1969 to 2001, centering on three key organizations: Godzilla: Asian American Art Network, the Basement Workshop, and the Asian American Arts Centre. The exhibition highlights how many of these artists did not solely make work about their race, complicating the link between identity and art, and includes lesser-known pieces such as David Diao's 1974 painting "Odd Man Out" and a provocative 1985 photograph by Hanh Thi Pham.

In Vancouver, artists imagine life after climate change

The Vancouver Art Gallery (VAG) has opened 'Future Geographies: Art in the Century of Climate Change,' an exhibition curated by Eva Respini that brings together artists from British Columbia, Canada, and beyond to imagine futures shaped by the climate crisis. The show features dozens of works created within the last 25 years, including large sculptures from repurposed waste like Liz Larner's 'Meerschaum Drift' and Brian Jungen's whale skeleton 'Cetology' made from plastic patio chairs, as well as John Akomfrah's three-channel film 'Vertigo Sea.' The exhibition runs at the VAG until January 10 before traveling to the Art Gallery of Ontario in March.

“New Contemporaries” at South London Gallery

New Contemporaries has announced its 2026 annual exhibition, which will be a touring show presented at the South London Gallery and MIMA in Middlesbrough. The exhibition will feature 26 emerging and early-career artists from across the UK, selected by a panel of established artists.

New Canadian art museum seeks to connect disparate disciplines and a university campus

Simon Fraser University (SFU) near Vancouver will open the Marianne and Edward Gibson Art Museum on September 20, its first purpose-built art museum. The inaugural exhibition, "Edge Effects," features 15 artists including Sameer Farooq, Liz Magor, Cindy Mochizuki, and Debra Sparrow, and reflects the interdisciplinary ethos of the original SFU campus designed by Arthur Erickson and Geoffrey Massey. The 12,000-square-foot building by Hariri Pontarini Architects and Iredale Architecture includes a research laboratory, art studio, courtyard, and salon, and will be admission-free.

Philadelphia Art Museum exhibit on surrealism features monsters from Greek mythology and a lobster telephone

The Philadelphia Art Museum (PhAM) opens "Dreamworld: Surrealism at 100," a traveling exhibition celebrating the centennial of surrealism. The show features works by Salvador Dalí, Pablo Picasso, Frida Kahlo, Max Ernst, René Magritte, Leonora Carrington, and Man Ray, including Dalí's lobster telephone and pieces inspired by Greek mythology. It is the final and only American stop on the tour, previously shown in Brussels, Paris, Hamburg, and Madrid, and runs through February 16, 2026.

A Confluence of Art and Community | 2025 | News & Stories

Cornish College of the Arts at Seattle University presents a new faculty art exhibition titled "Tempo/Tempus: Rhythm and Time in Visual Art" at the Behnke Gallery on the South Lake Union campus. Curated by Robert Campbell, a Cornish art faculty member and Behnke Gallery curator, the show features works by nine Seattle University faculty artists: Kristofer Carlson, Francisco Guerrero, Naomi Kasumi, Jim Y. H. Li, Aunna Moriarty, Alexander Mouton, Trung Pham, Miha Sarani, and Arielle Simmons. The exhibition marks the first of six planned shows for the 2025-26 academic year, celebrating the recent merger of Cornish College of the Arts into Seattle University.

Artists Noah Bonesteel and Katie Langford Featured in LARAC Lapham Gallery Exhibit May 22-June 24

The Lower Adirondack Regional Arts Council (LARAC) will present a two-person exhibition titled "Show IV: Meet Me in the Woods" featuring artists Noah Bonesteel and Katie Langford at the Lapham Gallery in Glens Falls, New York, from May 22 to June 24. The show includes an opening reception on May 22 and an Artists Talk on June 4, both free and open to the public. Bonesteel, a painter and printmaker, uses abstract, layered compositions inspired by Adirondack ecology, while Langford, an oil painter, brings a narrative, plein air approach to the region's landscapes.

Vietnam Military History Museum holds lacquer painting exhibition marking national milestones - Vietnam Investment Review

The Vietnam Military History Museum in Hanoi is hosting a lacquer painting exhibition titled “Homeland and the Soldier,” featuring 55 artworks by multiple generations of artists, lecturers, and students. The exhibition, running until the end of May, marks the 51st anniversary of the Liberation of the South and National Reunification, as well as the 136th birth anniversary of President Ho Chi Minh. It is jointly organized by the Vietnam Military History Museum, the Vietnam University of Fine Arts, and the University of Arts and Design, and is structured into three thematic sections: “Homeland Imprints,” “The Soldier,” and “Colours of Peace,” highlighting landscapes, wartime experiences, and post-war development.