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Five Whirlwind Days in Venice, at (and Beyond) the Biennale

The article recounts a whirlwind three-day visit to the 61st Venice Biennale, focusing on the main exhibition at the Giardini della Biennale curated by the late Koyo Kouoh, titled "In Minor Keys." The author highlights textile works by artists such as Thania Petersen, Billie Zangewa, and Annalee Davis, as well as Beverly Buchanan's "Spirit Jars" and Maria Magdalena Campos-Pons's portrait of Kouoh and Toni Morrison. The trip also includes visits to collateral events, a performance at Jordan Roth's palazzo, and a side trip to Gabriele D'Annunzio's estate on Lake Garda.

Ukrainian art resists war

An exhibition titled "Still Joy" opened in Venice during the preview days of the Biennale, organized by the Pinchuk Art Center in Kiev, showcasing Ukrainian art that responds to the ongoing war with Russia. The show features works by artists including Kateryna Aliinyk, Piotr Armianovski, Roman Khimei and Yarema Malashchuk, Zhanna Kadyrova, Alevtina Kakhidze, and Nikita Kadan, addressing themes of resilience, memory, and resistance. The Ukrainian Pavilion at the Biennale also centers on the conflict, with Kadyrova's work referencing the Budapest Memorandum. Many of these artists have chosen to remain in Ukraine despite the dangers, keeping the cultural scene alive.

An exhibition of works by Mykhailo Riasnianskyi, People’s Artist of Ukraine, is currently being held in Mykolaiv

An exhibition of works by Mykhailo Riasnianskyi, People’s Artist of Ukraine, is currently on display at the V. Vereshchahin Art Museum in Mykolaiv, marking the 100th anniversary of his birth. The show features paintings from the museum’s collection and opened with speeches from local officials and artists, including Yevhen Horburov and Dmytro Artym. Riasnianskyi, who died in 2001, was a veteran of World War II, a longtime teacher, and the first artist from the Mykolaiv region to receive the title of People’s Artist of Ukraine.