Beverly Buchanan’s Anti-Monuments

Beverly Buchanan's outdoor sculptures, such as 'Marsh Ruins' (1981) and 'Unity Stones' (1983), are quietly eroding in landscapes across Georgia, Florida, and North Carolina. These anti-monuments, made from tabby concrete and stone, blend into their surroundings while subtly referencing the region's layered histories, including Indigenous shell middens, plantation ruins, and the 1803 slave revolt on St. Simons Island. Buchanan, who died in 2015, is now receiving renewed attention: her work will be featured at the Venice Biennale this spring, and a touring retrospective is currently at Frac Lorraine in Metz, following a posthumous show at the Brooklyn Museum in 2016–17.

Must-See National Pavilions at the 61st Venice Biennale

The 61st Venice Biennale features standout national pavilions from Japan, the Philippines, Timor-Leste, Singapore, and India. Japan presents Ei Arakawa-Nash's 'Grass Babies, Moon Babies,' an interactive exhibition with hand-sewn baby dolls and sound pieces exploring queer parenthood and collective care. The Philippines showcases Jon Cuyson's 'Sea of Love / Dagat ng Pag-ibig,' a solo show using 'mussel thinking' to highlight Filipino seafarers. Timor-Leste's 'Across Words' brings together three artists addressing ethnolinguistic diversity and cultural memory, while Singapore presents Amanda Heng's 'A Pause,' a feminist performance on vulnerability and resilience. India's pavilion features Ranjani Shettar's work, supported by Talwar Gallery.

Previews: 61st Venice Biennale: In Minor Keys

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens amid global turmoil and internal controversy. Kouoh, who passed away in May 2025, conceived the exhibition around the metaphor of a "creole garden," emphasizing deep affinities between 111 artists from diverse locations such as Dakar, Beirut, and Salvador. The Biennale is overshadowed by recent geopolitical events, including US-Israeli airstrikes on Iran, and faces protests: over 70 participating artists signed an open letter opposing the participation of Israel, Russia, and the US, while the Australian pavilion saw the reinstatement of Khaled Sabsabi after being dropped, and South Africa withdrew its official pavilion over Gabrielle Goliath's femicide project, which she will still present independently.

Exhibition | Paul P., 'The Fugitive Marvels of Sunset' at Maureen Paley, London, United Kingdom

Maureen Paley presents *The Fugitive Marvels of Sunset*, the fifth solo exhibition of Canadian artist Paul P. at the gallery. The show features his signature portraits of anonymous young men, sourced from gay erotic magazines from the late 1960s to early 1980s, alongside paintings of bats, laundry, and seascapes that explore twilight and threshold moments. The exhibition draws on coded visual languages from Victorian-era dandies and post-Stonewall culture, with works also included from a recent two-person show at KW Institute for Contemporary Art, Berlin.

The fate of 'Guernica', a political icon born under bombs, traced in virtual reality at the Musée Picasso

Le destin de « Guernica », icône politique née sous les bombes, retracé en réalité virtuelle au musée Picasso

The Musée Picasso-Paris is launching a virtual reality experience that traces the epic journey of Pablo Picasso's "Guernica," one of the most iconic political paintings of the 20th century. Guided by the voices of writer Juan Larrea and photographer Dora Maar, visitors are transported to Picasso's Paris studio and the bombed ruins of Gernika, reliving the creation of the masterpiece commissioned for the Spanish Republic's pavilion at the 1937 International Exposition in Paris. The VR experience covers the painting's genesis, its global tour, and its eventual exile at MoMA in New York until 1981.

A Pavilion of Ruins: Germany Reconsiders Its Past in Venice

The German Pavilion at the 61st Venice Biennale features a dual presentation exploring the country's layered political history. Artist Sung Tieu has cloaked the pavilion's fascist-era facade with a mosaic reconstruction of a GDR housing estate for Vietnamese contract workers, where she lived as a child. Inside, the late Henrike Naumann's immersive installation 'The Home Front' uses furniture and design to stage a confrontation between East and West German domestic and political ideologies. Naumann died in February 2025 at age 41, but her fully realized concept was completed collaboratively by her partner and curator Kathleen Reinhardt.

Museum of Arts and Design Presents First Solo Museum Exhibition for Artist Jessica Lichtenstein

The Museum of Arts and Design (MAD) in New York will present "Jessica Lichtenstein: Rewilding," the artist's first solo museum exhibition, from May 30, 2026, through April 18, 2027. The immersive installation transforms the third-floor gallery into a lush, overgrown terrain featuring thousands of digitally rendered female nudes that coalesce into forests, ruins, and flowering canopies, exploring themes of femininity, ecological imagination, and bodily autonomy.

Nancy Holt: MoonSunStarEarthSkyWater

The first UK presentation of Nancy Holt's work, titled "MoonSunStarEarthSkyWater," opens at the Goodwood Art Foundation in Sussex from 2 May to 1 November 2026. The exhibition includes both a gallery-based show and works in the landscape, featuring key pieces such as the monumental site-responsive installation "Ventilation System" (1985-92) and the earthwork "Hydra's Head" (1974). The show aims to highlight Holt's exploration of perception, language, and light, and includes works from her diverse practice spanning concrete poetry, film, photography, and public sculpture.

Hubert Robert & Fragonard. Le sentiment de la nature

The Musée d'art et d'archéologie in Valence, France, is presenting an exhibition titled "Hubert Robert & Fragonard. Le sentiment de la nature" from March 7 to June 21, 2026. The show traces the artistic friendship between Hubert Robert and Jean-Honoré Fragonard, who met as young French artists sketching in the ruins of Rome under the guidance of Charles-Joseph Natoire. It features works from the museum's renowned collection of sanguine drawings, notably those from the foundational bequest of Julien Victor Veyrenc (1835-1836), and includes new attributions proposed by curator Sarah Catala, a graduate conservator from the Institut National du Patrimoine.

Fade to black: inside the US’s abandoned movie theatres

Photographers Yves Marchand and Romain Meffre have documented abandoned early 20th-century movie theatres across the United States, capturing the haunting beauty of their decline. These once-grand cinemas, converted from 1920s music halls and theatres, have been left as hybrid ruins due to the rise of television, streaming platforms, and individualized media consumption. The work is exhibited at Kyotographie 2026 in Japan until 17 May.

Urban Art Biennale returns to UNESCO industrial site in Germany | Daily Sabah

Dozens of urban artists from 17 countries have gathered at the Völklinger Hütte (Völklingen Ironworks) in Germany, a UNESCO World Heritage Site and former ironworks, for the Urban Art Biennale 2026. The exhibition features 50 artists, including Tomas Lacque, Boris Tellegen, Ampparito, Remi Rough, Anders Reventlov, and the collective Vortex-X, who have created site-specific installations, murals, and sculptures that engage with the industrial ruins and history of the 15-acre complex, which ceased production in 1986.