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The Opening Gambit: Generative Alterities and the Paradigm of the Salon

The Opening Gallery has opened a new space at 41 Division Street in New York with the exhibition "Generative Alterities," curated by director Sozita Goudouna. The show features artists from the Global South and Global North, including Lloyd Foster, Nan Goldin, Max Blagg, Annu Yadav, Victoria Bartlett, Jamie Martinez, and others, with works ranging from suspended sculptural portraits to mixed-media installations and photography. The gallery aims to create a contemporary salon atmosphere that encourages active dialogue rather than passive viewing.

The 10 Exhibitions to See in May 2025

The article highlights ten exhibitions to see in May 2025, including the Venice Architecture Biennale curated by Carlo Ratti, which explores intelligence in natural, artificial, and collective forms, alongside a parallel show by AMO/OMA at Fondazione Prada. It also covers Gallery Weekend Berlin, featuring Sky Hopinka's new film and photographs at Tanya Leighton, an exhibition by exiled Russian journalists Meduza at Kunstraum Kreuzberg, and a study group on Palestinian agrarian initiatives at Spore Initiative.

We visited the 2026 Venice Art Biennale: the exhibitions and pavilions you shouldn’t miss

The 2026 Venice Art Biennale has opened across the Giardini, Arsenale, and venues throughout the city, with geopolitics, climate collapse, and national identities dominating the exhibitions. Notable pavilions include Austria's "Seaworld Venice" by Florentina Holzinger, the Czech and Slovak Pavilion's "Il Silenzio della Talpa" by Jakub Jansa and Selmeci Kocka Jusko, India's "Geographies of Distance: remembering home" featuring multiple artists, and the Taiwan Pavilion's "Screen Melancholy" by Li Yi-Fan. The Russian Pavilion has become a focal point of controversy, with guards and empty beer bottles outside, and the Pussy Riot collective staging a protest nearby.

Five must-see shows this Dublin Gallery Weekend

Dublin Gallery Weekend returns from 6–9 November 2025, featuring over 100 artists across 20 venues throughout Ireland's capital. Founded in 2023 by the Contemporary Art Gallery Association, the event connects small, independent galleries with established institutions. The Art Newspaper highlights five must-see shows, including Cecilia Vicuña's 'Reverse Migration' at the Irish Museum of Modern Art (IMMA), Isabel Nolan's 'Look at the Harlequins!' at Kerlin Gallery, Alan Butler's 'Assets' at Green on Red, and a group show 'Kwaidan - Encounters with Lafcadio Hearn' at SO Fine Art Editions, among others.

RADICAL SOFTWARE: WOMEN, ART & COMPUTING 1960–1991

Kunsthalle Wien presents "Radical Software: Women, Art & Computing 1960–1991," a landmark exhibition foregrounding the pioneering role of women in early digital art. Organized with Mudam Luxembourg, the show brings together over one hundred works by fifty artists from European and U.S. collections, spanning painting, sculpture, installation, film, performance, and computer-generated works. The title references the 1970 magazine "Radical Software" by Beryl Korot, Phyllis Segura, and Ira Schneider, which envisioned decentralized access to information. The exhibition traces digital art from mainframe experiments in the 1960s through the microcomputer revolution, highlighting artists like Charlotte Johannesson, who traded a tapestry for an Apple II in 1978.

Marat Guelman and the group + - Komma: First of all, it’s beautiful

Marat Guelman's exhibition at Ethan Cohen Gallery in New York (April 23–May 30, 2026) features AI-generated monoprints created in collaboration with the Montenegrin digital art group + - Komma. None of the works were painted by Guelman himself; instead, he programmed AI outputs based on historical models by artists like Picasso, Gauguin, Monet, Warhol, Lichtenstein, Turner, Matisse, and Richter. Every piece in the show incorporates an image of an atomic mushroom cloud, a motif Guelman uses to respond to Vladimir Putin's nuclear threats during the Ukraine war.

‘The doorbell went at 5am. Six masked men were outside’: Belarus Free Theatre bring totalitarian terror to the Venice Biennale

Belarus Free Theatre (BFT), an exiled troupe based in London, is presenting its first major visual art project, titled 'Official. Unofficial. Belarus.', at the Venice Biennale. The installation, masterminded by the founders' daughter Daniella Kaliada, features contributions from former political prisoners, painters, sculptors, composers, and world-renowned chef Rasmus Munk, who created a dish evoking detention under an authoritarian regime. The work includes a giant ball of banned books, surveillance cameras attached to an iron crucifix, and a custom scent of a freshly dug grave, all reflecting the terror of life under Belarusian dictator Alexander Lukashenko.

