“Primary Structures,” Turns 60

On April 28, 1966, The New York Times published a review by conservative critic Hilton Kramer of the Jewish Museum's exhibition “Primary Structures,” organized by curator Kynaston McShine. Kramer, disdainful of contemporary art, described the 42 American and British artists as rejecting personal expression and subjective inflection, yet he acknowledged the show as the first comprehensive glimpse of a style that would define the 1960s. The exhibition featured then-little-known artists including Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, Anne Truitt, John McCracken, Larry Bell, Robert Smithson, Judy Chicago, Philip King, Michael Bolus, and David Annesley, and is now recognized as the ur-survey of Minimalism—a term McShine deliberately avoided.

Paul McCarthy: ‘The world is now an extreme absurdity. The work is a reaction to that’

Paul McCarthy, the 80-year-old American artist known for his transgressive critiques of consumer culture, has opened a new exhibition titled "SS EE Saint Santa Eva Elf" at Hauser & Wirth in Paris. The show features large-scale drawings and a six-channel video installation created during filmed performances with his long-term collaborator, German actress Lilith Stangenberg, who plays the Elf. McCarthy revisits his iconic Santa Claus motif, portraying him as a dark, psychotic figure—the "god of capitalism and consumption." The exhibition also includes earlier drawings made with Stangenberg at Bowman Hal gallery in Madrid. The interview reveals that McCarthy's home and studios in Los Angeles were destroyed by wildfires, resulting in the loss of art, drawings, notebooks, and books, and the cancellation of a planned London show.

‘It’s really important that the public is not just a silent witness’: Marina Abramović on her Venice Biennale exhibition

Marina Abramović is the first living female artist to have a solo exhibition at the Gallerie dell'Accademia in Venice, where her work will be installed alongside the museum's permanent collection. The show, titled *Transforming Energy*, features interactive 'transitory objects' such as stone beds and crystal-embedded structures that visitors are invited to use, as well as a juxtaposition of her 1983 photograph *Pietá (with Ulay)* with Titian's final masterpiece *Pietá* (1575-76). Abramović, who won the Golden Lion for Best Artist at the 1997 Venice Biennale, emphasizes audience participation over passive viewing, banning telephones and encouraging visitors to spend at least three hours engaging with the works.

José Dávila Makes Space the Subject in His New York Show

José Dávila's solo exhibition "The Simple Act of Positioning" opens at Sean Kelly gallery in New York, featuring sculptures that explore the relational placement of objects in space. The show includes totemic pillars of steel, concrete, volcanic rock, and automotive paint, framed by large black structures, inviting viewers to move through the gallery to fully experience the visual conversations between works. Dávila, originally from Guadalajara and trained in architecture, draws on Modernist precedents from artists like Marcel Duchamp and architects like Luis Barragán.

Lina Lapelytė Fills Hamburger Bahnhof with 400,000 Wood Blocks for Communal Building

Lithuanian artist Lina Lapelytė has filled Berlin's Hamburger Bahnhof with 400,000 wooden blocks made of pine and spruce, creating a participatory installation titled “We Make Years Out of Hours.” Commissioned by Chanel, the work invites the public to build and rebuild structures from the 10-centimeter cubes. A series of weekly performances featuring a libretto by writers including Ocean Vuong, Etel Adnan, Forugh Farrokhzad, and Mahmoud Darwish will accompany the installation, which opens on May 1 and runs through January 10, 2027.

Art and Soul: Showcasing Three Inspiring Women Artists

The Oakland Museum of California (OMCA) will present a major exhibition of East Bay artist Mildred Howard titled "Mildred Howard: Poetics of Memory" from June 12 through October 18. The show spans over 50 years of Howard's career, featuring sculpture, public art, and immersive installations, including large-scale works made from found objects like skillets, shoes, and glass bottles. Key pieces include "Blackbird in a Red Sky (aka Fall of the Blood House)" and "Ten Little Children Standing in a Line (One Got Shot, and Then There Were Nine)." Howard, a 2025 Guggenheim Fellow, explores themes of memory, home, Black identity, and the African American experience, often using house-like structures to prompt dialogue about belonging and sanctuary.

Exhibition | Carlos Garaicoa, 'Rituals and Liberty' at Goodman Gallery, New York, United States

Goodman Gallery presents Carlos Garaicoa's first solo exhibition at its New York viewing room, titled 'Rituals and Liberty.' The show features eight works, including five reliefs that blend painting and photography, and sculptural models incorporating 19th-century French engravings. The exhibition precedes Garaicoa's solo show at Museo La Tertulia in Cali, Colombia, in May. Garaicoa, a Cuban-born artist based in Madrid, explores urbanism and how architecture reflects and shapes society, continuing his long-standing interest in decoding urban infrastructures.

