Near death experiences, ‘crip memes’ and the tyranny of the DWP: the new exhibition powered by illness and disability

Flare Up, a group exhibition co-curated by Mariana Lemos and Natasha Hoare at CCA Goldsmiths in London, showcases art centered on illness, chronic conditions, disability, neurodivergence, and deafness. The show features works by artists including Benoît Piéron, Avril Corroon, Derek Jarman, Christine Sun Kim, Jesse Darling, and the collective Freestylers, exploring themes such as near-death experiences, crip memes, government bureaucracy, and the fluctuating nature of symptoms. Highlights include Piéron's bunting made from hospital sheets, Corroon's installation on poverty and health, and Jarman's 1992 painting Act Up.

Christo: Air review – surprisingly profound manifestation of the wrapper’s impossible dream

Christo's posthumous exhibition "Air" at Gagosian in London finally realizes a 1960s concept to contain air within a room, using a massive polyethylene sack suspended from the ceiling that forces visitors to physically engage with the space. The show also includes early wrapped bubble works and a preserved wrapped Volvo, tracing the artist's lifelong fascination with making the invisible tangible.

The Strong Presence of Guatemalan Indigenous Artists at the Sydney Biennale

LA FUERTE PRESENCIA DE ARTISTAS INDÍGENAS GUATEMALTECOS EN LA BIENAL DE SYDNEY

The 25th Sydney Biennale, titled "Rememory" and curated by Hoor Al Qasimi, centers on colonialism and historical reparation, featuring a strong presence of Indigenous and First Nations artists. Notably, five Maya artists from Guatemala—Sandra Monterroso, Angélica Serech, Ángel Poyón, Fernando Poyón, and Edgar Calel—are participating, exploring ancestral knowledge, community practices, and tensions between Indigenous cosmologies and modernity. Their work engages with Australian debates on Indigenous sovereignty and colonial repair, challenging historical institutional representation.

25th Biennale of Sydney – Rememory

The 25th Biennale of Sydney, titled 'Rememory,' opened on March 14, 2026, across multiple venues including the Art Gallery of New South Wales, White Bay Power Station, and the Sydney Opera House. Artistic director Hoor Al Qasimi curated the event around the concept of 'rememory,' inspired by Toni Morrison's novel *Beloved*, featuring over 143 works by 83 artists and collectives from 37 countries. The biennale centers First Nations voices and diasporic communities, with standout pieces like the Ngurrara Artists' *Ngurrara Canvas II* (1997) and works by Yaritji Young. However, the event has faced controversy due to Al Qasimi's opposition to the war in Gaza, leading to criticism from donors and board members, as well as logistical disruptions from the Iran war affecting the curator and artists.

Get a taste of the beautiful game through art at exhibits across LA

The article highlights several art exhibitions and installations across Los Angeles that celebrate soccer and sports culture in anticipation of the World Cup. Featured works include Lyndon J. Barrois Sr.'s "Fútbol is Life" at LACMA, featuring miniature sculptures made from chewing gum wrappers depicting historic soccer moments; Pelle Cass's "Play!" at Union Station's Metro Art Passageway Gallery, showing densely layered timelapse photographs of athletes; and Mark Dean Veca's mural "Miracle of La Brea" at the new Wilshire/La Brea Metro Station, which traces the history of the Miracle Mile. The piece also notes the recent opening of the David Geffen Galleries at LACMA and upcoming museums like Refik Anadol's Dataland and the Lucas Museum of Narrative Art.

The Delicate Bouquet of Roses and Peonies by Redouté and Thilo Westermann at Malmaison

Le délicat bouquet de roses et de pivoines de Redouté et de Thilo Westermann à Malmaison

An exhibition titled "Roses & Pivoines" has opened at the Château de Bois-Préau in Malmaison, France, pairing the 19th-century botanical watercolors of Pierre-Joseph Redouté with contemporary glass-painting works by German artist Thilo Westermann. Redouté, famous for his meticulous rose and peony illustrations commissioned by Empress Joséphine Bonaparte, is shown alongside Westermann's pointillist technique on glass, which he developed from 2014 onward. The show also includes works by Jan-Frans van Dael and Cornelis van Spaendonck, plus scent stations for visitors to smell rose essences.

Singapore Art Museum at 30: tough decisions

The Singapore Art Museum (SAM) is celebrating its 30th anniversary while navigating the challenges of its 2022 relocation to Tanjong Pagar Distripark, a remote industrial building that has drawn mixed reactions—some visitors find it too inaccessible, while younger audiences applaud the move away from the colonial civic district. Director and CEO Eugene Tan defends the decision, citing the building's high ceilings and flexible spaces as ideal for contemporary art, and announces a fifth gallery opening by 2026 that will bring total exhibition space to 3,800 square meters. The museum also plans to experiment with open-air exhibition techniques in the new space, aiming to reduce energy demands.

Anila Quayyum Agha exhibitions in Nashville and Huntsville

The Frist Art Museum in Nashville will present "Anila Quayyum Agha: Interwoven," a survey exhibition spanning two decades of the Pakistani American artist's work, from May 22 to August 30, 2026. Organized by The Westmoreland Museum of American Art, the show features 26 works including installations, drawings, and sculptures that explore themes of identity, immigration, and environmental devastation, drawing on influences from Indo-Islamic architecture, Urdu poetry, and traditional crafts. The exhibition, which is the final stop on a four-venue tour, includes Agha's iconic lightbox installations such as "Intersections" (which won the 2014 ArtPrize) and "All the Flowers Are for Me (Red)."

Giant inflatable artworks have taken over The Hague

A monthlong open-air exhibition called BlowUp Jubilee has taken over The Hague, featuring 24 giant inflatable artworks installed in parks, on buildings, and even in a train station. Highlights include a 7-meter-tall stew pot floating in front of the Mauritshuis museum, home to "Girl with a Pearl Earring," and works by artists such as Eugenie Boon, who created a piece inspired by Curaçaoan culture, and British artist Steve Messam, whose red spiked sculpture Crested sits atop a parking garage entrance. The exhibition is curated by Mary Hessing and runs until June 21.

The great Portuguese artist who reconstructs a Via Crucis for his exhibition in Venice

Il grande artista portoghese che per la sua mostra a Venezia ricostruisce una Via Crucis

Portuguese artist Pedro Cabrita Reis presents "XIV Steps" at the Magazzino del Sale 3 – Accademia di Belle Arti di Venezia during the 61st Venice Biennale. The exhibition features a new cycle of fourteen diptychs inspired by the structure of the Via Crucis (Stations of the Cross), arranged in a linear, processional path that emphasizes rhythm, distance, and repetition. Developed with Luca Berta and Michael Short, the works blend painting, materiality, and spatial construction, using dense layers of violet, dark red, black, and orange punctuated by large black diagonals that evoke architectural elements and tension.

Sculpture as a Form of Architecture: Happening at the Foundation of Super Artist Anish Kapoor in Venice

La scultura come forma di architettura. Succede alla Fondazione del super artista Anish Kapoor a Venezia

Anish Kapoor has opened a major solo exhibition at Palazzo Manfrin in Venice, a 16th-century building he purchased in 2018, now home to his foundation. The show, running until August 8 during the 61st Venice Biennale, spans over fifty years of his practice, featuring models, studies, and installations that blur the line between sculpture and architecture. Works include the Monte Sant'Angelo metro station in Naples, the ArcelorMittal Orbit tower for the 2012 London Olympics, the inflatable concert hall Ark Nova, and the environmental installation Temenos. The palazzo itself remains under restoration, with exposed construction elements and workspaces visible, reinforcing the exhibition's theme of continuous transformation.