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jeffrey gibson met animal sculptures

Jeffrey Gibson has installed four large bronze animal sculptures—a deer, a coyote, a squirrel, and a hawk—on the facade of the Metropolitan Museum of Art in New York, collectively titled “The Animal That Therefore I Am.” At a talk with Met curator Jane Panetta, Gibson explained that the works draw on his early paintings on brain-tanned elk hides and his ongoing exploration of Indigenous kinship philosophies, which honor all living beings as extensions of ourselves. The sculptures, each adorned with ceremonial regalia inspired by Native American traditions, are designed to be viewed as four-sided paintings and connect the museum’s Central Park location to Gibson’s home in the Hudson River Valley.

Beyond Surrealism: Basel show explores the many sides of Meret Oppenheim

A new exhibition at Hauser & Wirth Basel, titled 'Beyond Surrealism,' explores the multifaceted career of Meret Oppenheim, best known for her fur-covered teacup 'Object' (1936). The show presents a range of her work, including melancholic wartime oil paintings, elegant abstract sculptures, and later witty pieces like 'Eichhörnchen' (1970) and 'Das Auge der Mona Lisa' (1967), highlighting her refusal to be confined to any single style or movement.

A Glimpse of Summer Exhibitions in the Panhandle

Three exhibitions in the Texas Panhandle and Concho Valley showcased the work of artists Cody Arnall, Daryl Meador, and Ezra Tucker. At the Charles Adams Studio Project (CASP) Satellite Gallery in Lubbock, Arnall's show "Boredom and Failure (v.II)" featured sculptures and videos exploring imperfection, including an awning projecting a mirrored sky. In the same city, Daryl Meador's "Big Empty Blues" at Co-Opt Research + Projects presented textile art and quilts addressing labor, incorporating text from musicians and materials like waffle knit. The San Angelo Museum of Fine Arts hosted "The Art of Ezra Tucker," a survey of the artist's transition from illustration to fine art, focusing on wildlife paintings with masterful light and color.

Lament for much-loved squirrel to go on show in London exhibition

A poetic lament for a squirrel named Jack, written by James Hadfield—a patient at Bethlem Royal Hospital who attempted to assassinate King George III in 1800—will go on public display for the first time at the Bethlem Museum of the Mind in London. The work is part of a new exhibition titled "Between Sleeping and Waking: Hospital Dreams and Visions," opening August 14, which also features a major installation by contemporary artist Kate McDonnell and other previously unseen works from the hospital's historic art collection.