New media art fair launches second edition in Busan, questions the genre's direction

The Loop Plus media art fair has launched its second edition in Busan, South Korea. The fair, dedicated exclusively to new media art, is confronting fundamental market challenges, specifically the public and collector uncertainty about whether such technologically dependent works can be owned and collected. It aims to build the market and ecosystem for the genre.

Klara Lidén “Kunstwerke” at KW Institute for Contemporary Art, Berlin

Swedish artist Klara Lidén has opened a major solo exhibition, "Kunstwerke," at the KW Institute for Contemporary Art in Berlin. The show features a new, site-specific architectural installation that reconfigures the gallery's main hall, alongside a selection of her existing video and sculptural works that explore urban space and the body's relationship to it.

After three years, investigations and now a $4.4m lawsuit, Australia’s most controversial art exhibition finally opens

The National Gallery of Australia has finally opened 'Ngura Puḻka – Epic Country,' a landmark exhibition of 30 large-scale paintings by Indigenous artists from the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands. The show’s debut comes after a three-year delay caused by explosive allegations in the media suggesting that white studio assistants had improperly intervened in the creation of the artworks. These claims sparked multiple independent investigations, a $4.4 million defamation lawsuit, and a previous last-minute cancellation of the exhibition in 2023.

peter zumthor's david geffen galleries open at LACMA as a sweeping glass-and-concrete arc

The Los Angeles County Museum of Art (LACMA) has officially opened the David Geffen Galleries, a massive glass-and-concrete structure designed by Pritzker Prize-winning architect Peter Zumthor. Elevated nine meters above the ground and spanning Wilshire Boulevard, the 275-meter-long building replaces several older structures to house the museum’s permanent collection. The inaugural installation, developed by a team of 45 curators, abandons traditional chronological displays in favor of a geographic framework organized around four major bodies of water: the Pacific, Indian, and Atlantic Oceans and the Mediterranean Sea.

Glenstone Is Celebrating 20 Years Of Art, Architecture, & Nature

Glenstone Museum in Potomac, Maryland, is celebrating its 20th anniversary as one of the largest private contemporary art museums in the United States. Founded in 2006, the institution offers a unique, immersive experience across 230 acres, combining world-class art, minimalist architecture, and expansive nature trails. The museum currently features major works by iconic artists such as Jackson Pollock, Ruth Asawa, and Kerry James Marshall within its two primary structures, The Gallery and The Pavilions.

LA LECHUZA DE MINERVA

The Círculo de Bellas Artes in Madrid, founded in 1926 by a small group of artists, has launched a centenary exhibition titled "La lechuza de Minerva" (The Owl of Minerva). Curated by Isabella Lenzi, the project revisits the institution's most disruptive exhibition, "El sueño imperativo" (1991), curated by Mar Villaespesa, which invited twelve artists to intervene in both exhibition spaces and transit areas, challenging traditional display logic. The new exhibition features works by artists including Dagoberto Rodríguez, Elo Vega, Rogelio López Cuenca, Isidoro Valcárcel Medina, Itziar Okariz, Los Carpinteros, María Salgado, Pedro G. Romero, Regina Silveira, Silbatriz Pons, and Tino Sehgal, who activate hidden and unexpected corners of the building through visual and sound actions. The project also restores Nancy Spero's 1991 intervention "Minerva, Sky Goddess," which had largely disappeared, through archaeological research led by restorer Rocío Casasus.

CISCO MEREL: LA CHANTIN

CISCO MEREL: LA CHANTIN

Kunsthalle Lissabon in Lisbon, Portugal, is presenting 'La Chantin,' the first solo exhibition in the country by Panamanian artist Cisco Merel. The exhibition features a site-specific installation exploring the house as an open, collective, and evolving system, inspired by the mobile, wooden 'shanty' structures built by the Afro-Caribbean diaspora during the construction of the Panama Canal.

