Gwen John—the quiet ‘seer of strange beauties’—gets major show in Wales

The National Museum Cardiff is mounting a major survey exhibition of Gwen John (1876-1939), one of the most famous artists in its collection, titled "Gwen John: Strange Beauties." The show marks the 150th anniversary of John's birth in Wales and will be the most comprehensive exhibition of her work in decades, featuring major loans from institutions such as Tate and the Museum of Modern Art in New York. It will travel to Scotland and the US, emphasizing John's interest in form, materials, and color theory, including late watercolours she never sold or exhibited. The exhibition draws on the museum's extensive archive of over 900 drawings, letters, and photographs acquired in 1976, and aims to shift focus from John's biographical narrative—her relationship with Auguste Rodin and reputation as a recluse—to her artistic dedication and technical innovations.

At the 2026 Biennale, the Bulgarian Pavilion Transforms into a Political Laboratory to Explore the Present

Alla Biennale 2026 il Padiglione della Bulgaria si trasforma in laboratorio politico per esplorare il presente

The Bulgarian Pavilion at the 2026 Venice Biennale, housed in the Sala Tiziano of the Centro Culturale Don Orione Artigianelli, has been transformed into a speculative political laboratory by The Federation of Minor Practices. Curated by Martina Yordanova, the project features an all-female group of artists—Veneta Androva, Gery Georgieva, Maria Nalbantova, and Rayna Teneva—whose four films serve as "signals" exploring tensions around ecology, media systems, disinformation, and collective responsibility. The pavilion is conceived as a research headquarters from the near future, open until November 22, 2026.

Taiwanese Video Artist, Asian Art Museum Curator Collaborate

Taiwanese video artist Yuan Goang-Ming has brought his exhibition "Everyday War" to San Francisco's Asian Art Museum, where it will be on view through August 4. The show, which explores the anxiety of daily life under the constant threat of invasion by China, was originally presented at Taiwan's pavilion during the 60th Venice Biennale in 2024. It was curated for the Biennale by Abby Chen, the contemporary curator at the Asian Art Museum, who then arranged for the exhibition to travel to San Francisco. The exhibition features video installations such as "Dwelling," "Everyday War," "Everyday Maneuver," and "Prophecy," all of which capture a sense of dread and unease in domestic and public spaces.