nadya tolokonnikova interview police state la moca

Nadya Tolokonnikova, cofounder of Pussy Riot, has created a performance installation titled "Police State" (2025) at the Museum of Contemporary Art in Los Angeles (LA MOCA). The work recreates a Russian jail cell where Tolokonnikova performs daily activities—making music, creating art, and resting—observed by visitors via security camera footage and peepholes. The installation also features artworks by current and former political prisoners from Russia, Belarus, and the United States, curated through Tolokonnikova's Art Action Foundation and the Artistic Freedom Initiative. Originally scheduled for June 5–14, the show was extended due to the museum's closure amid anti-ICE protests and National Guard deployment.

moca los angeles geffen nadya tolokonnikova

Artist Nadya Tolokonnikova, a founding member of Pussy Riot, began a durational performance titled *Police State* at the Museum of Contemporary Art (MOCA) in Los Angeles on Thursday, inhabiting a cell and sewing clothing. The following day, protests erupted in the city after ICE raids in the garment district, leading to clashes with police and the deployment of 2,000 National Guard troops by President Donald Trump. MOCA closed its Geffen branch early on Sunday for safety, while Tolokonnikova continued her performance, live-streaming audio from the protests into her installation.

quantum computing laure prouvost

Laure Prouvost's exhibition "We Felt a Star Dying" at Kraftwerk Berlin, commissioned by LAS Art Foundation and co-commissioned by OGR Torino, uses quantum computing to create an ever-changing installation featuring a cascading fabric, a film altered by quantum variations, and a breathing soundscape. The work, which includes a film fed into a quantum computer to introduce indeterminate edits, explores superposition and entanglement, challenging viewers to experience art that resists fixed interpretation.

In pictures: meet the ghosts of the US’s East Coast

Photographer Anastasia Samoylova presents her latest exhibition and photobook, "Atlantic Coast," at the Norton Museum of Art in West Palm Beach. The project documents a road trip along the old US Route 1 on the East Coast, inspired by Berenice Abbott's 1954 journey. Through her lens, Samoylova captures a country in transition, juxtaposing decaying Americana with modern structures and political commentary, including images of a statue of John C. Calhoun being removed after the George Floyd protests and the collapsed Francis Scott Key Bridge. She draws parallels between her work and Paul Thomas Anderson's film "One Battle After Another," both centering on road trips and shared anxieties.

At Art Basel Miami Beach, a new space reimagines art in the digital age

Art Basel Miami Beach will debut a new curated space called Zero 10, dedicated to digital and new media art, at its upcoming fair in the Miami Beach Convention Center. The centerpiece is an interactive installation by American artist Beeple featuring robot dogs with human heads modeled after public figures like Andy Warhol, Jeff Bezos, and Elon Musk, which will photograph fairgoers and offer NFTs. The space, curated by Eli Scheinman, includes works by pioneers such as Manfred Mohr and Larva Labs, alongside galleries like Pace Gallery and platforms like Art Blocks, exploring themes of AI, robotics, and generative systems. The name references Kazimir Malevich's 1915 exhibition '0,10', signaling a push into new artistic terrain.

‘Degenerate’ or ‘woke,’ Paris museum exhibit shows what happens to art in the crosshairs of politics

The Picasso Museum in Paris has opened an exhibition titled "Degenerate Art: Modern Art on Trial Under the Nazis," the first such show in France, running until May 25. It features works by Van Gogh, Klee, Picasso, Kandinsky, Chagall, and others that were condemned by Hitler and the Third Reich as "degenerate" — targeted for destruction, sale, or concealment. The exhibition is organized thematically around Nazi persecution, including sections on race, museum purges, and the art trade, and highlights the fates of artists like Ernst Ludwig Kirchner, who died by suicide, and Otto Freundlich, who was murdered in a concentration camp.

72 Hours in Venice: Palazzos, Protests, and a Biennale on the Brink

The article recounts a journalist's 72-hour visit to the Venice Biennale, beginning with a protest by Pussy Riot and Femen at the Russian Pavilion. The action features pink smoke, chants of "Blood is Russia's art," and a guerrilla performance of the song "Disobey," set against a backdrop of internal Biennale strife—including juror resignations over countries whose leaders face ICC arrest warrants (Netanyahu and Putin). The narrative also notes the presence of alt-right figures like Ryan Coyne and sculptor Alma Allen's troubled U.S. pavilion representation.