Newsmakers: Nalini Malani Lets the Walls Speak with a New Installation in Venice

Nalini Malani's latest installation, *Of Woman Born*, opens at the Magazzini del Sale in Venice during the Venice Biennale. Commissioned by the Kiran Nadar Museum of Art, the work projects hand-drawn animations onto the crumbling brick walls of a 15th-century salt warehouse, creating a cave-like environment where images flicker like ancient cave paintings. The installation draws on tens of thousands of drawings and incorporates mythology, literature, and sound, with a central focus on the myth of Orestes to explore themes of violence, displacement, and gender politics. Malani has also extended her recurring 'Skipping Girl' figure across Venice via posters and public signage to guide viewers to the exhibition.

A Wooden Canopy by Kengo Kuma Casts Dappled Light Around a Copenhagen Museum

Architect Kengo Kuma has unveiled a monumental site-specific installation titled "Earth / Tree" at Copenhagen Contemporary. The structure features a suspended canopy of curved wooden slats designed to evoke the Japanese concept of 'komorebi,' or the dappled light that filters through trees. Positioned over a brick platform and rubble, the installation serves as a material bridge between Nordic and Japanese architectural traditions.

Goen Choi and Hyeree Ro on Representing South Korea at the 61st Venice Biennale

Goen Choi and Hyeree Ro are representing South Korea at the 61st Venice Biennale, which runs from 9 May to 22 November 2026. In an interview with ArtReview, Choi describes his sculptural installation "Meridian," featuring ruptured copper pipes that traverse the Korean Pavilion in the Giardini, exploring unseen infrastructures and unstable relations between fixed structures. Ro presents "Bearing," a membranelike waxed fabric installation with eight stations for mourning, remembering, and mending, inspired by Korean gardens and temples. Both artists respond to the Biennale's theme "In Minor Keys," emphasizing subtle forces, low vibrations, and contemplative spaces.

New exhibition ‘Personal Structures – Confluences’ to open in Venice in May 2026

The European Cultural Centre Italy has announced the eighth edition of its biennial contemporary art exhibition, 'Personal Structures – Confluences,' set to run from May 9 to November 22, 2026, in Venice. Spanning Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens, the massive showcase will feature 175 artists from over 40 countries, including high-profile figures like ORLAN, Rashid Al Khalifa, and Hirohiko Araki. This edition introduces 'PS Design,' a new section dedicated to the intersection of art and architecture, and will host the national pavilions of El Salvador and Seychelles alongside a significant collaboration with the Palestine Museum US.

In Kyoung Chun: Make Room

The Halsey Institute of Contemporary Art at the College of Charleston is presenting "Make Room," a solo exhibition by South Korean-born, Atlanta-based artist In Kyoung Chun. The show features a mix of paintings and site-specific installations, including transparent houses and suspended structures that explore the artist's experience as an immigrant. By blurring the lines between interior and exterior spaces, Chun’s work invites viewers into environments that reflect on the fragility and resilience of home.

‘New Humans’: A Hallucinatory Humanism Worth Moving Toward

Milan’s art scene is currently anchored by 'New Humans' at Pirelli HangarBicocca, a major solo exhibition by Cao Fei that explores the intersection of technology, labor, and human identity. The show features immersive installations and films that document global farming practices and the surreal evolution of social structures in the digital age, alongside other key city-wide exhibitions including Anselm Kiefer’s portraits of female alchemists.

Arielle and the Politics of Beautiful Things

Arielle und die Politik der schönen Dinge

Josefine Reisch presents new works at Noah Klink gallery during Berlin Gallery Weekend. Her paintings combine mermaids, shipping containers, and Euroboxes to explore themes of standardization, global capitalism, and the politics of beauty. The exhibition, titled "Poxy Proxy," is a duo show with Miriam Umiń. Reisch's studio visit reveals her interest in how objects like Eurokisten (standardized plastic crates) and shipping containers symbolize economic progress and power structures, while mermaid imagery from Disney's "Arielle" questions the equation of beautiful things with moral goodness.

Robert Filliou, artistes océaniens… Que nous réserve la prochaine édition de la Biennale de Lyon ?

The 18th edition of the Lyon Biennale, titled "Passer d’un rêve à l’autre" (Moving from One Dream to Another), will run from September 19 to December 13, 2026. Curated by Catherine Nichols, an Australian-born art historian and editor based in Berlin, the biennial will take place across ten venues in Lyon, including the Grandes Locos, macLyon, and for the first time the Musée des Tissus et des Arts décoratifs. More than half of the works will be new productions, and over half of the artists are women, with a substantial focus on Oceanian artists such as Timo Hogan, Jazz Money, and Kaylene Whiskey. The exhibition draws inspiration from Lyon's traboules (hidden passageways) and the writings of artist Robert Filliou, exploring themes of dreams, critical analysis, and a "poetic economy."

