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What Faces Do Not Say: Reimagining Portraiture Beyond Recognition.

Curator Yasmin Sarnefors challenges the traditional boundaries of portraiture in the exhibition 'What Faces Do Not Say,' which features artists from Africa and its diaspora. Moving away from the expectation of physical resemblance, the show explores identity through ambiguity, memory, and the use of archives, landscapes, and abstract gestures. By presenting works that obscure or transform the human face, the exhibition highlights the psychological and political dimensions of how individuals are perceived and represented.

Vantaa Art Museum Artsi's exhibition Empathy explores the multilayered nature of emotion, power, and connection

The Vantaa Art Museum Artsi has launched "Empathy," a multifaceted exhibition exploring the psychological, social, and technological dimensions of emotional connection. The show features diverse works that examine how facial expressions and gestures communicate feelings, while also addressing the power dynamics of who is allowed to tell their story. A central highlight is Ali Akbar Mehta’s immersive installation, which utilizes an archive of 30,000 video clips and XR technology to analyze how digital algorithms and visual overexposure to violence affect human compassion.

Art of the Brick: LEGO Exhibition opens in Downtown Cincinnati

The globally acclaimed exhibition "Art of the Brick" has officially opened in downtown Cincinnati, showcasing over 100 sculptures crafted by artist Nathan Sawaya. The display features millions of LEGO bricks transformed into large-scale original works, including a 20-foot T-Rex, alongside brick-built interpretations of iconic masterpieces like the Mona Lisa and The Starry Night. Visitors can also engage with a hands-on building zone designed to foster creativity.

Origins of Black Carnival Society: The Story of the Illinois Clubs at The Presbytère, New Orleans

An exhibition titled 'Origins of New Orleans Black Carnival Society: The Story of the Illinois Clubs' has opened at The Presbytère in New Orleans. It chronicles the history of The Original Illinois Club, the first Black Carnival club and the first to host a debutante cotillion, and coincides with the centennial of its offshoot, the Young Men Illinois Club. The show features regalia, gowns, photographs, and historical artifacts, including a segregated 'White Section' sign from the Municipal Auditorium.