"Hier darf laut gelacht werden"

During the opening week of the Venice Biennale, multiple reports detail controversies surrounding the Israeli and Russian pavilions. According to Hyperallergic, artist Belu-Simion Fainaru of the Israeli pavilion threatened legal action against the Biennale after the jury sought to exclude Israel and Russia from prizes over alleged human rights violations, citing antisemitism and nationality-based discrimination. This may have prompted the jury's sudden resignation. Meanwhile, taz reports that Russia's pavilion is a macabre 'dance of death' blending techno and political denial, while Israel's pavilion faces a 'silent boycott' and social ostracism. Zeit describes protests by Pussy Riot and Femen outside the Russian pavilion as a defining image, with activists chanting 'blood sticks to the art of this country.'

Art Basel Miami Beach Diary: love on the brain for Randy Andy, A$AP Rocky and a steamy Art Gaysel party

The article reports on events surrounding Art Basel Miami Beach 2025, including the inaugural Art Basel Awards ceremony at the New World Center, where artists Nairy Baghramian and Cecilia Vicuña were honored. It also covers the Satellite Art Show featuring Andy Warhol's blow-up doll 'Randy Andy' on public display for the first time, pop star Rihanna supporting partner A$AP Rocky at the Ray-Ban Clubhouse launch, the tenth anniversary of the queer satellite fair Art Gaysel at Hôtel Gaythering, and artist Marc Hundley's affordable T-shirt project at Canada gallery.

Ukraine-Russia war remains front and centre for Viennacontemporary fair exhibitors

Viennacontemporary fair, held September 11–14 in Vienna, featured 97 exhibitors from 24 countries with a strong focus on Eastern Europe. Galleries from Ukraine, Poland, Slovakia, Slovenia, Lithuania, Latvia, Hungary, Croatia, and Austria participated, many expressing solidarity with Ukraine amid the ongoing war. Artist Kateryna Lysovenko, who fled Ukraine three years ago, won the Münze Österreich Prize for her figurative paintings. Sales were slow, with many galleries reporting no or low-price sales by the second day, reflecting Austria's economic downturn. The fair included a Zone1 section for emerging artists curated by Aliaksei Barysionak and a Context section for historical works, including a booth dedicated to Hermann Nitsch.

Pussy Riot co-founder starts Los Angeles prison performance with existential scream

Nadya Tolokonnikova, co-founder of Pussy Riot, began a durational performance titled "Police State" at the Museum of Contemporary Art (MOCA) in Los Angeles on June 5, 2025. Inside a mock prison cell at the Geffen Contemporary, she screams, plays a pink toy piano, synthesizer, and laptop, and layers live music with sampled prison noises to create an 80-hour experimental soundscape. The performance, running until June 15, references her own 2012 imprisonment in Russia for an anti-Putin protest. On the fourth day, MOCA closed due to clashes between ICE agents, the California National Guard, and protesters over immigrant raids, prompting Tolokonnikova to post: "Police State exhibit closed today due to police state."

Embodying Code: Artist Alida Sun and the physical craft of code art

Berlin-based artist Alida Sun has reached a milestone of 2,500 consecutive days of creating digital art, using a custom-built system that translates physical movement into light and sound. Her recent exhibition, "RITES" at Method Delhi, bridges the gap between digital code and physical craft by transforming her generative algorithms into hand-woven tapestries. This collaboration with women artisans from the Swami Sivananda Memorial Institute of Fine Arts & Crafts (SSMI) highlights the historical and technical links between textile weaving and computer programming.

IU Bloomington art galleries feature works from and about South Africa

Indiana University Bloomington's art galleries are presenting two exhibitions focused on South African and Indigenous visual culture. "Illusions of Identity: The Colonial Gaze," curated by student Joshua Sinnett at the Community Gallery in the Museum of Archaeology and Anthropology, contrasts early 20th-century photographs of Native Americans by Joseph K. Dixon with images of Indigenous South Africans by Alfred Duggan-Cronin, examining colonial perspectives. Concurrently, "Coloured Pots (Izinkamba kwamaKhaladi)" at University Collections at McCalla features contemporary ceramics by artist Fileve Tlaloc, who uses amaZulu pottery forms to explore her mixed-race ancestry and challenge colonial racial categories, displayed alongside historical amaZulu vessels.

These colors will enchant you. An exhibition of Niehliubka weavers opened at the Art Museum

On May 7, the National Art Museum of Belarus opened the exhibition "Harmony of the World of Niehliubka Weavers," showcasing traditional weaving from the village of Niehliubka in the Vetka District. The display features about 50 textile works from the museum's collection, along with tools, rare costume elements, and photographs provided by the Belarusian State Museum of Folk Architecture and Rural Life and the Vetka Museum of Old Believer and Belarusian Traditions named after Shklyarau. This tradition, which originated in the 17th century, includes towels, clothing, and interior items made with original weaving and embroidery techniques.