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Frist Art Museum Will Present 100 Years of Contemporary Indigenous Art

The Frist Art Museum in Nashville will present "An Indigenous Present," an exhibition spanning 100 years of modern and contemporary Indigenous art, from June 26 to September 27, 2026. Co-curated by artist Jeffrey Gibson and independent curator Jenelle Porter, the show features 15 artists who use abstraction as a tool for liberated expression, including Teresa Baker, Raven Chacon, Kimowan Metchewais, Caroline Monnet, George Morrison, Mary Sully, Jaune Quick-to-See Smith, and Kay WalkingStick. Organized by the Institute of Contemporary Art/Boston, the exhibition draws from Gibson and Porter's landmark 2023 publication of the same title and is structured into five thematic sections that place emerging artists in dialogue with established makers.

Native American artist Kent Monkman showcases exhibit at Akron Art Museum

Cree artist Kent Monkman has unveiled a significant solo exhibition at the Akron Art Museum, featuring large-scale paintings including "History is Painted by the Victors" and "The Great Mystery." The showcase highlights Monkman’s signature style of subverting Western art history canons through the lens of Indigenous experience, utilizing his gender-fluid alter ego, Miss Chief Eagle Testickle, to challenge colonial narratives.

Stick a euro in the slot for the lights! The mesmerising, strictly Venetian works of Lydia Ourahmane

British-Algerian artist Lydia Ourahmane has created a new exhibition in Venice, opening alongside the Venice Biennale, that is deeply rooted in the city itself. Rather than shipping in materials, she built a pier for the island of Poveglia in collaboration with a local cooperative that saved the island from development, and she acquired a coin-operated light machine from the church of San Giovanni Crisostomo, which visitors must feed with a euro to illuminate the show. The exhibition is presented at the Nicoletta Fiorucci Foundation.

art abbas akhavan venice biennale canadian pavilion

Abbas Akhavan has transformed the Canadian Pavilion at the Venice Biennale into a greenhouse-like installation titled "Abbas Akhavan: Entre chien et loup." The pavilion's wooden doorway has been replaced with glass, revealing a pond with pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with water, sharpened bronze sticks, and custom frosted mirrors that blur the architecture. The centerpiece will be three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, which will gradually take over the pond over the summer. The exhibition is curated by Kim Nguyen, commissioned by the National Gallery of Canada, and supported by the Canada Council for the Arts.

‘Art’s Selfish’: Canada Pavilion Artist Abbas Akhavan on What Comes After Venice

Abbas Akhavan, representing Canada at the 2026 Venice Biennale, has transformed the Canada Pavilion into a greenhouse-like installation titled “Abbas Akhavan: Entre chien et loup.” The pavilion’s wooden door has been replaced with glass, revealing a pond of pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with mist, sharpened bronze sticks, and frosted mirrors that blur the architecture. Three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, will gradually fill the pond over the summer. Akhavan describes his role as a “custodian” rather than a controller, emphasizing the unpredictability of nature.

Kent Monkman at Akron Art Museum: Reimagining North American landscapes

Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.

Top Seattle art shows to see in May 2026

Seattle's art scene in May 2026 features six diverse exhibitions. Highlights include 'Influences: Japanese Prints and Northwest Art' at the Cascadia Art Museum, exploring the impact of Japanese woodblock printing on regional artists; a site-specific installation by Carly Sheehan at the appointment-only Double Garage Gallery; Clare Johnson's exhibition of over 6,000 artworks on sticky notes at Gallery 4Culture; Emma Bergman's surreal multimedia installation 'The World to Come' at Specialist Gallery; and a landmark retrospective of light-art pioneer Tom Lloyd at the Frye Art Museum.

Seattle May art shows include speakeasy-style gallery attached to house

A series of diverse art exhibitions are opening across Seattle in May. Highlights include a show exploring the influence of Japanese woodblock prints on Northwest artists at the Cascadia Art Museum, a site-specific installation in a private garage gallery called Double Garage, and a large-scale display of drawings on sticky notes by Clare Johnson at Gallery 4Culture. Other featured shows include Emma Bergman's surreal multimedia installation at Specialist Gallery and a landmark retrospective of light artist Tom Lloyd at the Frye Art Museum.

Alice Peach “Still Curly” at Iowa, New York

Alice Peach’s solo exhibition "Still Curly" at Iowa, New York, features a series of new sculptures constructed from popsicle sticks. These humble, mass-produced materials are transformed into modular, skeletal forms that mimic biological structures such as spines and torsos. The works are displayed in various states of tension, either splayed against the gallery walls or suspended from the ceiling to create a sense of precarious movement.

Heard Museum to open exhibition pairing artists’ work with letters to their younger selves

The Heard Museum in Phoenix has opened a new exhibition titled "Wisdom from the Future," which pairs artwork by 28 Indigenous artists aged 55 and older with personal letters they wrote to their younger selves. The letters offer reflections on creativity, identity, and lived experience, with participating artists including Kay WalkingStick, Norbert Peshlakai, Preston Singletary, and others. The exhibition was developed in connection with the museum's Creative Aging program, which supports older adults in developing artistic skills.