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A Delayed Art Dubai Opens With Fewer Galleries—but Buyers Abound

Art Dubai opened its 20th edition at Madinat Jumeirah with a significantly reduced number of exhibitors—50 largely regional galleries, down from the originally expected 120—after being delayed from mid-April due to geopolitical tensions following the U.S.-Iran ceasefire on April 8. The fair, which offered free entry for the first time and refunded booth costs for participating galleries, saw strong attendance from Gulf and Middle Eastern collectors, with an upbeat mood and a more intimate atmosphere reminiscent of pre-Covid editions. Galleries from Lebanon and other conflict-affected regions were present, emphasizing art as a form of resilience and cultural identity.

À la Biennale de Venise, le pavillon de l’Ouzbékistan fait revivre la mer d’Aral

The Uzbekistan Pavilion at the 61st Venice Biennale, curated around the figure of author Allayar Darmenov, brings together artists including Vyacheslav Akhunov, Zi Kakhramonova, A. A. Murakami, Zulfiya Spowart, and Nguyen Phuong Linh to explore the ecological disaster of the Aral Sea. Once the world's fourth-largest lake, it was drained by Soviet irrigation projects for cotton farming; the pavilion's installations—such as Kakhramonova's participatory salt-fish molding piece and Spowart's cradle-like sculpture—imaginatively revive the vanished sea and its endemic species.

Sacramento art exhibit puts a SMASH!-ing spotlight on piñata culture

A new art exhibition titled 'SMASH! A Piñata Exhibition' has opened at Prism Art Gallery in Midtown, Sacramento, curated by Bridgett Rex and Vianne De Santiago. Running through May 30, the show features piñatas created by amateurs, professional makers, and multidisciplinary artists, exploring the cultural and emotional significance of piñatas beyond their role as party decorations. The exhibition will conclude with a public smashing of selected piñatas. Artists such as Andres Alvarez and Gilbert Rangel contributed works that incorporate personal and cultural narratives, using materials like corn husks and tissue paper to reflect on heritage, memory, and community.