What makes love political, Wynnie Mynerva?

Was macht Liebe politisch, Wynnie Mynerva?

Peruvian artist Wynnie Mynerva discusses her exhibition "Volveré y seré millones" at the Société gallery in Berlin, timed to coincide with Gallery Weekend. The artist explores Andean cosmologies, specifically the concept of 'Ayni' or collective reciprocity, as a counter-narrative to Western, capitalist structures of romantic love and individualism. Her work draws from her personal experience as a migrant in Europe and her observations of Berlin’s queer scene, questioning how care and survival function within modern political frameworks.

Morag Keil at Arcadia Missa

The London-based gallery Arcadia Missa is currently hosting a solo exhibition by artist Morag Keil titled "With You For Life." Running from March 5 through April 25, 2026, the presentation features a new body of work documented through a series of installation views captured by photographer Tom Carter.

Exhibition | Tommaso Spazzini Villa, 'The Time That’s Left' at TOTAH, New York, United States

TOTAH gallery in New York presents 'The Time That’s Left', a solo exhibition of works by Italian artist Tommaso Spazzini Villa, opening May 14, 2026. The show expands on his recent large-scale mural on West 45th Street in Hell’s Kitchen, moving from public space to an intimate gallery setting. It features graphite drawings traced across antique book pages—sacred texts, epic poetry, theatre scores—depicting root-like forms that challenge linear language, alongside metal box sculptures with wire, light, and dried leaves that create fleeting shadow dioramas.

David Plowden’s Iowa Exhibit Opening Reception Today at 4:00 PM

The Sioux City Art Center is hosting an opening reception today at 4:00 PM for an exhibition of black-and-white photographs by David Plowden, titled "David Plowden’s Iowa." The show features 90 images taken from the 1960s through the 2000s, documenting Iowa’s rural communities, agricultural landscapes, barns, grain elevators, and small-town structures. The exhibition was organized by curator Christopher Atkins and originally toured the state from 2012–2014 via Humanities Iowa. The reception includes free margaritas in celebration of Cinco de Mayo.

Walferdange exhibition ‘BeComing’ explores identity

Ukrainian visual artist Tetiana Popyk is presenting her first major solo exhibition, titled 'BeComing,' at the Gallery CAW in Walferdange. Running from April 17 to May 3, 2026, the show features a diverse range of photography, mixed media, and conceptual photo collages that explore the intersection of femininity, cultural identity, and belief systems. The exhibition includes works from several of her established series, such as 'Majestic Women of the World' and 'Ukrainian Legends,' alongside a new project focused on androgyny that was originally conceived during the pandemic.

Virginia MOCA opens new building with bold show, 'The Pursuit of Happiness.'

The Virginia Museum of Contemporary Art (Virginia MOCA) has inaugurated its new, expanded facility on the campus of Virginia Wesleyan University. The opening is anchored by a major solo exhibition titled "The Pursuit of Happiness" by acclaimed contemporary artist Nina Chanel Abney, alongside a group show, "Seamless: Art and Design." Abney’s exhibition features her signature large-scale, vibrant, and emoji-inspired works that explore the complexities of the American Dream, identity, and power structures through a lens of both visual seduction and narrative ambiguity.

IN LYON, CONTEMPORARY ART HAS A HISTORY : THREE STAGES TO EXPLORE IT

The Lyon Museum of Contemporary Art (MAC Lyon) has launched a major seasonal program featuring three distinct exhibitions that explore memory, archives, and the evolution of contemporary media. Central to the program is Giulia Andreani’s solo exhibition, "Cold Painting," which presents sixty canvases created between 2011 and 2025 that interrogate historical power structures and the erasure of women from art history. Complementing this is a significant showcase of video art drawn from a massive donation by collectors Isabelle and Jean-Conrad Lemaître, alongside a retrospective dedicated to Jean-Claude Guillaumon.

THE IMMA SHOWCASES THE DEEP REFLECTION OF CECILIA VICUNA

The Irish Museum of Modern Art (IMMA) is presenting "Reverse Migration, a Poetic Journey," the first solo exhibition in Ireland by Chilean artist Cecilia Vicuña. The show features a diverse range of works including her signature 'precarios' and 'quipus'—ancient Andean-inspired textile structures—alongside early paintings and sound installations. Central to the exhibition is Vicuña’s personal connection to Ireland, explored through a 2006 pilgrimage to archaeological sites and new collaborations with local artisans using Irish wool.